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Month: November 2020

Winning is persuasive

Photo credit: @aoc - Instagram
The Squad,” Representatives Alexandria Ocasio-Cortez, Rashida Tlaib, Ilhan Omar, and Ayanna Pressley. Photo credit: @aoc – Instagram

MAGA America this morning will be asking itself what just happened. Its champion has lost the Oval Office. World leaders welcomed America back into the community of nations. People celebrated in London with fireworks. Church bells rang out across Paris. People danced in the streets across the U.S. until the wee hours Saturday night. MSNBC’s Brian Williams observed, this is how people behave when a dictatorship falls.

Former Vice President Joe Biden will be the next president of the United States. Sen. Kamala Harris makes history as the new vice president-elect, thrilling generations of women and members of long-marginalized ethnicities. When Biden makes his first address to a joint session of Congress, he will begin (likely), “Madame Speaker, Madame Vice President …” For the first time, two of the top three positions in U.S. government will be held by women. Former Obama staffer and CNN commentator Van Jones wept on camera at what it meant to see Trump defeated. Character matters. Being a good person matters.

Still, people in my social feed were already asking how Democrats can talk to voters devoted to Donald Trump. The answer is they cannot. And should not try. Any more than Glinda tried to tell Dorothy she always had the power to go back to Kansas. She had to learn that for herself.

Political scientist Rachel Bitecofer last week advised Democrats to come to terms with the fact that “the very 1st thing that matters” is party identification. “A disproportionate share of the overall Indie pool, are closet Reps: they are not persuadable no matter how much you cater to them,” Bitecofer wrote in a tweet thread.

Why? Because as “one of fewer academics that come from the real, unpolished, bottom 50% world,” Bitecofer observes, “sexism, racism, xenophobia, and bigotry run rampant: and not only are these ‘isms’ prevalent, there is a belief that they shouldn’t have had to be buried.” This is why MAGA America accepted Trump as its culture war hero.

They long for the old days when, as Isabel Wilkerson observes, America had a more formal caste hierarchy and they were at the top of it. Now, it is gone and Democrats are to blame.

Better messaging, better policies will not reach the most entrenched of them. It will take “a complete and total overall of the entire electioneering approach of the [Democratic] party.” (Regular readers may have noticed that is what I advocate.)

Representative Alexandria Ocasio-Cortez of New York recommends a similar overhaul to how Democrats campaign. Democratic members who complained the party’s left lean cost seats are running lame campaigns that make them vulnerable to Republican attacks. The party is in a rut:

If you’re not door-knocking, if you’re not on the internet, if your main points of reliance are TV and mail, then you’re not running a campaign on all cylinders. I just don’t see how anyone could be making ideological claims when they didn’t run a full-fledged campaign.

Our party isn’t even online, not in a real way that exhibits competence. And so, yeah, they were vulnerable to these messages, because they weren’t even on the mediums where these messages were most potent. Sure, you can point to the message, but they were also sitting ducks. They were sitting ducks.

There’s a reason Barack Obama built an entire national campaign apparatus outside of the Democratic National Committee. And there’s a reason that when he didn’t activate or continue that, we lost House majorities. Because the party — in and of itself — does not have the core competencies, and no amount of money is going to fix that.

The party’s reliance on an old-boy network of consultants means it is slow to pivot to modern tactics that progressive insurgents bring to the table.

I’ve been begging the party to let me help them for two years. That’s also the damn thing of it. I’ve been trying to help. Before the election, I offered to help every single swing district Democrat with their operation. And every single one of them, but five, refused my help. And all five of the vulnerable or swing district people that I helped secured victory or are on a path to secure victory. And every single one that rejected my help is losing. And now they’re blaming us for their loss.

The boom-bust nature of campaigning means whatever competencies the party builds during election years wither away after every election. Letting his network wither was one of Obama’s biggest mistakes. Democrats need to nurture skills at the local level that build every election. Rather than expect top-of-ticket candidates to pull along down-ticket candidates, local committees need competencies to elect local Democrats without needing help from Washington, D.C. lobbyists. Wins at the local level mean wins at the top of the ballot. Democrats operate as if it works the other way around.

Political campaigns are called races. Perhaps Democrat should treat them as athletic competitions rather than ideological chess games. You don’t persuade bitter rivals that yours should be the winning team. You train hard and develop skills to defeat them soundly. After a few defeats, perhaps they figure out for themselves they are on the wrong team. But you don’t persuade them to let you win with gentle words and dulcet tones.

Sweet relief followed by joy

Kamala wearing suffragist white. Big moment for me …

He’s happy. So am I:

Connery from A to Zed

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I’m posting a belated tribute to Sean Connery, who passed away last week (on Halloween, no less). I already had a post planned for last Saturday, and as you may have heard there was an election thingy going on all this week that I’ve found a bit …distracting.

There’s not much of a revelatory nature I can add to the plethora of tributes that have poured in since, except to acknowledge that being of “a certain age”, Connery was a figure who loomed large in my personal pop culture iconography (I can still remember my excitement when I received a “Goldfinger” board game for Hanukah when I was 10).

He was, and will likely always be, the definitive James Bond of course; but he did tackle a number of other roles during his career well outside the realm of the suave secret agent.

With that in mind, and a nod to Bond’s service number, here are my top 7 Connery films.

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The Anderson Tapes – In Lumet’s gritty 1971 heist caper, Sean Connery plays an ex-con, fresh out of the joint, who masterminds the robbery of an entire NYC apartment building. What he doesn’t know is that the job is under close surveillance by several interested parties, official and private. To my knowledge it’s one of the first films to explore the “libertarian’s nightmare” aspect of everyday surveillance technology (in this regard, it is a pre-cursor to Francis Ford Coppola’s paranoiac 1974 conspiracy thriller The Conversation).

Also on board are Dyan Cannon, Martin Balsam, Ralph Meeker, Alan King and Christopher Walken (his first major film role). The smart script was adapted from the Lawrence Sanders novel by Frank Pierson, and Quincy Jones provides the score.

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Goldfinger – While you can’t really go wrong adding any of the first four James Bond entries to a “best of Connery” filmography (Dr. No, From Russia With Love, Goldfinger, or Thunderball), if I had to choose one as my desert island disc, I’d go with Goldfinger.

This was the first of the four Bond films directed by Guy Hamilton (he also helmed Diamonds Are Forever, Live and Let Die, and The Man With the Golden Gun). Paul Dehn’s screenplay (co-adapted by Johanna Harwood from Ian Fleming’s novel) is infinitely quotable (“No, Mr. Bond…I expect you to die!” “I never joke about my work, 007.” “You can turn off the charm. I’m immune.” “Shocking …positively shocking!”).

From its classic opening theme (belted out by Shirley Bassey), memorable villain (played to the hilt by Gert Frobe), iconic henchman (Harold Sakata as Goldfinger’s steel-rimmed bowler tossing bodyguard “Oddjob”) and the best Bond girl ever (Honor Blackman as Pussy Galore) to Q’s tricked-out Aston-Martin (with smoke screen, oil slick, rear bullet shield, revolving license plates, machine guns and my favorite – the passenger ejector seat), this will always be the quintessential 007 adventure for me.

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The Man Who Would Be King – Look in the dictionary under “ripping yarn” and you’ll find this engaging adventure from 1975, co-adapted by director John Huston with Gladys Hill from Rudyard Kipling’s short story. Stars Sean Connery and Michael Caine have great chemistry as a pair of British army veterans who set their sights on plundering an isolated kingdom in the Hindu Kush. At least that’s the plan.

Before all is said and done, one is King of Kafiristan, and the other is covering his friend’s flank while both scheme how they are going pack up the treasure and make a graceful exit without losing their heads in the process.  As it is difficult for a king to un-crown himself, that is going to take one hell of a soft shoe routine. In the realm of “buddy films”, the combined star power of Connery and Caine has seldom been equaled (only Redford and Newman come to mind). Also with Christopher Plummer and Saeed Jaffrey.

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Marnie – I know it’s de rigueur to tout Vertigo as Alfred Hitchcock’s best “psychological thriller”, but my vote goes to this  underrated 1964 film, which I view as a slightly ahead-of-it’s-time precursor to dark, psycho-sexual character studies along the lines of Roman Polanski’s Repulsion and Robert Altman’s That Cold Day in the Park.

Tippi Hedren stars as an oddly insular young woman who appears to suffer from kleptomania. Sean Connery is a well-to-do widower who hires Marnie to work for his company, despite his prior knowledge (by pure chance) of her tendency to steal from her employers. Okay, he’s not blind to the fact that she’s a knockout, but he also finds himself drawn to her as a kind of clinical study. His own behaviors slip as he tries to play Marnie’s employer, friend, lover, and armchair psychoanalyst all at once. One of Hitchcock’s most unusual entries, bolstered by Jay Presson Allen’s intelligent screenplay.

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Robin and Marian – Richard Lester’s elegiac take on the Robin Hood legend features one of Connery’s most nuanced performances. The 1976 comedy-adventure boasts a witty and literate screenplay by James Goldman (The Lion in Winter, They Might Be Giants) music by John Barry (whose name is synonymous with Bond films) and a marvelous cast that includes Audrey Hepburn (Maid Marian), Robert Shaw (the Sherriff of Nottingham), Richard Harris, Nicol Williamson, Denholm Elliott, and Ian Holm.

20 years after Robin and his merry band had their initial run-ins with Prince John and his henchman, the Sherriff of Nottingham, our Crusades-weary hero has returned to England accompanied by Little John (Williamson). Eager to reunite with his ladylove Marian, Robin is chagrined to learn that she has gotten herself to a nunnery. This is the first of many hurdles for the middle-aged (and more introspective) swashbuckler; but he is determined to have one last hurrah. Connery and Hepburn are simply wonderful together.

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The Untouchables – Sean Connery delivers one of his last truly great performances in Brian De Palma’s 1987 crime drama. While the film bears little resemblance to the late 50s TV show, it is loosely based on the same real-life memoirs of U.S. Treasury agent Elliot Ness, who helped the government build a case against mobster Al Capone in 1929.

Connery plays Jim Malone, a hard-boiled Chicago cop recruited by Ness (Kevin Costner) to be part of an elite squad of T-men who are tasked with bringing down the various criminal enterprises run by Capone (a scenery-chewing Robert De Niro) by any means necessary. Also on the team: Charles Martin Smith and Andy Garcia. Patricia Clarkson plays Ness’ wife. Billy Drago is memorable as Capone’s sneering hit man Nitti. Well-paced, sharply written (by David Mamet) and stylishly directed by De Palma (a climactic shootout filmed in Chicago’s Union Station is a mini masterpiece of staging and editing).

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Zardoz – I suspect my inclusion of John Boorman’s 1974 spaced-out oddity as one of Sean Connery’s “best” films will raise an eyebrow or two, but as I’ve admitted on more than one occasion-there’s no accounting for some people’s taste! Once you get past snickering over Connery’s costume (a red loincloth/diaper accessorized by a double bandolier and thigh-high go-go boots), this is an imaginative fantasy-adventure for adults.

Set in the year 2293 (why not?), Boorman’s story centers on thuggish but natively intelligent Zed (Connery) who roams the wastelands of a post-apocalyptic Earth with his fellow “Brutals” killing and pillaging with impunity. This all-male club worships a “god” named Zardoz, who speaks to them via a large flying stone head, which occasionally touches down so they can fill it with stolen grain. In exchange, Zardoz spews out rifles like a giant Pez dispenser, while intoning his #1 tenet “The gun is good, the penis is evil.”

One day Zed manages to stow away in the head just before takeoff, and when it lands he finds himself in the invisible force-field protected “Vortex”, where the elite “Eternals” live a seemingly idyllic and Utopian life that is purely of the mind. Bemused and fascinated by this “specimen” from the outside world, Zed is “adopted” as a Man Friday by one of the Eternals while his fate is being debated. But who is really studying who?

Boorman’s story takes some inspiration from HG Wells’ The Time Machine, as well as another classic fantasy that becomes apparent in the fullness of the narrative, but it still stands out from the pack for sheer weirdness. There are also parallels to A Boy and His Dog (another film I’ve seen an unhealthy number of times). In a way the “Eternals”-what with their crystals, pyramids, and hippy-dippy philosophical musings, presage the New Age Movement. Also, they pass judgement on anyone in their collective suspected of having “negative thoughts” with a telepathic vote; if found guilty the accused is “aged”  to drooling dotage and banished from the community (that’s social media in a nutshell!).

Previous posts with related themes:

Spectre

Skyfall

OSS 117: Lost in Rio

OSS 117: Cairo, Nest of Spies

Tinker, Tailor, Soldier, Spy

More reviews at Den of Cinema

Dennis Hartley

Surprise! He won’t concede

He says he’s going to “prosecute” his case in court starting on Monday. Soooo… he’s still flailing and ranting and apparently unable to figure a way to call himself a winner even though he is a loser. And there’s no one left to bail him out. It must be psychically crushing for him.

I think this is well put:

https://twitter.com/petermarksdrama/status/1324730576973238276

He will never have another good day…

Oh, I hope not.

No-so gentle reminder

President Donald Trump removes his mask as he stands on the Truman Balcony upon returning to the White House Monday, Oct. 5, 2020, after testing positive for COVID-19 and spending four days at the the Walter Reed Medical Center in Bethesda, Md. (Anna Moneymaker/The New York Times)

Anyone saying that Trump really did well and came close and you have to admire his grit and determination or whatever — GFY. He was a loser then and he’s a loser now and the way people treated Hillary Clinton over the past four years was unforgivable. Trump never won the popular vote and his electoral college victory in 2016 was a fluke, due to some external reasons that had nothing to do with him. He’s been an imposter in the White House this whole time and he’s put this country through a trauma that will be with us for a long time to come.

No quarter.

Meanwhile, in Trumpworld

I’m going with the dildo store.

What a pathetic spectacle:

Rudy Giuliani scoffed at the notion that the presidential contest went to Joe Biden Saturday, throwing his arms to the heavens when told news networks had made the call.

“Oh my goodness! All the networks. Wow!” Giuliani, who is President Trump’s personal lawyer, said in a mocking tone during a news conference. “All the networks. We have to forget about the law. Judges don’t count.”

The former New York City mayor went on to say, “Networks don’t get to decide elections. Courts do.”

“Courts set aside elections when they’re illegal,” Giuliani said. “In this particular case, I don’t know if there’s enough evidence to set aside the entire election, certainly not around the country. Maybe in Pennsylvania. There’s certainly enough evidence to disqualify a certain number of ballots.

Giuliani is in the Keystone state to lead Trump’s challenge of the vote count there.

Just enjoy it

I’m exhausted and relieved as I’m sure all of you are as well. And I’m not in the mood for anything but celebration and happiness today. I feel like it’s VDJT-day.

So I’ll return to my usual sour, carping and complaining next week when we start contemplating what comes next.

In the Wake of Trumpism

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The United States has hit record new COVID-19 cases for the last three days running. Hospitalizations are climbing back to numbers not seen since July. The Trump White House cluster is still active.

BBC:

More than 127,000 infections were reported in 24 hours, as well as 1,149 deaths.

The news comes as officials announced that White House chief of staff Mark Meadows had also tested positive for the virus.

He is the latest Trump administration official to contract the disease.

The US is the worst affected nation in the world by Covid-19, with more than 9.7 million confirmed cases and a death toll of more than 230,000.

With just over 4% of the world’s population, at 9.7 million Americans infected the U.S. has recorded 20% of the world’s cases and 19% of the world’s deaths. This is American exceptionalism, Trump-style.

Meadows tested positive on Wednesday along with “at least four other White House officials.” May physicians treat them better than they did the country entrusted to their care.

It is going to be a long death march to January 20.