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RIP David Lynch

We’ve lost a true auteur.

This tribute by Kyle Mclaughlin is one of the best I’ve ever read:

Forty-two years ago, for reasons beyond my comprehension, David Lynch plucked me out of obscurity to star in his first and last big budget movie. He clearly saw something in me that even I didn’t recognize. I owe my entire career, and life really, to his vision.
What I saw in him was an enigmatic and intuitive man with a creative ocean bursting forth inside of him. He was in touch with something the rest of us wish we could get to.

Our friendship blossomed on Blue Velvet and then Twin Peaks and I always found him to be the most authentically alive person I’d ever met.

David was in tune with the universe and his own imagination on a level that seemed to be the best version of human. He was not interested in answers because he understood that questions are the drive that make us who we are. They are our breath.

While the world has lost a remarkable artist, l’ve lost a dear friend who imagined a future for me and allowed me to travel in worlds I could never have conceived on my own.

I can see him now, standing up to greet me in his backyard, with a warm smile and big hug and that Great Plains honk of a voice. We’d talk coffee, the joy of the unexpected, the beauty of the world, and laugh.

His love for me and mine for him came out of the cosmic fate of two people who saw the best things about themselves in each other.

I will miss him more than the limits of my language can tell and my heart can bear. My world is that much fuller because I knew him and that much emptier now that he’s gone.

David, I remain forever changed, and forever your Kale. Thank you for everything.

How beautiful.

The Carnival is Over: RIP David Lynch

Outside
The circus gathering
Moved silently along the rain-swept boulevard.
The procession moved on the shouting is over
The fabulous freaks are leaving town.

They are driven by a strange desire
Unseen by the human eye.
The carnival is over

-from “The Carnival is Over” by Dead Can Dance

I did a piece in 2015 about my 10 favorite midnight movies. One of my picks was David Lynch’s Eraserhead, of which I wrote:

If there’s one thing I’ve learned in my fifty-odd years on the planet, it’s that when it comes to the films of David Lynch, there is no middle ground. You either love ‘em, or you hate ‘em. You buy a ticket to a Lynch film, my friend, you’d best be willing to take the ride-and he will take you for a ride. And do you want to know the really weird thing about his films? They get funnier with each viewing. Yes, “funny”, as in “ha-ha” . I think the secret to his enigmatic approach to telling a story is that Lynch is in reality having the time of his life being impenetrably enigmatic-he’s sitting back and chuckling at all the futile attempts to dissect and make “sense” of his narratives. For example, have you noticed how I’ve managed to dodge and weave and avoid giving you any kind of plot summary? I suspect that David Lynch would find that fucking hysterical.

When I heard the news today about Lynch’s passing at age 78, my first thought was anger (I skipped denial and shook my fist at a bleak and indifferent universe) This isn’t fair. Then I went straight to bargaining: I still have a few tickets left over…I want to take more rides! Then I leapfrogged over depression and went straight to acceptance, thinking to myself: Well, I guess David Lynch’s Carousel of Dreams has closed down, the dwarf has danced his last waltz, and the carnival is over.

Oddly enough I’ve had Lynch on the brain, as I recently finished my annual Twin Peaks binge. From my 2014 review of a Blu-ray box set of the first two seasons:

Who killed Laura Palmer? Who cares? The key to binge-watching David Lynch’s short-lived early 90s cult TV series about the denizens of a sleepy Northwestern lumber town and their twisted secrets is to unlearn all that you have learned about neatly wrapped story arcs and to just embrace the wonderfully warped weirdness. The real “mystery” is how the creator of avant-garde films like Eraserhead and Blue Velvet managed to snag a prime time network TV slot in the first place…and got away with it for two seasons!

Of course, I watched in proper order; beginning with Lynch’s 1992 theatrically-released prequel Twin Peaks: Fire Walk With Me, then proceeding with the original 2 season TV run (1990-1991) and concluding with the belated Season 3 , which debuted on Showtime in 2017.

I don’t know why it’s become a holiday tradition for me. Maybe it’s something about living in such close proximity to the exterior shooting locations. Maybe it’s the mood; the Northwest noir vibe that permeates Twin Peaks complements my annual mid-winter Seattle blues.

If there was a commonality in Lynch’s films, it was their distinctive mood; a dream-like (or nightmarish, if you prefer) kind of mood. There’s a reason that “Lynchian” has entered the lexicon. Even his less lauded films were nothing, if not dreamlike. From my 2021 review of Denis Villenueve’s Dune:

In an interview published by The Hollywood Reporter in April of 2020, David Lynch made these observations regarding Denis Villenueve’s (then) upcoming remake of Dune:

(Interviewer) This week they released a few photos from the new big-screen adaptation of Dune by Denis Villeneuve. Have you seen them?

I have zero interest in Dune.

Why’s that?

Because it was a heartache for me. It was a failure, and I didn’t have final cut. I’ve told this story a billion times. It’s not the film I wanted to make. I like certain parts of it very much — but it was a total failure for me.

You would never see someone else’s adaptation of Dune?

I said I’ve got zero interest.

If you had your choice, what would you rather make: a feature film or a TV series?

A TV series. Right now. Feature films in my book are in big trouble, except for the big blockbusters. The art house films, they don’t stand a chance. They might go to a theater for a week and if it’s a Cineplex they go to the smallest theater in the setup, and then they go to Blu-ray or On Demand. The big-screen experience right now is gone. Gone, but not forgotten.

[…]

Obviously, David Lynch is not a fan of his own 1984 adaptation; the first time I saw it 37 years ago I wasn’t either …but in the fullness of time, it has grown on me (as Lynch’s films tend to do). Yes, it has certain cheesy elements that even time cannot heal, but how can you possibly top Kenneth McMillan’s hammy performance as an evil, floating bag of pus, Brad Dourif’s bushy eyebrows…or Sting’s magnificently oiled torso?

He may be gone, but like “the big screen experience” his work will not be forgotten. Rest in dreams, Mr. Lynch.

Here’s a few more of his films that grown on me in the fullness of time:

The Elephant Man – This 1980 film (nominated for 8 Academy Awards, including Best Picture) dramatizes the bizarre life of Joseph Merrick (magnificently played by John Hurt), a 19th Century Englishman afflicted by a physical condition so hideously deforming that when he entered adulthood, his sole option for survival was to “work” as a sideshow freak. However, when a compassionate surgeon named Frederick Treaves (Anthony Hopkins) entered his life, a whole new world opened to him.

While there is an inherent grotesqueness to much of the imagery, Lynch treats his subject as respectfully and humanely as Dr. Treaves. Beautifully shot in black and white (by DP Freddie Francis), Lynch’s film has a “steampunk” vibe. Hurt deservedly earned an Oscar nod for his performance, more impressive when you consider how he conveys the intelligence and gentle soul of this man while encumbered by all that prosthetic. Great work by the entire cast, which includes Anne Bancroft, Freddie Jones and John Gielgud.

Blue Velvet– Any film that begins with the discovery of a severed human ear, roiling with ants amid a dreamy, idealized milieu beneath the blue suburban skies instantly commands your full attention. Writer-director David Lynch not only grabs you with this 1986 mystery thriller, but practically pushes you face-first into the dark and seedy mulch that lurks under all those verdant, freshly mowed lawns and happy smiling faces.

The detached appendage in question is found by an all-American “boy next door” (Kyle MacLachlan), who is about to get a crash course in the evil that men do. He is joined in his sleuthing caper by a Nancy Drew-ish Laura Dern. But they’re not the most interesting characters. That honor goes to the troubled young woman at the center of the mystery (Isabella Rossellini) and her boyfriend (Dennis Hopper).  Hopper is frightening as the 100% pure bat shit crazy Frank Booth, one of the all-time great screen heavies.

Mulholland Drive – This nightmarish, yet mordantly droll twist on the Hollywood dream makes The Day of the Locust seem like an upbeat romp. Naomi Watts stars as a fresh-faced ingénue with high hopes who blows into Hollywood from Somewhere in Middle America to (wait for it) become a star. Those plans get, shall we say, put on hold…once she crosses paths with a voluptuous and mysterious amnesiac (Laura Harring).

What ensues is the usual Lynch mindfuck, and if you buy the ticket, you better be ready to take the ride, because this is one of his more fun ones (or as close as one gets to having “fun” watching a Lynch film). This one grew on me; by the third (or was it fourth?) time I’d seen it I decided that it’s one of the iconoclastic director’s finest efforts.

Inland Empire – From Richard A. Barney’s 2009 book David Lynch: Interviews:

Barney: I’ve read some comments you’ve made about the pleasures of [writing a script ‘as you film’]. Can you talk about that and whether [working that way on Inland Empire] was a horror at other times?

Lynch: There’s no horror. The horror, if there is a horror, is the lack of ideas. But that’s all the time. You’re just waiting. And I always say, it’s like fishing: Some days you don’t catch any fish. The next day, it’s another story – they just swim in.

When I read that excerpt (featured in the booklet that accompanies Criterion’s Blu-ray package), a light bulb went off in my (mostly empty) head. Lynch’s answer is analogous to my experience with Inland Empire. The first time I watched it…he didn’t hook me. I watched it once in 2007, found it baffling and disturbing (even for a Lynch joint) and then parked the DVD for 16 years.

Being a glutton for punishment, I purchased the Blu-ray last year (the extras looked interesting, and life is short). When I re-watched the film, I kept an open mind. This time, he caught me – hook, line, sinker and latest edition of Angler’s Digest.

In Inland Empire, Laura Dern stars as an actress (or is she?) who lands a part (or does she?) in a) a film b) her own nightmare, or c) somebody else’s nightmare. It’s Rod Serling’s  Alice In Wonderland. It’s a wild ride.

Also recommended: Wild at Heart, Lost Highway, The Straight Story

More reviews at Den of Cinema

Dennis Hartley

Setting Up The Bailout

They seem serious:

A pair of 50-page policy proposals laying out the plan in detail. Discussions about the specifics with President-elect Donald J. Trump and his advisers. And talks with cabinet nominees about how to pay for it.

On the eve of Mr. Trump’s inauguration, the cryptocurrency industry is pushing his incoming administration to execute an audacious plan that would have seemed unimaginable just a year ago: a government program to buy and hold billions of dollars in Bitcoin.

As he campaigned last summer, Mr. Trump vowed to create a federal “Bitcoin stockpile” that would serve as a “permanent national asset to benefit all Americans.” Bitcoin enthusiasts hailed the idea as potentially transformative, claiming that it would help reduce the national debt. Mr. Trump could still abandon the plan, and its details are under debate. But industry executives have spent weeks lobbying to shape the proposal, raising hopes that Mr. Trump might act soon after taking office.

The Bitcoin-bros have been working with David Sachs, Musks’ fellow South African loon who Trump has named his “crypto Czar.” They’re trying to sell it as a way to pay off the national debt and “U.S. economic dominance if the global economy someday runs on cryptocurrencies.” Right.

But the most obvious beneficiaries would be people who already own Bitcoin, which surged to a record price of $100,000 last month. Any indication that the government plans to buy it is likely to send prices even higher. In September, Mr. Trump rolled out his own crypto venture, World Liberty Financial.

You don’t say.

This is clearly a scam designed to boost the price and prepare for a big government bailout when the whole thing comes crashing down.

Brad Garlinghouse, the chief executive of the crypto company Ripple, said in an interview that he had recently had dinner with Mr. Trump at Mar-a-Lago, and that he had encouraged the president-elect and his advisers to establish a federal stockpile containing Bitcoin and other cryptocurrencies, including XRP, a coin closely tied to Ripple’s business.

“He cares about really living up to his desired legacy of being the crypto president,” Mr. Garlinghouse said.

Have we ever seen such delusions of grandeur from any president? Of course, the main legacy will be as the most corrupt president in US history.

Our International Overlord

Remember this from the TIME interview with Trump?

Can I ask, Did Elon Musk meet with the Iranians at your behest? 

I don’t know that he met with them.

Reportedly he met with the Iranians.

I don’t know. He didn’t tell me that.

That was regarding the stories that were circulating about Musk meeting with the Iranian UN ambassador for an hour in New York and nobody knew exactly why.

Since Trump is a pathological liar it’s possible that he knew very well what Musk was doing and may have even dispatched him to do it. Or maybe not.

It looks like we now know why:

Last week, the journalist, Cecilia Sala, 29, was released from prison in Iran, and days later an Iranian engineer whom Italy had detained on an American extradition request was also freed. The engineer was accused of providing material for drones used in an Iranian-backed militia attack on a U.S. military base that killed three American servicemen.

Mr. Musk helped secure the release of Ms. Sala by reaching out to Iran’s ambassador to the U.N., Amir Saeid Iravani, according to two Iranian officials, one a senior diplomat at the Foreign Ministry, who are both familiar with the terms of the prisoner exchange. They asked that their names not be published because they were discussing a sensitive issue.

[…]

Ms. Meloni said at a news conference last week that Ms. Sala’s release was the result of a “complex work of diplomatic triangulation with Iran, and obviously also with the United States of America.” Her office and the Italian Foreign Ministry declined to comment for this article.

A senior Biden administration official said the American government had not been consulted about the negotiations, had not been given advance word about the releases, and disapproved of the deal. John Kirby, the spokesman for the National Security Council, said that the deal had been “an Italian decision from soup to nuts.”

Meloni says she didn’t know anything about Musk’s role either. Sure. Musk is backing far-right parties like Meloni’s all over Europe and is also pushing his own business interests:

Italy, for example, is currently exploring a potential deal with Mr. Musk’s SpaceX to provide secure communications for government and military officials through Starlink.

According to the Times the whole thing was orchestrated by the journalist’s boyfriend who happened to know that Musk has an inside track with the Iranians (he does?) and he’s also close with Trump.

This whole story stinks to high heaven. I’m not sure if it’s better or worse if Trump and Meloni didn’t know anything about it or if they did. Is he just operating as a rogue agent doing anything he wants or has Trump been running back channels to Iran while out of office?

Regardless, Musk is now known to have secured the release of an Iranian terrorist who is responsible for the deaths of three American servicemembers. You don’t even want to think about what a hue and cry this would raise if it had been done off the books by a buddy of Joe BIden.

He’s Their Daddy

Charlie Kirk just exuding that “masculine energy” Mark Zuckerberg is going on about.

You won’t believe this but that is Trump’s official inauguration portrait.

“Trump went with the mugshot aesthetic for the new Presidential Portrait. Trump chose violence,” YouTuber Benny Johnson posted on Elon Musk’s social media site, comparing the two images. “President Trump’s new presidential portrait has been revealed. BADASS,” conservative political commentator Nick Sortor posted. “This goes HARD. Total mugshot vibes.”

“Love it!!” MAGA talking head Laura Loomer added. Over on Instagram, one person hailed the image as the “supervillain pic of the year,” while another person added: “That look mean it’s going down.”

Has lead in the water caused massive delayed adolescence?

Maybe They’re Just Not That Into You

The Wall St. Journal’s Callum Borchers wrote about the new moves among corporations to end their DEI programs. It seems like it’s coming in an avalanche — McDonalds, Walmart, Meta and many others have announced in recent days that their commitment to making their workplaces more diverse and equitable is over.

But that means mediocre white guys no longer have any excuse:

I wondered how these self-described DEI casualties are feeling. So, I spoke this week with the aggrieved engineer and seven others who contacted me with stories about doors allegedly closed on them because they were the wrong race or gender. Most feared for their jobs and insisted I not name them publicly. 

They generally believe they’re more likely to get hired or promoted in an environment where Donald Trump is president, Robby Starbuck’s name-and-shame threats loom over corporate America, and Mark Zuckerberg heralds “masculine energy” on Joe Rogan’s podcast. Their optimism isn’t unbridled, however. Some told me they worry about a bro renaissance going too far and harming women and people of color. 

And a few are mulling an ego-rattling possibility: What if I’ve pinned my failures on diversity, only to discover that the stumbling block is…me?

They say the retreat of corporate DEI removes a barrier for them—or, perhaps, an excuse they’ve used to rationalize life’s losses.

A 26-year-old chief of staff at a New York software startup suspects his college and career prospects were dimmed because he doesn’t advance diversity goals as a straight, white man. He remembers his high-school guidance counselor telling him he wouldn’t get into the Ivy League for this reason, and in subsequent years he has chalked up professional disappointments to the effects of DEI.

Now he’s considering whether diversity was a boogeyman.

“I’m sure there have been times that I attributed too much to DEI when I didn’t get an opportunity,” he says. “Maybe I didn’t come across well in an interview and I could do more introspection.”

Somehow I doubt there’s going to be much introspection among most white bros who aren’t making it. Long before there was anything called DEI, they were finding ways to blame others for their shortcomings.

I’d start looking for another three letter acronym Boogeyman now that CRT and DEI have done their work. There must be some other program designed to help women, LGBT and people of color they can demonize. I guess there’s always the disabled.

Trump Is Much Worse Than Nixon

That pig Donald Trump demanded that they raise the flags that are lowered for Jimmy Carter for him and his submissive pet Mike Johnson saluted smartly and said yes sir. They will be raised for Dear Leader.

You can bet Nixon didn’t think much of Truman. But even he didn’t deign to disrespect him the way Trump is disrespecting Carter.

Tech-industrial Complex

A clear and present danger

After the obligatory niceties and review of his accomplishments in office, President Joe Biden’s farewell address from the Oval Office got to the nub of it: America is at risk. That is, from “the dangerous concentration of power in the hands of a very few ultrawealthy people.”

Today, an oligarchy is taking shape in America of extreme wealth, power and influence that literally threatens our entire democracy, our basic rights and freedoms and a fair shot for everyone to get ahead. We see the consequences all across America. And we’ve seen it before.

More than a century ago, the American people stood up to the robber barons back then and busted the trusts. They didn’t punish the wealthy. They just made the wealthy play by the rules everybody else had. Workers want rights to earn their fair share. You know, they were dealt into the deal, and it helped put us on the path to building the largest middle class, the most prosperous century any nation the world has ever seen. We’ve got to do that again.

The ultrawealthy and their enablers among the Republican Party have made no secret for decades that their goal is eradicating post-New Deal America and returning to the McKinley era of robber barons.

William Greider warned two decades ago:

The movement’s grand ambition—one can no longer say grandiose—is to roll back the twentieth century, quite literally. That is, defenestrate the federal government and reduce its scale and powers to a level well below what it was before the New Deal’s centralization. With that accomplished, movement conservatives envision a restored society in which the prevailing values and power relationships resemble the America that existed around 1900, when William McKinley was President. Governing authority and resources are dispersed from Washington, returned to local levels and also to individuals and private institutions, most notably corporations and religious organizations. The primacy of private property rights is re-established over the shared public priorities expressed in government regulation. Above all, private wealth—both enterprises and individuals with higher incomes—are permanently insulated from the progressive claims of the graduated income tax.

They reactionary rich were patient, Grieder continued, methodical. They “understand that three steps forward, two steps back still adds up to forward progress. It’s a long march, they say. Stick together, because we are winning.” And well-funded. Extremely well-funded.

Biden the D.C. long-hauler might not have seen it in 2003, but he sees it now:

You know, in his farewell address, President Eisenhower spoke of the dangers of the military-industrial complex. He warned us that about, and I quote, “The potential for the disastrous rise of misplaced power.” Six days — six decades later, I’m equally concerned about the potential rise of a tech-industrial complex that could pose real dangers for our country as well.

Americans are being buried under an avalanche of misinformation and disinformation enabling the abuse of power. The free press is crumbling. Editors are disappearing. Social media is giving up on fact-checking. The truth is smothered by lies told for power and for profit. We must hold the social platforms accountable to protect our children, our families and our very democracy from the abuse of power. Meanwhile, artificial intelligence is the most consequential technology of our time, perhaps of all time.

Just as the GOP teamed up with the religious right to usher in the Reagan era, the oligarchy greasing palms in Donald Trump’s America has teamed not only with Christian nationalists, but with autocrats, white supremacists and, as I’ve argued, rump-royalists who would rather be subjects than citizens. Not in McKinley’s America from the end of the 19th century, but in the Old South at the end of the 18th. (Someone must have drawn up a Venn diagram.)

@msnbc

Rachel Maddow reacts to President Biden’s final remarks from the White House, calling them “stark and sober” and saying they put a shiver down her spine. “This was a love letter to America for a outgoing president who is very worried about what he describes as oligarchy,” she added. #joebiden #presidency #oligarchy #donaldtrump #elonmusk #democracy #politics #news

♬ original sound – MSNBC

This is serious, and it’s not as if any of it is new. Biden twice argued that to undo the new Gilded Age that the ultrawealthy must again be made to pay their “fair share” in taxes.

Though of lesser international stature than Biden, historian Rutger Bregman made the same case five years ago, not into a camera but into the very faces of the world’s economic elite.

A Public Service Announcement

I just have one question….

Give Trump’s cabinet nominees this much: they were thoroughly coached for their confirmation hearings.

Whenever a Senate committee member this week asked Fox News weekend co-anchor Pete Hegseth (nominee for secretary of defense) to answer allegations of drunkenness or whatever, his default answer was “anonymous smears.” Over and over. Despite senators telling him to his face that the committee has documents naming the people, including Fox co-workers, who made those allegations.

When Democratic senators on Wednesday asked Pam Bondi (nominee for attorney general) if she agreed with positions taken by her prospective employer (Donald Trump), the former Florida attorney general defaulted multiple times to variations on “I’m not familiar with the statement.”

To date, no Democrat has as I suggested asked any Trump nominee if they had reason to doubt their qualifications for the job, and if they did, why they accepted anyway.

But another question that came up a couple of times in Bondi’s hearing was whether she would admit that President Trump lost the 2020 election. Hegseth and other Trump supporters have similarly refused to say so.

It must appear to the casual observer, and especially to MAGA Republicans, like a “gotcha” question, a trap to draw Trump’s ire. Everyone knows that Trump refuses to admit he lost. To salve his bruised ego, he still claims the election was stolen. Trump considers it a sign of fealty and obeisance, like kowtowing to the emperor, that his subjects agree. To the likes of Hegseth and Bondi, the question must feel like an anti-inquisitor’s demand to renounce the MAGA faith. But for people pursuing the responsibility for upholding the U.S. Constitution and the republic it is more meaningful than that.

Asking a Trump cabinet nominee — yes/no — whether Donald Trump lost the 2020 election is not a “gotcha” question. It’s a test. Do you have the spine, the personal integrity, to disagree with your future boss when he’s wrong or demands you do something improper or illegal?

Pam Bondi doesn’t have a spine. Nor does Pete Hegseth, though he may have faced bullets in combat.

Bondi, Hegseth, MAGA Republicans in elected office, and the foot soldiers at Trump’s rallies have mistaken bluster for courage. The more they double down on the former, the more obvious it is that they lack the latter. And they’ll never admit it. They’re lying to themselves and to us.

Their refusal marks them as subjects, not citizens. They have no business serving in a democratic republic. But then, that’s not Donald Trump aim for this country, is it?

This has been a public service announcement.