Skip to content

Category: Uncategorized

U.S. Credibility Dies

Like everything else Trump touches

Grab another coffee.

Rebecca Solnit drew attention to an essay at the Guardian that explains how Donald Trump and Trumpism have undone U.S. primacy in the world:

One thing striking to me about Trump and Trumpism is that while constantly squawking about manliness and strength, it’s a bunch of weak men weakening the United States in every way possible. Another is that by taking a lot of right-wing agendas to their logical destructive conclusion, it helpfully demonstrates the folly of those agendas. Here’s an excellent essay on the response to the USA becoming, under Trump, a rogue nation. (That response could mean the end of US hegemony, which could maybe mean we could down the road stop spending so much money on the military….)

“The highly unpopular and illegal war in Iran is fast becoming a vivid example of the chaos and instability bred by unilateralism,” said Antonio de Aguiar Patriota, Brazil’s ambassador to London, in a speech . “It is laying bare a perception that the world will not be made unipolar again.” That’s because beneath the surface “something is happening. Something is moving.”

The rest of the world is climbing out from under U.S. domination.

Patrick Wintour cites Harvard University’s Prof. Stephen Walt, writing in The Guardian:

… American influence is not just a function of its wealth or power. It’s also a function of how the US is viewed. He said it was important for allies “to think that the United States knows what it’s doing, not that it’s infallible, but it generally knows what it’s doing, that it can execute a plan in a competent fashion. The Trump administration has sent a message to the rest of the world that that’s not the case any more, and that means other states are going to be less likely to rely on American advice going forward, at least for a while.”

Walt added that “the other message this war has sent is that the administration really cared about only one other country in the world, Israel, and that came at the expense of other allies in Europe and Asia”, because of the huge economic damage the war has caused and the lack of consultation with other allies before the war began.

U.S. no longer a force for good

“Everything Trump touches dies,” insists former Republican operative Rick Wilson. Including U.S. credibility. Reflecting on Trump’s aggression against Iran, former U.S. ambassador to London, Jane Hartley, recently observed that the world “no longer thinks America is a force for good.” Trump’s aggression against Iran was the final nail in the coffin of American world leadership. Other world powers now must reorder their priorities in trade, defense, and international relations.

Mark Carney, the Canadian prime minister, has set out his concept of a middle powers grouping, and Canada has already signed more than 20 economic and security deals, including with China, to increase exports outside its US base. New ad hoc alliances and trade corridors that do not go through Washington are being formed. From the Brazilian perspective it is new “coalitions of the responsible” that are being created, with “coordination across regions, cultures and political systems”.

Trump, the convicted felon, pathological liar, despotophile, and Jan. 6 insurrectionist twice elected by American voters is now an electoral albatross. Even MAGA Republicans know it. They just lack the spines and strength of character to admit it. And their own complicity. He is who he is. They are who they are.

“The far right and the right are not shouting because they are winning; they are shouting because they know their time is running out,” Spanish prime minister, Pedro Sánchez, said in a recent speech in China. He’s condemned the Iran war as illegal. Trump responded by threatening to expel Spain from NATO, something he has no power to do. (Still, he’ll huff, and he’ll puff….)

Opportunity and risk in chaos

The collapse of U.S. leadership represents opportunity, explains Wintour, The Guardian’s diplomatic editor:

For millions of people, the head of the UN humanitarian programme, Tom Fletcher, said last week: “The international order is not on the cusp of collapse, it has already collapsed. What we are going through right now is not a drill.” Fletcher called for greater honesty about the scale of global upheaval and the need for a renewed seriousness in public life.

This is because the way Trump and his fellow travellers have put an axe to international law has made the task of humanitarians near impossible. Indeed, humanity itself is under attack, Agnès Callamard, the secretary general of Amnesty International, said in presenting the human rights organisation’s 2025 report. She described 2025 as the year of the predators.

At the head of the line is us. Rather, U.S.

But where there is opportunity in chaos, there is also risk. Think “The Shock Doctrine,‘ for one, but also the risk in unipolarists desperate to “retain their power to punish and wreak revenge” on those who no longer refuse to bow. It’s who they are. It’s definitely who Trump is. This will get worse before it gets better. The game ahead — and your challenge — is Political Survivor: Outwit, Outplay, Outlast. Or in mock Latin, Illegitimi non carborundum.

Someone on my FB feed posted “A Eulogy for the Worst That Has Ever Drawn Breath” by one Tom Wellborn, subtitled “Being a Complete and Unflinching Account of the Most Loathsome Specimen Ever to Consume Resources, Occupy Space, and Insult the Patience of a Universe That Deserved So Much Better.” It’s blistering. Spread it around.

There are villains, and then there are monsters, and then there are creatures so cosmically, transcendently, almost admirably terrible that language itself recoils from the task of describing them. Grammar buckles. Syntax weeps. The thesaurus slams itself shut and refuses to cooperate. He is this thing. He is the thing past the thing past the thing. He is the sub-basement of the human condition, the moldy crawlspace beneath that sub-basement, and the writhing centipede beneath that.

To call him despicable is to call the sun “a little warm.” To call him hatable is to say that the Black Death was “somewhat inconvenient.” He does not merely inspire hatred. He manufactures it, industrializes it, ships it wholesale to people who had never previously experienced a single negative emotion in their lives. Buddhists who have spent forty years meditating toward unconditional love have encountered him briefly and immediately relapsed into pure, screaming fury. Pacifists clench their fists. Quakers throw things. He has caused more apostasy, more broken vows, more abandoned philosophies than any theological crisis in recorded history, simply by existing in the same zip code as decent people.

He has no morals. Not a single one. Not even the bad morals that at least imply a moral framework: the corrupt cop who loves his dog, the mob boss who goes to church. No. He exists in a morality vacuum so total that ethicists have proposed naming it after him. Philosophy departments around the world now use him as a thought experiment: “Imagine a being entirely without moral content. Not evil, because evil requires intention. Simply absent of the entire apparatus.” He is the null set of conscience. A moral negative space shaped vaguely like a man.

He has no empathy. Scientists have confirmed this. They put him in a brain scanner and watched his amygdala just sit there, inert, like a raisin, unmoved by footage of suffering, by crying children, by injured animals, by literally anything. The researchers wept. He asked if there were snacks.

He has no sympathy either, which is worse, because sympathy doesn’t even require feeling. It only requires pretending. He cannot manage the performance. He cannot fake it. When people around him suffer, his face rearranges itself into an expression that experts have described as “a beige wall trying to look interested.” He is incapable of the most basic social theater that even sociopaths manage. He makes sociopaths look like Florence Nightingale.

His regard for human life is so nonexistent that physicists have theorized it may be negative. He is somehow subtracting regard from the universe’s fixed supply, leaving decent people fractionally less capable of caring about one another, because he is consuming their collective empathy like a moral black hole, bending the very fabric of human decency around his grotesque gravitational pull.

He takes without asking. He takes everything without asking. He takes things that aren’t takeable. He takes the goodwill of strangers. He takes credit for things he didn’t do. He takes years off the lives of people who have to deal with him. He takes the oxygen out of rooms. He took someone’s lunch once, a sad and modest lunch that a tired person had been quietly looking forward to all morning, and he didn’t even enjoy it. He took it on principle. The principle being: I can.

He steals right out in the open with the brazen, unembarrassed confidence of a man who has never once considered that other people are real. He doesn’t steal in the dark. He doesn’t steal furtively. He steals the way you pick up your own mail: casually, boredly, without a single spike of adrenaline or guilt. Guilt would require believing that the person he’s stealing from has standing, has claims, has feelings that matter. He does not believe this. He has never believed this. He was not built to believe this.

He is stupid in a way that is almost majestic. His stupidity is not the ordinary kind, the forgivable, relatable kind that all of us carry in patches and compartments. His is total. Unified. A stupidity that has achieved something like integrity. There is not one chamber of his mind operating at even a remedial level of insight. He has been wrong about everything, always, without exception, without a single accidental correct answer slipping through, which statistically should be impossible and yet here he is, a living rebuke to probability. If you put him in a room with a hundred doors and told him the exit was behind one of them, he would find the ninety-nine wrong ones first, in sequence, and then stand in front of the last door and walk into the wall beside it.

He is callous the way concrete is callous: not through malice, not through choice, but through an utter material inability to register the soft pressure of another person’s pain. You could hand him a book of tragedies, and he would complain about the font. You could show him the face of grief, and he would wonder aloud if there was parking nearby. He does not process human suffering as data. It does not reach him. It never has.

He is vicious without the interesting parts of viciousness. Without cunning, without strategy, without even the cold competence of a true predator. He is vicious the way a blunt instrument is vicious: through sheer, undirected force, through the momentum of his own awfulness carrying him forward into collisions that leave damage everywhere and leave him untouched, unmarked, unaware. Animals that bite have reasons. He does not have reasons. He has trajectory.

He is physically unhealthy in ways that feel karmic, as though his body is attempting to file a formal complaint against his soul. His constitution has mutinied. His own biology is staging a protest.

He is untempered. He has never been tempered. He came out of whatever process produced him without the crucial step: the cooling, the shaping, the refinement that turns raw material into something useful. He is still raw. He will always be raw. He is smelted fury with no purpose, unforged, unbent, uselessly molten.

He is, in the final and most complete assessment, a disgusting anomaly. A statistical outlier so extreme that evolution seems to be embarrassed by him, a glitch in the long project of civilization, a misprint in the human genome so catastrophic that it somehow achieved sentience and got a driver’s license. He is proof that the universe has no quality control. He is what happens when the worst possible combination of traits clears every filter, slips through every gate, and arrives, blinking and unconcerned, into a world that never prepared for anything quite like him.

And the most horrifying part, the detail that keeps philosophers up at night, staring at the ceiling, reconsidering everything, is that he will never know any of this. He will never know what he is. He will go to his grave certain that he was, in fact, pretty good. Maybe even great.

That is the final insult. That is the thing that cannot be forgiven.

Calling Trump a TV Batman villain is too kind.

OnionWars

Blood of the Foresaken Edition

“As far as the world is concerned, Infowars is dead. Everybody knows that,” said Mark Bankston on Thursday after Alex Jones won a court-ordered delay in liquidation of InfoWars assets. Bankston, a lawyer for some of the Sandy Hook victims’ relatives, added, “He’s trying to keep the bloated corpse of a media organization alive. It’s all a joke. Everybody knows where this is going.”

The satirical site, The Onion, in April entered into an agreement to take over Jones’s go-to website for conspiracy theorists. The new owners plan to turn the website into a parody of itself. It has already replaced the “o” in Infowars with the Onion’s logo. The Onion shed no tears for Jones’s conspiracies-and-nutrional-supplements business model. It proceded to drink its blood.

Rolling Stone:

An emergency motion by Alex Jones didn’t stop The Onion from turning over control of the new InfoWars to Tim Heidecker, who made his debut as host and creative director on Friday via a surprise livestream.

“Lot of turmoil the past couple days on our road to total victory. We have just won a major battle, folks. Alex and his gang of liars and scoundrels have been cast out into the street, they have lost InfoWars, InfoWars.com, and their various platforms,” Heidecker said in his pitch perfect Alex Jones impression.

“They have been cast out, ladies and gentlemen, and make no mistake, we will be the new InfoWars. Now we got to go through the machinations of the court, we’ve had some setbacks over past couple days, but that is not stopping us, that is not tempering our resolve. Over the next couple days or weeks, you will see much more coming out of this.”

The Onion got right to fake-selling fake crap.

The 2026 SIFF Preview

The 52nd annual Seattle International Film Festival opens May 7th and runs through May 17th. This year’s SIFF features a total of 203 shorts, documentaries, and narrative films in 71 languages.

SIFF has certainly grown exponentially since its first incarnation in 1976 (in case the math is making you crazy, festival organizers “skipped” the 13th event; you know how superstitious show people get about Scottish kings and such). Compare the numbers: In 1976, the Festival boasted a whopping 19 films from 9 countries, with one lone venue. Then again, there were only 13 people on the staff in 1976.

Regardless of how large or small the staff, the one constant over the decades has been the quality of the curation. Long before “sharing files” (or even making mix tapes) was a thing, SIFF’s annual lineup reflected that sense of joy in turning friends on to something new and exciting; instilling the sense there was a tangible film lover’s community (others who enjoyed being alone together, out there in the dark).

The first SIFF event I ever attended was a screening of Richard Linklater’s Dazed and Confused, in 1993. Linklater was there for a Q&A session afterwards. That was the first time I’d ever had a chance to ask the director of a film a question right after the credits rolled (I wasn’t writing about film yet-just a movie geek). I can’t remember what I asked (some dopey query about the 70s soundtrack), but I thought that was so fucking cool (I’d recently moved to Seattle after living in a cultural vacuum for a decade-what can I say?). Another memorable event I attended that year was a tribute to John Schlesinger (with the director on hand).

This will be the 34th SIFF I’ve attended (in one guise or the other). As (an alleged) film critic, I have been covering SIFF for Hullabaloo now for 20 years (since 2007), but as always, the looming question is – where to begin? The trick to navigating festivals is developing a 6th sense for films in your wheelhouse (I embrace my OCD and channel it like a cinematic dowser).

Let’s dive in!

This year’s Opening Night Gala selection is I Love Boosters (USA). Writer-director Boots Riley (Sorry to Bother You) incorporates themes of social justice into a modern-day Robin Hood story that concerns “a crew of professional shoplifters [who] take aim at a cutthroat fashion maven”.

Speaking of heists…let’s go do some crimes: Murder in the Building (France) is a comedy mystery about “a crime writer and his film professor partner [who] become caught up in a real-life mystery of their own when they witness a crime in the apartment across the courtyard of their Paris apartment building.” Also from France…Case 137, a police procedural drama that follows a female internal affairs officer as she investigates the unprovoked fatal police shooting of a young protester at a Paris demonstration (sounds depressingly familiar).

I’m particularly intrigued to see Phoenix Jones: The Rise and Fall of a Real Superhero (USA). The documentary recounts the story of Benjamin Fodor, a self-proclaimed crime-fighter who garnered local media attention when he donned a bullet-proof superhero-style costume and roamed the streets of Seattle in the 2010s “to deescalate dangerous situations and keep the peace until the police could arrive.” The SPD were not fans, labeling him a vigilante.

Another documentary that examines a “hero or criminal?” conundrum is Beat the Lotto (Ireland). Director Ross Whitaker goes back to the early 1990s to tell the story of “mathematician and avid stamp-collector” Stefan Klincewicz, who calculated a meticulously engineered method to beat the odds and (aspirationally) win Ireland’s National Lottery, involving a “syndicate” of participants who spent countless hours marking lotto cards.

Politics, politics…The documentary The Seoul Guardians (South Korea) delves into more recent history, recalling the astonishing events that unfolded after South Korean President Yoon Suk Yeol declared martial law in December 2024 (spoiler alert: Democracy won!). In J.M. Harper’s documentary Soul Patrol (USA), members of the Vietnam War’s first all-Black special operations team reunite to illuminate “a chapter of American military history that has long gone unacknowledged.”

In the documentary Birds of War (UK), “Lebanese journalist Janay Boulos and Syrian activist and cameraman Abd Alkader Habak share their extraordinary love story, told through 13 years of personal archives spanning revolutions, war, and exile”. Life under fascism: Juan Pablo Sallato’s The Red Hangar (Chile) is a political thriller set In the aftermath of the 1973 Chilean coup d’état, and Amrum (Germany) is a coming-of-age drama set in a politically-divided German farming town on a North Sea island in the waning days of World War II.

SIFF’s special revival presentations are always a treat. This year, it’s Prisoners of the Earth (Argentina, 1939) Mario Soffici’s “gut-punching work of social realism”, in which “a group of desperate men are conscripted to labor on a treacherous plantation—a situation that boils over in an explosive act of rebellion”. Sadly, the exploitation of low-wage workers remains an evergreen theme.

More drama: Burn (Japan) centers on a runaway teen who flees her abusive parents and “lands in Tokyo’s Kabukicho district, where a loose-knit group of street kids offers her a fragile sense of belonging—one built on survival, impulse, and unspoken wounds”. In Three of a Kind (Denmark), “a mother and daughter’s cozy Christmas is upended when their estranged grandmother shows up at their cabin”. And no SIFF would be complete without at least one “oil and water” road movie…Crystal Cross is the story of “a quirky Christian singer and a suicidal loner [who] road trip across America, forging an unlikely bond”.

I’m always partial to films about the music biz: Jane Pollard and Iain Forsyth’s documentary Broken English (UK) profiles icon Marianne Faithfull. The Best Summer (USA) is “a found footage documentary from a concert tour in 1995 featuring live performances, candid interviews, and a behind-the-scenes view of what it’s like to be on tour with Beastie Boys, Sonic Youth, Foo Fighters, Beck, Pavement, Rancid, The Amps, and Bikini Kill”. Cool! Edie Arnold is a Loser (USA) is billed as “an infectiously charming coming-of-age flick about a self-proclaimed loser starting a punk band at her Catholic high school”. And Power Ballad (Ireland) stars Paul Rudd as “a past-his-prime wedding singer” who befriends “a fading boy-band star” (Nick Jonas) who “turns one of [Rudd’s] songs into a hit, reigniting his career”.

I haven’t forgotten about the midnight crowd: Mārama (New Zealand), Taratoa Stappard’s feature debut, is “an anti-colonial horror story confronting oppression while honoring the strength and resilience of Māori women”. Tacoma-based filmmaker Zach Weintraub’s Assets and Liabilities (USA) concerns “a burnt-out suburban dad who is taken on a wild supernatural odyssey when he meets a skater kid at the park who reminds him of his younger, more idealistic self”. Lady (UK) is billed as an “absurdly hilarious mockumentary”, in which “a young filmmaker agrees to film the behind-the-scenes vanity project of the obnoxiously entitled Lady Isabella, only for something unseen and quite strange to happen”. And Another World (Hong Kong) is “a harrowing, arrestingly rendered epic of revenge and redemption that announces director Tommy Kai Chung Ng as a massive new voice in the world of animation”.

Midnight movie adjacent: The documentary Boorman and the Devil (USA) is David Kittredge’s examination (autopsy?) of what went horribly wrong with the production of Exorcist II: The Heretic, and how it nearly sunk director John Boorman’s otherwise stellar career (Point Blank, Deliverance, Excalibur, et.al.) I mean, what possessed him to…oh never mind.

This year’s Closing Night Gala selection is The Invite (USA). Starring Seth Rogen, Olivia Wilde, Penelope Cruz and Edward Norton, Olivia Wilde’s film is about a couple with a rocky marriage who “invite their enigmatic upstairs neighbors for a dinner party”, during the course of which (wait for it)” the night spirals into unexpected places.”. Wilde is scheduled to attend.

Obviously, I’ve barely scratched the surface of this year’s lineup. I’ll be plowing through the catalog and sharing reviews with you beginning next Saturday. In the meantime, visit the SIFF site for full details on the films, event screenings, special guests, and more.

(You can explore 20 years of my SIFF reviews here)

Dennis Hartley


The Reform Agenda

I happened to watch that show the other night and that particular idea seems like a good one.

The fact is that the system has been in need of some fundamental reforms for quite some time. But Trump’s obvious corruption and stupidity has just brought it into stark relief. There never was a golden age but to the extent this country ever even functioned, that time is past. Total reform is the only way.

I have no idea if there’s a chance of it without some kind of catastrophe to spur it on. Scandal certainly isn’t going to do it. We’re awash in it and people are so confused and overwhelmed that they just accept it as a natural part of our political culture. But the way things are going, there’s a good chance that catastrophe is on the horizon (or maybe the country will have a mass epiphany, who knows?) so it’s possible that we’ll see the opening. Let’s hope we walk through it.

Here’s the whole segment:

The Family Business

Isaac Paul of Tangle has done us all a favor by creating a highly detailed compendium of the Trump family’s corruption during this second term. If you read it all in one place its truly, overwhelmingly shocking. It’s a great contribution to our understanding of what’s going on and well worth reading and bookmarking. I’m sure he’ll have to add to it on a nearly daily basis.

He runs down the unbelievable crypto schemes and looks closely at how the family is selling out foreign policy in return for billions. But they aren’t leave even a penny on the sidewalk. Here’s just a small excerpt of some of the other grifts they’ve got going:

A lot of what I’ve written so far has involved the Trump administration simultaneously dictating foreign policy while also taking funds, in some form, from foreign governments, leaders, or wealthy foreign actors. Yet plenty of this is happening domestically, too.

For instance: The Trump Organization launched Trump Mobile, a branded phone that costs $499 and an additional $47.45/month for the “47” plan. The Trump organization does not manufacture the phone or provide cell service (the phone itself has yet to be released, and the network will be operated by Liberty Mobile Wireless). Instead, Trump licenses his name to the deal and then promotes it using the presidential brand while he is in office — all at a cool profit. 

Wherever you look, there’s another potential profit. Last spring, the Trump family opened an exclusive club in Washington called “Executive Branch” that charges $500,000 per membership. The parent company of Trump’s social media platform, Truth Social, even launched as a publicly traded organization with his initials, DJT, as its ticker; Trump himself holds a huge stake in the company and the stock’s value has fluctuated based solely on Trump’s political fortunes. Shoot, the president’s son, Eric Trump, went on Fox News and graciously received congratulations about his own company receiving a $24 million Pentagon contract.

Just yesterday, while I was finishing up this story, The Financial Times reported that the Trump sons had taken a stake in the Kazakh mining company that just won a $1.6 billion contract from the Trump administration. Then, hours later, a Bloomberg story landed in my inbox about the U.S. Air Force agreeing to buy an undisclosed number of interceptor drones from a company backed by President Trump’s sons. During a talk I did with college students at St. Olaf College in Minnesota this morning, one of the students asked me about the president’s son Donald Trump Jr. investing in and advising the gambling and prediction market companies Kalshi and Polymarket. I didn’t even know about it. I’d just spent the past week writing and researching claims of corruption against the Trump family, and I’m still discovering glaring new examples every day.

There’s a lot more. As Trump himself would say, “nobody’s ever seen anything like it.”

The Big Lie

You know they’re going to run with this one:

It’s right up there with the 2020 election lie for sheer audacity. But you can bet that at least 30% of the people will believe it.

Trumpeyland

He’s turning Washington into an amusement park

President Trump’s vision for his National Garden of American Heroes is growing larger and most likely more expensive than his initial estimates, with the latest plans calling for reflecting pools, dining facilities and an amphitheater alongside 250 life-size statues of notable Americans.

The plans have expanded to the point that they could require significant redevelopment of West Potomac Park, an area of mostly sports fields near the National Mall, according to documents obtained by The New York Times. The statues alone could cost more than the $40 million approved for the project by Congress, according to the Trump administration’s estimate.

Based on the latest renderings, the Garden of Heroes could rank among the more expensive and time-consuming projects Mr. Trump has undertaken as he works to remake the nation’s capital in his own style.

Construction has yet to begin, raising questions about whether Mr. Trump will run out of time — and money — to deliver on his ambitions before the end of his second term. If Mr. Trump were to solicit donor funds, as he has done with his ballroom project, it could renew ethical concerns about attempts to court favor with the White House.

The latest drawings depict a “Heroes Walk,” connecting themed areas dedicated to categories of American figures, including politicians, soldiers, scientists, activists, artists and athletes. The set of honorees is eclectic: George Washington, Ronald Reagan and Amelia Earhart are on a list circulated by the administration, along with Elvis Presley, Kobe Bryant, Alfred Hitchcock, Dr. Seuss and others.

Accompanying the statues would be formal gardens, reflecting pools and plazas arranged in a style reminiscent of classical European planning traditions, according to renderings reviewed by The Times. The Trump administration has yet to settle on a final plan or submit it to any oversight board.

One of the most prominent features in the plans would be a large amphitheater carved into the landscape at the water’s edge, suggesting the space is intended to function both as a performance venue and as a ceremonial gathering place.

The plans also include cafes and open recreational spaces.

Trump personally chose the statues:

Paul M. Farber, the director of Monument Lab, a nonprofit public art, history and design studio based in Philadelphia, noted that the description of the historical figures being honored portrays a sanitized version of American history.

Mr. Trump’s executive order detailed most of the figures to be featured with statues, and a White House task force overseeing festivities for the country’s 250th anniversary also published a list, with biographies of those selected.

The description of Martin Luther King Jr., for instance, praises the civil rights leader for having a “can-do” spirit, but makes no direct mention of the racism that he fought.

“To not name the injustice that made people ‘significant Americans’ is a sanitizing of the history,” Mr. Farber said. “Whether it’s Ida B. Wells-Barnett or Frederick Douglass, when you look at the fine print, you understand the Faustian bargain here, which is representation at the cost of real history.”

Under the “journalists” category, there are two honorees: Edward R. Murrow of CBS, and Alex Trebek, who hosted the game show “Jeopardy!”

I really hope he ,makes the statues animatronic. That would be so much more fun. And I sure hope he includes a massive oversized statue of himself like he has as his golf club. It’s only right.

If only Trump had a horse he could put into the Senate. I guess Lindsey Graham will just have to suffice,

Just Say No, Part 77

This is low, even for them:

Test strips used to determine if illicit drugs contain deadly contaminants including fentanyl will no longer be covered by federal funding, reversing a position the Trump administration held as recently as July and leaving public health organizations worried that the U.S. will lose the progress it has made combatting fatal overdoses. 

In a letter reviewed by CBS News, the Substance Abuse and Mental Health Services Administration said that agency funding cannot be used to purchase test strips used to check drugs for dangerous adulterants like fentanylxylazine and medetomidine.

Test strips cost about $1 each and can be used to check drugs — from powders to pills to party drugs — for contamination. They are a “critical, life-saving tool” that can prevent fatal overdoses, said Maritza Perez Medina, director of federal policy at the Drug Policy Alliance. Medina said the sudden change in policy has left advocates scrambling. 

“People are just astonished,” Medina said. “There has been a lot of confusion about where this came from.”

The “Dear Colleague” letter references an executive order signed by President Trump in July 2025 that declares SAMHSA funding cannot be used for programs that “only facilitate illegal drug use.” A Health and Human Services spokesperson said that the letter clarifies guidance for SAMHSA grantees and furthers the agency’s clear shift away from harm reduction and “practices that facilitate illicit drug use and are incompatible with federal laws.” 

These strips have saved many lives. But the Trump administration, which just loosened laws on certain psychedelic drugs, says they are “drug paraphernalia which 45 states and Washington, D.C define otherwise. Virtually no one but right wing extremists think it’s better for people to die from fentanyl laced drugs than to provide these tests.

It’s also about the indiscriminate budget cuts the Trump administration continues to make even as they explode federal spending to finance their police state and war machine. It’s just perverse.

Genius

Just a few highlights of the president’s into madness. For the record.

Just A Mopping-up Operation

The “dead letter” VRA and the elimination of dignity

Vann R. Newkirk II writes a “Requiem” for the Voting Rights Act in The Atlantic (gift link):

The best things shine bright, but never long. So it was for the Voting Rights Act, the 1965 legislation that protected Black suffrage by neutralizing voter suppression in southern states, and became the foundation for equal ballot access for all Americans. Of the 250 years since the country’s founding, less than a quarter unfolded under the aegis of universal suffrage. Color television, credit cards, and Barbie dolls arrived earlier than the VRA and will survive longer. The reign of Queen Elizabeth II lasted a decade longer than the guarantor of democracy in America.

The ruling SCOTUS handed down its Callais decision this week “renders Section 2 all but a dead letter,” wrote Justice Elena Kagan in her dissent.

“Like previous VRA-related decisions, Callais was “narrow,” in that it did not strike down the law itself, Newkirk writes. “But although the edifice built at great expense—by Fannie Lou Hamer, by John Lewis, by the bloodied limbs of Mississippi sharecroppers and Alabama marchers—has not been entirely bulldozed, only the facade remains.”

The rest of the essay you can read at the link. Newkirk reflects on the law’s impacts over the last 60 years, Republican efforts to subvert or neuter it, and how through legal “engineering, Roberts, Alito, and their allies have created a trap for voting-rights cases” that renders them dead on arrival.

The final two paragraphs carry meaning Newkirk may not have considered:

But representation in Congress was never the ultimate goal of the VRA, nor will that be the primary problem the country faces after its fall. The point of the Voting Rights Act, as stated by Lyndon B. Johnson, the president who signed it into law, was to force the opponents of liberty to “open the gates to opportunity” to all Americans. Voting rights were, to him, a matter of the “dignity of man and the destiny of democracy,” and the law itself was meant to be a proactive guarantor of that destiny. Without it, no American should consider their dignity to be secure.

This is something that Black voting-rights advocates, from Frederick Douglass to Kwame Ture, long understood; that no person’s rights could really be inalienable if any person’s rights were trampled. The Voting Rights Act was the true instantiation of the Declaration of Independence. For centuries, Black people fought for the ballot, not just to have a say in their government, but to demonstrate their own value, both to themselves and to others. And, for a while, they succeeded.

No offense meant to Newkirk, but what Americans and the world witnessed after Donald Trump and his merry band of brigands reoccupied the White House in January 2025 was the actual closing of the gates Johnson forced open. Not just Black people, but all nonwhite people, all undocumented residents, and all non-MAGA Americans began seeing their dignity stripped as soon as Trump 2.0 launched its ICE assault on city after city beginning in January 2025.

An America exclusively of, by, and for white, Christians was Stephen Miller’s obsession, Russell Vought’s Project 2025 blueprint, and a post-Constitutional Republican Party’s means to rule indefinitely over what they once smugly declared a republic, not a democracy. Trump simply wants subjects, and his name and his mug plastered everywhere. Trump 2.0 gave ICE agents carte blanche permission to ignore the Constitution and to brutalize and jail citizen and noncitizen alike. They signaled to Trump’s enemies/subjects via shock-and-awe that “no American should consider their dignity to be secure.”

The conservative Court majority rendering the Voting Rights Act a dead letter this week is just a mopping-up operation.