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Digby's Hullabaloo Posts
Ah, Summertime …when the livin’ is easy and the movin’- pitcher Pickens are Slim:
Now, I have no personal beef against crowd-pleasing spectacles featuring transformers, superheroes, archeologists, little mermaids, teenage krakens, or grown-up conspiracy theorists who battle fantasy villains in alternate universes; but if you are in the mood for something more off the beaten path that, you know …isn’t primarily targeting 15 year-old males-summer movie season can be exasperating.
If you are of like mind, no worries. I’ve been covering film festivals for Hullabaloo since 2006. So if you’d rather pass on Indy Jones and satisfy your “indie” Jones instead, I’ve combed the archives and curated a “Best of the Festivals Festival” that you can program from the comfort of your living room (since its acronym is BOFF, I thought it best not to use that as a header).
These 15 fine selections are all available via various platforms. Add popcorn and enjoy!
Another Earth (USA, 2011) – Writer-director Mike Cahill’s auspicious narrative feature debut concerns an M.I.T.-bound young woman (co-scripter Brit Marling) who makes a fateful decision to get behind the wheel after a few belts. The resultant tragedy kills two people, and leaves the life of the survivor, a music composer (William Mapother) in shambles. After serving prison time, the guilt-wracked young woman, determined to do penance, ingratiates herself into the widower’s life (he doesn’t realize who she is). Complications ensue.
Another Earth is a “sci-fi” film mostly in the academic sense; don’t expect to see CGI aliens in 3-D. Orbiting somewhere in proximity of Andrei Tarkovsky’s Solaris, its concerns are more metaphysical than astrophysical. And not unlike a Tarkovsky film, it demands your full and undivided attention. Prepare to have your mind blown. (Rent on Prime Video)
Bad Black (Uganda, 2016) – Some films defy description. This is one of them. Written, directed, filmed, and edited by Ugandan action movie auteur Nabwana I.G.G.at his self-proclaimed “Wakaliwood studios” (essentially his house in the slums of Wakaliga), it’s best described as Kill Bill meets Slumdog Millionaire, with a kick-ass heroine bent on revenge. Despite a low budget and a high body count, it’s winningly ebullient and self-referential, with a surprising amount of social realism regarding slum life packed into its 68 minutes. The Citizen Kane of African commando vengeance flicks. (Streaming free on tubi)
Becoming Who I Was (South Korea, 2016) – Until credits rolled for this South Korean entry by co-directors Chang-Yong Moon and Jeon Jin, I was unsure whether I’d seen a beautifully cinematic documentary, or a narrative film with amazingly naturalistic performances. Either way, I experienced the most compassionate, humanist study this side of Ozu.
Turns out, it’s all quite real, and an obvious labor of love by the film makers, who went to Northern India and Tibet to document young “Rinpoche” Angdu Padma and his mentor/caregiver for 8 years as they struggle hand to mouth and strive to fulfill the boy’s destiny (he is believed to have been a revered Buddhist teacher in a past life). A moving journey (in both the literal and spiritual sense) that has a lot to say about the meaning of love and selflessness. (Rent on Prime Video)
Big Star: Nothing Can Hurt Me (USA, 2012) – Founded in 1971 by singer-guitarist Chris Bell and ex-Box Tops lead singer/guitarist Alex Chilton, the Beatle-esque Big Star was a musical anomaly in their hometown of Memphis, which was only the first of many hurdles this talented band was to face during their brief, tumultuous career. Now considered one of the seminal influences on the power pop genre, the band was largely ignored by record buyers during their heyday (despite critical acclaim from the likes of Rolling Stone).
Then, in the mid-1980s, a cult following steadily began to build around the long-defunct outfit after college radio darlings like R.E.M., the Dbs and the Replacements began lauding them as an inspiration. In this fine rockumentary, director Drew DeNicola also tracks the lives of the four members beyond the 1974 breakup, which is the most riveting (and heart wrenching) part of the tale. Pure nirvana for power-pop aficionados. (Streaming free on YouTube)
Brian Wilson: Long Promised Road (USA, 2021) – It’s been a long, strange trip for Beach Boys founder/primary songwriter Brian Wilson. After a 2-year streak of hit singles about sun, surf, cars and girls (beginning with the 1963 release of “Surfin’ U.S.A.”), Wilson hit a wall. The pressures of touring, coupled with his experimentation with LSD and his increasing difficulty reconciling the heavenly voices in his head led to a full scale nervous breakdown (first in a series).
Still, he managed to hold the creeping madness at bay long enough to produce the most innovative work of his career (Pet Sounds, in 1966). Wilson’s roller coaster ride was only beginning, with a number of well-documented ups and downs (personal and professional); but his unique creative faculties remained intact. Considering what he has been through, it is amazing Wilson is even alive to tell the tale.
Brent Wilson’s documentary borrows the “Comedians in Cars Getting Coffee” concept, following Rolling Stone editor Jason Fine and Brian Wilson as they cruise around L.A., listening to Beach Boys tunes. Fine gently prompts Wilson to reminisce about the personal significance of various stops along the way. Most locales prompt fond memories; others clearly bring Wilson’s psyche back to dark places he’d sooner forget. What keeps the film from feeling exploitative is the fact that Wilson demonstratively trusts Fine (they are longtime friends). A sometimes sad, but ultimately moving portrait. (Streaming free on PBS)
Drunken Birds (Canada, 2021) – Ivan Grbovic’s languidly paced, beautifully photographed culture clash/class war drama (Canada’s 2022 Oscar submission) concerns a Mexican cartel worker who finds migrant work in Quebec while seeking a long-lost love. Grbovic co-wrote with Sara Mishara. Mishara pulls double duty as DP; her painterly cinematography adds to the echoes of Terrence Malick’s Days of Heaven. It also reminded me of Ang Lee’s The Ice Storm; a network narrative about people desperately seeking emotional connection amid a minefield of miscommunication. (Rent on Prime Video)
Hallelujah: Leonard Cohen, A Journey, A Song (USA/Canada, 2021) – Several years ago, I saw Tom Jones at the Santa Barbara Bowl. Naturally, he did his cavalcade of singalong hits, but an unexpected moment occurred mid-set, when he launched into Leonard Cohen’s “Tower of Song”. Jones’ performance felt so intimate, confessional and emotionally resonant that you’d think Cohen had tailored it just for him. When Jones sang, I was born like this, I had no choice/I was born with the gift of a golden voice, I “got” it. Why shouldn’t Tom Jones cover a Cohen song? I later learned “Tower of Song” has also been covered by the likes of U2, Nick Cave, and The Jesus and Mary Chain.
A truly great song tends to transcend its composer, taking on a life of its own. The reasons why can be as enigmatic as the act of creation itself. In an archival clip in Dan Geller and Dayna Goldfine’s beautifully constructed documentary, the late Cohen muses, “If I knew where songs came from, I’d go there more often.” Using the backstory of his beloved composition “Hallelujah” as a catalyst, the filmmakers take us “there”, rendering a moving, spiritual portrait of a poet, a singer-songwriter, and a seeker. (Available on Netflix)
The Integrity of Joseph Chambers (USA, 2022) – This psychological thriller has a slow burn, but really gets under your skin. Early one morning, a white-collar father of two (Clayne Crawford) rolls out of his warm bed and readies himself to go deer hunting. His half-awake (and concerned) wife reminds him he has never gone hunting by himself and has limited experience with firearms. Undeterred, he insists that the best way to get experience is to “just go out and do it.” After stopping at a friend’s house to borrow his pickup truck (and a rifle), he heads for the woods. What could possibly go wrong? Anchored by Crawford’s intense performance, writer-director Robert Machoian has fashioned a riveting tale infused with a dash of Dostoevsky and a dollop of Deliverance. (Rent on Google Play)
The Last Film Show (India, 2021) – Child actor Bhavin Rabari gives an extraordinary performance in writer-director Pan Nalin’s moving drama. Set in contemporary India in 2010, the story centers on Samay, a cinema-obsessed 9-year-old boy who lives with his parents and younger sister. He is frequently beaten by his father, who is embittered by having to support his family as a railway station “tea boy” after losing his cattle farm. He forbids Samay to watch movies unless they are “religious” in nature.
This of course drives Samay to play hooky from school and sneak into the local theater whenever possible. Eventually he befriends the projectionist, who takes Samay on as a kind of protégé, in exchange for the delicious school lunches that Samay’s mother packs for him.
There are obvious parallels with Giuseppe Tornatore’s Cinema Paradiso and Francois Truffaut’s The 400 Blows, but Nalin puts his own unique stamp on a familiar narrative. Gorgeously photographed and beautifully acted, this is a colorful and poetic love letter to the movies. (Rent on Prime Video; free to Prime members)
Love Spreads (USA/UK, 2020) – I’m a sucker for stories about the creative process, because as far as I’m concerned, that’s what separates us from the animals (even if my “inner Douglas Adams” persists in raising the possibility that “there’s an infinite number of monkeys outside who want to talk to us about this script for Hamlet they’ve worked out.”). Welsh writer-director Jamie Adams’ dramedy is right in that wheelhouse.
“Glass Heart” is an all-female rock band who have holed up Led Zep style in an isolated country cottage to record a follow-up to their well-received debut album. Everyone is raring to go, the record company is bankrolling the sessions, and the only thing missing is…some new songs. The pressure has fallen on lead singer and primary songwriter Kelly (Alia Shawcat) to cough them up, pronto.
Unfortunately, the dreaded “sophomore curse” has landed squarely on her shoulders, and she is completely blocked. The inevitable tensions and ego clashes arise as her three band mates and manager struggle to stay sane as Kelly awaits the Muse. It’s a little bit This is Spinal Tap, with a dash of Love and Mercy-bolstered by a smart script, wonderful performances, and catchy original songs. (Streaming via Showtime on demand)
Monkey Warfare (Canada, 2006) – Written and directed by Reginald Harkema, Monkey Warfare is a nice little cinematic bong hit of low-key political anarchy. The film stars Don McKellar and Tracy Wright (the Hepburn and Tracy of quirky Canadian cinema) as a longtime couple who are former lefty radical activists-turned “off the grid” Toronto slackers.
When McKellar loans the couple’s free-spirited young pot dealer and budding anarchist (Nadia Litz) his treasured “mint copy” of a book about the Baader-Meinhof Gang, he unintentionally triggers a chain of events that will reawaken long dormant passions between the couple (amorous and political) and profoundly affect the lives of all three protagonists.
Monkey Warfare is not exactly a comedy, but Harkema’s script is awash in trenchant humor. If you liked Jeremy Kagan’s 1978 dramedy The Big Fix and/or Sidney Lumet’s 1988 drama Running on Empty, I think this film should be right in your wheelhouse. Full review (Rent on Apple TV)
Nowhere Boy (UK, 2009) – There’s nary a tricksy or false note in this little gem from U.K. director Sam Taylor-Wood. Aaron Johnson gives a terrific, James Dean-worthy performance as a teenage John Lennon. The story focuses on a specific, crucially formative period of the musical icon’s life beginning just prior to his first meet-up with Paul McCartney, and ending on the eve of the “Hamburg period”.
The story is not so much about the Fabs, however, as it is about the complex and mercurial dynamic of the relationship between John, his Aunt Mimi (Kirstin Scott Thomas) and his mother Julia (Anne-Marie Duff). The entire cast is excellent, but Scott Thomas (one of the best actresses strolling the planet) handily walks away with the film as the woman who raised John from childhood. (Rent on Prime Video)
Polisse (France, 2011) – Now here’s a thinking person’s alternative to the current (and dubiously tabulated) box office “hit” Sound of Freedom (which Digby wrote about earlier this week). Winner of the Jury Prize at Cannes in 2011, this is a docudrama-style police procedural in the tradition of Jules Dassin’s Naked City. You do have to pay very close attention, however, because it seems like there are about 8 million stories (and just as many characters) crammed into the 127 minutes of French director Maiwenn’s complex film.
Using a clever “hall of mirrors” device, the director casts herself in the role of a “fly on the wall” photojournalist, and it is through this character’s lens that we observe the dedicated men and women who work in the Child Protective Unit arm of the French police. As you can imagine, these folks are dealing with the absolute lowest of the already lowest criminal element of society, day in and day out, and it does take its psychic toll on them.
Still, there’s a surprising amount of levity sprinkled throughout Maiwenn’s dense screenplay (co-written by Emmanuelle Bercot), which helps temper the heartbreak of seeing children in situations that they would never have to suffer through in a just world. The film fizzles a bit at the end, and keeping track of all the story lines is challenging, but it’s worthwhile, with remarkable performances from the ensemble. (Rent on Google Play).
Settlers (UK, 2021) – Writer-director Wyatt Rockefeller’s sci-fi drama is Once Upon a Time in the West on Mars. The story centers on 9-year-old Remmy (Brooklyn Prince), who lives with her settler parents (Sofia Boutella and Jonny Lee Miller) at a remote homestead. Following an attack by hostile parties and subsequent arrival of a drifter who claims that the homestead rightfully belongs to him, Sofia’s life (as well as the family’s dynamic) changes drastically. The story takes place over a 9-year period; with Nell Tiger Free playing 18-year-old Remmy. Not wholly original, but smartly written and well-acted, with great production design and cinematography (exteriors were filmed in South Africa). (Streaming on Hulu)
Trollhunter (Norway, 2010) – Like previous entries in the “found footage” sub-genre, Trollhunter features an unremarkable, no-name cast; but then again you don’t really require the services of an Olivier when most of the dialog is along the lines of “Where ARE you!?”, “Jesus, look at the size of that fucking thing!”, “RUN!!!” or the ever popular “AieEEE!”.
Seriously, though- what I like about Andre Ovredal’s film (aside from the surprisingly convincing monsters) is the way he cleverly weaves wry commentary on religion and politics into his narrative. The story concerns three Norwegian film students who initially set off to do an expose on illegal bear poaching, but become embroiled with a clandestine government program to rid Norway of some nasty trolls who have been terrorizing the remote areas of the country (you’ll have to suspend your disbelief as to how the government has been able to “cover up” 200 foot tall monsters rampaging about). The “trollhunter” himself is quite a character. Not your typical creature feature! (Streaming free on YouTube)
More reviews at Den of Cinema
— Dennis Hartley
Former President Trump said Friday for the first time publicly during the 2024 presidential campaign that he would bring back a travel ban “even bigger than before,” alluding to his administration’s restrictions on travelers from heavily Muslim countries.
The first two bans faced steep challenges in court, but the third version of the ban was upheld by the Supreme Court in a 5-4 decision in 2018. That ban barred nearly all travelers from five mainly Muslim countries, in addition to North Korea and Venezuela. President Biden signed an executive order reversing the ban his first week in office.
Under the Trump administration, we imposed extreme vetting and put on a powerful travel ban to keep radical Islamic terrorists and jihadists out of our country,” Trump told his audience. “Well, how did that work out? We had no problem, right? They knew they couldn’t come here if they had that moniker. They couldn’t come here.”
“When I return to office, the travel ban is coming back even bigger than before and much stronger than before. We don’t want people blowing up our shopping centers. We don’t want people blowing up our cities and we don’t want people stealing our farms. So it’s not gonna happen.”
And that’s not all, when he says bigger and stronger this is what he’s really talking about:
Donald Trump has announced a new campaign proposal on United States immigration — barring “communists” and “Marxists” from entering the country.
The Republican former president, who is making another bid in 2024, on Saturday said he would use “Section 212 (f) of the Immigration and Nationality Act” to “order my government to deny entry to all communists and all Marxists.”
“Those who come to enjoy our country must love our country,” Trump said during a speech at the Faith and Freedom Coalition’s conference in Washington, adding, “We’re going to keep foreign, Christian-hating communists, Marxists and socialists out of America.”
He also said there needs to be a “new law” to address communists and Marxists who grew up in America, but didn’t elaborate on what it would include.
I’m sure a Republican congress (including a GOP Senate that has jettisoned the filibuster) will be happy to help with that. And he’s got some very good friends in the judiciary who owe him their lifetime sinecures.
He sure is making America great again, isn’t he?
Apparently, he wants to bring fascism faster:
“By refusing to speak to the needs of the poor and working people, the Democratic Party helps to facilitate and enable the Trumps and the DeSantises and others. So, you end up with neo-fascism being in some ways dependent on neoliberalism and vice versa.
That cycle, going around and around, means that we’re going to end up with fascism sooner or later. Every Democratic administration will just be a caretaker and a postponement for fascism to come. I am profoundly anti-fascist, and therefore I am trying to get at the roots of fascism.”
Right, yeah. That makes sense. Sure it does.
Meanwhile he’s running as the Green Party candidate and will probably be on the ballot in the swing states. And he could easily siphon off enough votes to put Donald Trump back in the white house. That’s how we’ll get at the roots of fascism?
I hope the Democrats take this threat seriously. Quite a few people think that protest votes are their way of sticking it to the powers that be. But the people who will be hurt won’t be those in power. I just hope that Donald Trump will be enough to keep most of these Green Party voters from playing with fire this time.
It isn’t really news that Donald Trump tried to “weaponize” the federal government against his political enemies. After all, he did it right out in the open many, many times. Here’s just one example from October of 2020, before the election:
Donald Trump mounted an overnight Twitter blitz demanding to jail his political enemies and call out allies he says are failing to arrest his rivals swiftly enough.
Trump twice amplified supporters’ criticisms of Attorney General William Barr, including one featuring a meme calling on him to “arrest somebody!” He wondered aloud why his rivals, like President Barack Obama, Democratic nominee Joe Biden and former Democratic nominee Hillary Clinton hadn’t been imprisoned for launching a “coup” against his administration.
“Where are all of the arrests?” Trump said, after several dozen tweets on the subject over the past 24 hours. “Can you imagine if the roles were reversed? Long term sentences would have started two years ago. Shameful!”
How about this?
“Billions of dollars are sent to the State of California for Forest fires that, with proper Forest Management, would never happen. Unless they get their act together, which is unlikely, I have ordered FEMA to send no more money. It is a disgraceful situation in lives & money!”
During an impromptu press conference at the White House on Thursday, President Trump was asked by a reporter to be a bit more specific with one of the pejorative claims he’s been making in recent weeks.
“Sir,” NBC’s Peter Alexander said, “the Constitution says treason is punishable by death.”
Trump gave a slight nod of acknowledgment.
“You’ve accused your adversaries of treason,” Alexander continued. “Who specifically are you accusing of treason?”
“Well,” Trump replied, “I think a number of people. And I think what you look is that they have unsuccessfully tried to take down the wrong person.”
Who specifically?
“If you look at [former FBI director James] Comey,” Trump said, “if you look at [former FBI deputy director Andrew] McCabe, if you look at people probably higher than that.”
“If you look at Strzok, if you look at his lover Lisa Page, his wonderful lover. The two lovers,” Trump said. Here he’s referring to the two FBI employees who exchanged text messages disparaging Trump, Peter Strzok and Lisa Page.
Page and Strzok have sued the government for violating their privacy rights and that lawsuit is providing some sworn testimony that Trump also wanted to “weaponize” the government against his enemies in private.
John F. Kelly, who served as former President Donald J. Trump’s second White House chief of staff, said in a sworn statement that Mr. Trump had discussed having the Internal Revenue Service and other federal agencies investigate two F.B.I. officials involved in the investigation into his campaign’s ties to Russia.
Mr. Kelly said that his recollection of Mr. Trump’s comments to him was based on notes that he had taken at the time in 2018. Mr. Kelly provided copies of his notes to lawyers for one of the F.B.I. officials, who made the sworn statement public in a court filing.
“President Trump questioned whether investigations by the Internal Revenue Service or other federal agencies should be undertaken into Mr. Strzok and/or Ms. Page,” Mr. Kelly said in the statement. “I do not know of President Trump ordering such an investigation. It appeared, however, that he wanted to see Mr. Strzok and Ms. Page investigated.”
Mr. Kelly’s assertions were disclosed on Thursday in a statement that was filed in connection with lawsuits brought by Peter Strzok, who was the lead agent in the F.B.I.’s Russia investigation, and Lisa Page, a former lawyer in the bureau, against the Justice Department for violating their privacy rights when the Trump administration made public text messages between them.
The disclosures from Mr. Kelly, made under penalty of perjury, demonstrate the extent of Mr. Trump’s interest in harnessing the law enforcement and investigative powers of the federal government to target his perceived enemies. In the aftermath of Richard M. Nixon’s presidency, Congress made it illegal for a president to “directly or indirectly” order an I.R.S. investigation or audit.
The New York Times reported last July that two of Mr. Trump’s greatest perceived enemies — James B. Comey, whom he fired as F.B.I. director, and Mr. Comey’s deputy, Andrew G. McCabe — were the subject of the same type of highly unusual and invasive I.R.S. audit.
It is not known whether the I.R.S. investigated Mr. Strzok or Ms. Page. But Mr. Strzok became a subject in the investigation conducted by the special counsel John Durham into how the F.B.I. investigated Mr. Trump’s campaign. Neither Mr. Strzok nor Ms. Page was charged in connection with that investigation, which former law enforcement officials and Democrats have criticized as an effort to carry out Mr. Trump’s vendetta against the bureau. Mr. Strzok is also suing the department for wrongful termination.
Mr. Strzok and Ms. Page exchanged text messages that were critical of Mr. Trump and were later made public by Rod J. Rosenstein, then the deputy attorney general under Mr. Trump, as he faced heavy criticism from Republicans on Capitol Hill who were trying to find ways to undermine him.
The sworn statements from Mr. Kelly are similar to ones he made to The New York Times in November, in which he said that Mr. Trump had told him that he wanted a number of his perceived political enemies to be investigated by the I.R.S., including Mr. Comey, Mr. McCabe, Mr. Strzok and Ms. Page.kj
The IRS did audit both Comey and McCabe but claim it was just a very, very unlikely coincidence.
Trump has, as usual, projected his own corruption and criminality onto the Biden administration with all the weeping and wailing and gnashing of teeth over getting caught red-handed breaking the law. His acolytes and accomplices in the US Congress are happy to help (along with some sympathetic MAGAs in the government.)
There is a whole committee dedicated to investigation of weaponization of government. I’m going to take a wild guess that they are not going to look into any of Trump’s obvious, well-documented attempts to do it.
The denialists will never, ever accept climate change
The world is burning up right now with temperatures soaring even in places like the arctic. The scientific consensus is that this is caused by climate change and common sense can tell any yokel on the street that this is not normal.
However, the wingnuts will never accept this presumably because they either care more about their fossil fuel portfolios or they care more about owning the libs than anything else in this world.
Here’s an example from Paul Hindraker (aka Hindrocket for those of you who remember the good old days of blogging.)
This last week, the press has been full of alarmist headlines: Tuesday was the hottest day ever! No, Wednesday was the hottest day ever! Of course, you have to 1) define “ever,” and 2) believe that we have any idea what the average temperature is, over the whole Earth, on a particular day–let alone a particular day 1,000 years ago.
At Watts Up With That?, Paul Homewood comments:
The idea that we know the global temperature today is absurd in itself. But the idea that we actually know what it was on a given day 100 years ago, or 1000 years ago, never mind thousands of years ago is sheer fraud.
And the claim that it is hotter now than 5000 years ago is a total lie – there is abundant evidence that it was much warmer then.
Then there is this:
“It hasn’t been this warm since at least 125,000 years ago, which was the previous interglacial,” Paulo Ceppi, a climate scientist at London’s Grantham Institute, told the Washington Post.
Wait, what? I didn’t know they had SUVs 125,000 years ago. What made it warm then? You’re not supposed to ask.
This is an educated man not a snotty 6th grader. If the temperature was ever this hot before SUVs it means that it can’t be caused by SUVs today? Come on.
STEVE adds—Steve Milloy has an excellent column on this issue coming out tomorrow in the Wall Street Journal:
The global-warming industry has declared that July 3 and 4 were the two hottest days on Earth on record. The reported average global temperature on those days was 62.6 degrees Fahrenheit, supposedly the hottest in 125,000 years. . .
One obvious problem with the updated narrative is that there are no satellite data from 125,000 years ago. Calculated estimates of current temperatures can’t be fairly compared with guesses of global temperature from thousands of years ago.
It’s obvious that the point here is to insist, once again, despite growing evidence in front of our very eyes, that climate change caused by greenhouse gasses is bogus. Yeah, ok. I’m convinced.
The sad thing is that since owning libs is what tens of millions of our fellow Americans live for, they are all too eager to believe this.
Rep. Alexandria Ocasio-Cortez has endorsed President Joe Biden’s reelection campaign, sending a strong sign of Democratic unity from one of the party’s most liberal members.
“I think he’s done quite well, given the limitations that we have,” Ocasio-Cortez said on the “Pod Save America” podcast Thursday. “I do think that there are ebbs and flows.”
Ocasio-Cortez, a self-described democratic socialist from New York, has sometimes bucked Biden and the party’s leaders, including voting against the deal the president negotiated with Republicans in May to raise the nation’s debt ceiling and casting the lone Democratic vote against a spending bill to keep the government operating and avoid a partial government shutdown.
She endorsed Sen. Bernie Sanders of Vermont in the 2020 Democratic presidential primary and demurred in an interview last year when asked if she would support the incumbent president in 2024.
Biden is facing nominal primary challenges for next year’s election in self-help author Marianne Williamson and anti-vaccine activist Robert F. Kennedy Jr.
Ocasio, when asked about whether she’d support Biden, said: “I believe, given that field, yes.”
The congresswoman said she felt Biden had a strong start in his presidency with the passage of the American Rescue Plan, aimed at relief from the impact of the pandemic, and the Inflation Reduction Act, a major climate and health care law.
“But,” Ocasio-Cortez said, “there are also areas that I think could have gone better.”
This person is so exceptional.
No SNL cold open. Season’s over and writers are on strike.
A Washington, D.C.-based bar discipline committee concluded Friday that Rudy Giuliani should be disbarred for “frivolous” and “destructive” efforts to derail the 2020 presidential election in support of former President Donald Trump.
“He claimed massive election fraud but had no evidence of it,” the three-member panel declared in a 38-page decision. “By prosecuting that destructive case Mr. Giuliani, a sworn officer of the Court, forfeited his right to practice law.”
Burn it down and start from scratch?
It should come as no surprise that the majority of Americans do not know much about what their government does or why or who is in charge. Fewer than half can name all three branches of government. A quarter cannot name even one. Philip Bump wrote recently, “On any given Election Day, after all, some chunk of the electorate is misinformed about who and what is on the ballot.” But there is lots of governement waste, fraud, and abuse squirreled away somewhere that should be eliminated so we can lower taxes. They’re sure of that.
Like this genius Vivek Ramaswamy who wants to eliminate 75% of career federal employees. People we’ve trained to know their jobs. People who know important shit most Americans aren’t even aware is being done. Yeah, those people have got to go.
I sat down recently with a grade-school friend I had not seen since I was maybe 15. He was retired from the National Oceanic and Atmospheric Administration (NOAA). He’d captained vessels and flown planes as part of the agency’s data-gathering efforts. I asked if he’d read “The Fifth Risk” by Michael Lewis. There’s a long section on what NOAA does as part of the Department of Commerce (for some reason). He had not. I told him he should.
“The Department of Commerce should really be called the Department of Information,” Lewis writes, because its real function is information-gathering and storage. The problem is its name isn’t particularly descriptive of what it does. Department of Information would not be much of an improvement. The department is also home to the National Weather Service (overseen by NOAA) which, if you are like me, you use several times a day. The National Climatic Data Center, here where I live, stores all that information. Weather.com and AccuWeather? They just repackage the data NWS and NOAA collect at public expense, then use it to sell ads at a profit. Trump apppointed AccuWeather CEO, Barry Myers, to run the NOAA. He argued that the government (his data supplier and competition) “should get out of the forecasting business.”
Florida Gov. Ron DeSantis promises to eliminate the Departments of Energy, Commerce and Education, plus the Internal Revenue Service. That’s one more than Texas Gov. Rick Perry famously wanted gone. Except he could not remember the name of the Department of Energy. He eventually ran it and didn’t know what it does. Its name isn’t particularly descriptive of what it does either.
Here’s what Lewis in 2017 said the D.O.E. does:
Roughly half of the D.O.E.’s annual budget is spent on maintaining and guarding our nuclear arsenal, for instance. Two billion of that goes to hunting down weapons-grade plutonium and uranium at loose in the world so that it doesn’t fall into the hands of terrorists. In just the past eight years the D.O.E.’s National Nuclear Security Administration has collected enough material to make 160 nuclear bombs. The department trains every international atomic-energy inspector; if nuclear power plants around the world are not producing weapons-grade material on the sly by reprocessing spent fuel rods and recovering plutonium, it’s because of these people. The D.O.E. also supplies radiation-detection equipment to enable other countries to detect bomb material making its way across national borders. To maintain the nuclear arsenal, it conducts endless, wildly expensive experiments on tiny amounts of nuclear material to try to understand what is actually happening to plutonium when it fissions, which, amazingly, no one really does. To study the process, it is funding what promises to be the next generation of supercomputers, which will in turn lead God knows where.
Yup. That’s gotta go.
And all those other “woke” types who do things we don’t know anything about. Can their asses.
It literally doesn’t get any dumber than this
She’s a Barbie comrade, in a Communist Barbie world—or so say Republicans, who are doubling down on accusations that the upcoming Barbie movie is Chinese propaganda.
The film, which comes out July 21, stars Margot Robbie and Ryan Gosling as Barbie and Ken, who leave Barbie Land to explore the real world. In one scene before they leave, a rough, hand-drawn map of the world can be seen in the background. The map includes the so-called nine-dash line, a much-disputed division of territory in the South China Sea.
Senator Ted Cruz was one of the first U.S. lawmakers to weigh in, sarcastically tweeting, “I guess Barbie is made in China…” Fox News commentators speculated outright whether Barbie was Communist or not.
More Republicans have joined them. “While it may just be a Barbie map in a Barbie world, the fact that a cartoonish, crayon-scribbled map seems to go out of its way to depict [China’s] unlawful territorial claims illustrates the pressure that Hollywood is under to please CCP censors,” Representative Mike Gallagher, who chairs the House select committee on China, told Fox News Digital on Thursday.
Representative Jim Banks, who also serves on the select committee, accused the film’s producers of “endangering our national security.”
“We defeated the Soviet Union with Coke, Levi’s and James Dean. We need soft power superiority just as much as we need military superiority to win the new Cold War with China, and that’s impossible with Hollywood working alongside the Chinese Communist Party,” he said.
Representative Mike Waltz accused Hollywood of “hypocrisy” and slammed Barbie as “yet another disgraceful example of Hollywood being in the pocket of communist China.” Senator Marsha Blackburn accused the movie of “bending to Beijing.”
Representative Mark Green warned Hollywood that continuing to spread Chinese propaganda would cost the industry federal support. “In no world should American films be spreading CCP propaganda,” he said. “I encourage all film studios to stand with integrity or lose support from federal entities like the DOD.”
In March, Green reintroduced the SCREEN Act, which would bar the U.S. government from helping American studios produce films if the movie is co-produced by a Chinese company.
China has used the nine-dash line to mark its controversial territorial claims in the South China Sea. Over the years, Beijing has tried to claim sovereignty over 90 percent of the region. Even though The Hague ruled in 2016 that China has no legal basis for its claims, the country has pressed on, building military installations on otherwise uninhabited islands in the sea.
Hanoi has already banned the Barbie movie for its inclusion of the nine-dash line, which Vietnam, the Philippines, Taiwan, Malaysia, and Brunei all say the marker violates their sovereignty. The Philippines is also considering banning the film.
For the record, here is the shot in question of the nine-dash line:
LOOK AT THAT “MAP”!!!!!
I need a drink…