Just ahead of news of the shootings at a Trump rally in Pennsylvania, Netroots Nation 2024 closed in Baltimore with a dialogue between a Palestinian and Israeli, friends who both lost family and friends in the violence along the Gaza border last year and in Gaza itself since. Aziz Abu Sarah and Maoz Inon work together for peace to prove peace is possible. Crying together can be healing. The dialogue was inspiring.
Daily Kos founder Markos Moulitsas earlier urged attendees not to lose our shit. He did not support Biden during the 2020 primaries; he backed Elizabeth Warren. Nevertheless, Black primary voters in South Carolina chose the most boring candidate in the race (Biden) … who won and turned out to be a pretty great president.
Democrats, he reminded the audience, have over performed the polls since 2018, They’ve won ballot initiatives everywhere. Meantime, Trump underperformed in his primaries. Republicans tell pollsters they support Trump, but then don’t show up for him. We are in uncharted territory where polls are concerned.
His message: Don’t Panic. We’ve got this.
Shortly later, we heard about the attempted assassination in Pennsylvania.
The world is upside down. Irony isn’t dead, but it is cruel.
Someone fired shots from a nearby rooftop at a presidential candidate last night in Pennsylvania, killing one spectator and leaving two critically injured. A Secret Service sniper killed the shooter. He was not carrying ID, but has been identified. The candidate walked away with a nicked ear, though it’s not clear if from a bullet or from a glass shard blown off a teleprompter. The assassination attempt failed:
The gunman who attempted to assassinate former President Donald J. Trump at a rally in Pennsylvania on Saturday was identified by the F.B.I. as Thomas Matthew Crooks, a 20-year-old from Bethel Park, Pa., but officials released no additional information about him.
“This remains an active and ongoing investigation,” the F.B.I. said in a statement early Sunday.
The gunman did not have a criminal history reflected in Pennsylvania’s public court records, and officials said they had not identified a motive. A voter-registration record showed that Mr. Crooks was registered as a Republican, though federal campaign-finance records show he donated $15 to the Progressive Turnout Project, a liberal voter turnout group, through the Democratic donation platform ActBlue in January 2021.
Addressing the nation about two hours after the shooting, Biden said he was relieved that Trump is reportedly “doing well.” He said he had been unable to reach Trump before his remarks, but the White House said he did speak to Trump several hours later.
“We cannot allow this to be happening,” Biden said. “The idea that there’s violence in America like this is just unheard of.”
Biden, speaking without a teleprompter, said he was waiting for additional information before formally calling the attack an attempted assassination on the former president.
“I have an opinion, but I don’t have any facts,” he told reporters, pledging to provide updates as he learns more.
The attempt on Trump’s life represents a significant security failure.
Two dead (including the suspect), two seriously wounded, and a presidential candidate injured. Except for the occupation of last victim, just another Saturday night in the U.S. in 2024. This political season will get worse from here.
Here’s what I know. With a well-fed conspiracy culture entrenched with Trump’s help, one of my first reactions was was it staged? (They’ve got me doing it!) Whatever information comes out about the shooter, it will be spun on the right as “fake news” or some Deep State conspiracy. (Former Trump 2020 campaign manager Brad Parscale floated the “deep state conspiracy” theory within about 90 minutes.) The former WWF showman got some iconic images of himself with fist raised as he was led away. They are sure to show up in posters and tee shirts within hours. (See above.)
The atmosphere of fear, distrust, and political hatred is sure to worsen from here, not give America pause for reflection. If Project 2025 was meant to be the vehicle for Trump’s revenge and retribution, now add angry justification to the recipe. You know he will.
To borrow an old line from a friend, all in all, I wish it hadn’t happened.
Someone tried to shoot Trump today. They didn’t get him, although reports are saying his ear was cut by some flying glass from his teleprompter. Two others were shot, however, and the shooter was as well.
We don’t know yet about motives. But we do know this:
Oh really?
Here's Trump echoing Adolf Hitler during his rally yesterday saying he will "root out the communist, Marxist, fascist and the radical left thugs that live like vermin within the confines of our country…" pic.twitter.com/t9Gjq7yfub
With the mercury continuing to soar in many sections of the country I thought I would curate a Top 15 “hot” noirs festival. Hot-as in sweaty, steamy, dripping, sticky, sudoriferous crime thrillers (get your mind out of the gutter). If you’re like me (and isn’t everyone?) there’s nothing more satisfying than gathering up an armload of DVDs and spending a hot weekend ensconced in my dark, cool media room (actually, I don’t have a “media room” nor any A/C in my apartment…but I can always dream). Enjoy!
Ace in the Hole – Billy Wilder’s 1951 film is one of the bleakest noirs ever made:
Charles Tatum: What’s that big story to get me outta here? […] I’m stuck here, fans. Stuck for good. Unless you, Miss Deverich, instead of writing household hints about how to remove chili stains from blue jeans, get yourself involved in a trunk murder. How about it, Miss Deverich? I could do wonders with your dismembered body.
Miss Deverich: Oh, Mr. Tatum.Really!
Charles Tatum: Or you, Mr. Wendell-if you’d only toss that cigar out the window. Real far…all the way to Los Alamos. And BOOM! (He chuckles) Now there would be a story.
Tatum (played to the hilt by Kirk Douglas) is a cynical big city newspaper reporter who drifts into a sun-baked New Mexico burg after burning one too many bridges with his former employers at a New York City daily. Determined to weasel his way back to the top (by any means necessary, as it turns out), he bullies his way into a gig with a local rag, where he impatiently awaits The Big Story that will rocket him back to the metropolitan beat.
He’s being sarcastic when he exhorts his co-workers in the sleepy hick town newsroom to get out there and make some news for him to capitalize on. But the irony in Wilder’s screenplay (co-written by Lesser Samuels and Walter Newman) is that this becomes a self-fulfilling prophesy for Tatum; in his attempt to purloin and manipulate the scenario of a man trapped in a cave-in into a star-making “exclusive” for himself, it’s Tatum who ultimately becomes The Big Story. Great writing, directing and acting make it a winner.
The Big Easy – “Aw…come on, chère.” I can’t reckon why, you… but dey wuz a mess of swampy Louisiana neo noirs bag daer in the 80s- Southern Comfort, Angel Heart, No Mercy, Cat People, Belizaire the Cajun, Down by Law, and (my favorite of the bunch) Jim McBride’s slick 1986 crime drama.
Dennis Quaid and Ellen Barkin star as a NOPD detective and a D.A., respectively who become enmeshed in a police corruption investigation. Initially adversarial, the pair’s professional relationship is quickly complicated by a mutual attraction (what…you’re going to cast Dennis Quaid and Ellen Barkin in a film and not let nature take its course? I mean, come on, chère!).
Admittedly, the twists and turns in Daniel Petrie, Jr.’s screenplay may not hold up to scrutiny, but you’ll be having too much fun watching Quaid and Barkin heat up the screen to care. Great supporting cast, featuring Ned Beatty, John Goodman and Grace Zabriskie.
Body Heat – A bucket of ice cubes in the bath is simply not enough to cool down this steamy noir. Writer-director Lawrence Kasdan’s 1981 Double Indemnity homage blows the mercury right out the top of the thermometer. Kathleen Turner is the sultry femme fatale who plays the late William Hurt’s hapless pushover like a Stradivarius (“You aren’t too smart. I like that in a man.”) The combination of the Florida heat with Turner and Hurt’s sexual chemistry will light your socks on fire. Outstanding support from Richard Crenna, Ted Danson, J.A. Preston and an up-and-coming young character actor named Mickey Rourke.
Chinatown – There are many Deep Thoughts that I have gleaned over the years via repeated viewings of Roman Polanski’s 1974 “sunshine noir”.
Here are my top 3:
1. Either you bring the water to L.A. or you bring L.A. to the water.
2. Politicians, ugly buildings and whores all get respectable if they last long enough.
3. You may think you know what you’re dealing with, but, believe me, you don’t.
Of course, I’ve also learned that if you put together a great director (Polanski), a killer screenplay (by Robert Towne, who passed away earlier this month), two lead actors at the top of their game (Jack Nicholson and Faye Dunaway), an ace cinematographer (John A. Alonzo) and top it off with a perfect music score (by Jerry Goldsmith), you’ll likely produce a film that deserves to be called a “classic”, in every sense of the word.
Cool Hand Luke – “Still shakin’ the bush, boss!” Paul Newman shines (and sweats buckets) in Stuart Rosenberg’s 1967 drama. Newman plays a ne’er do well from a southern burg who ends up on a chain gang. He gets busted for cutting the heads off of parking meters while on a drunken spree, but by the end of this sly allegory, astute viewers will glean that his real crime is being a non-conformist.
Highlights include Strother Martin’s “failure to communicate” speech (Donn Pearce and Frank Pierson’s screenplay is agog with classic lines), Harry Dean Stanton singing “The Midnight Special”, that (ahem) car wash scene and George Kennedy’s Best Supporting Actor turn. Also in the cast: Ralph Waite, Dennis Hopper, Wayne Rogers, Anthony Zerbe, and Joy Harmon steaming up the camera lens as the “car wash girl”.
Detour – Nothing good ever happens on a dark desert highway. Many consider Edgar G. Ulmer’s artfully pulpy 1945 programmer as one of the greatest no-budget “B” crime dramas ever made. Clocking in around 70 minutes, the story follows a down-on-his-luck musician (Tom Neal) with whom fate, and circumstance have saddled with (first) a dead body, and then (worst) a hitchhiker from Hell (Ann Savage, in a wondrously demented performance). In short, he is not having a good night. Truly one of the darkest noirs of them all.
Dog Day Afternoon – As far as oppressively humid hostage dramas go, this 1975 “true crime” classic from Sidney Lumet out-sops the competition. The AC may be off, but Al Pacino is definitely “on” in his absolutely brilliant portrayal of John Wojtowicz (“Sonny Wortzik” in the film), whose botched attempt to rob a Brooklyn bank turned into a dangerous hostage crisis and a twisted media circus (the desperate Wojtowicz was trying to finance his lover’s sex-change operation).
Even though he had already done the first two Godfather films, this was the performance that put Pacino on the map. John Cazale is at once scary and heartbreaking as Sonny’s dim-witted “muscle”. Keep an eye out for Chris Sarandon’s cameo. Frank Pierson’s tight screenplay was based on articles by P.F. Kluge and Thomas Moore.
High and Low – Akira Kurosawa’s multi-layered 1963 drama is adapted from Ed McBain’s crime thriller King’s Ransom. Toshiro Mifune is excellent as a CEO who risks losing controlling shares of his company when he takes responsibility to assure the safe return of his chauffeur’s son, who has been mistaken as his own child by bumbling kidnappers.
As the film progresses, the tableau subtly shifts from the executive’s comfortable, air-conditioned mansion “high” above the city, to the “low”, sweltering back alleys where desperate souls will do anything to survive; a veritable descent into Hell.
While the film is perfectly serviceable as an absorbing police procedural, it delves deeper than a standard genre entry. It is also an examination of class struggle, corporate culture, and the socioeconomic complexities of modern society.
The Hot Spot – Considering he accumulated 100+ feature film credits as an actor and a scant 7 as a director of same over a 55-year career, it’s not surprising that the late Dennis Hopper is mostly remembered for the former, rather than the latter. Still, the relative handful of films he directed includes Easy Rider, The Last Movie, Colors, and this compelling 1990 neo-noir.
Don Johnson delivers one of his better performances as an opportunistic drifter who wanders into a one-horse Texas burg. The smooth-talking hustler snags a gig as a used car salesman, and faster than you can say “only one previous owner!” he’s closed the deal on bedding the boss’s all-too-willing wife (Virginia Madsen), and starts putting the moves on the hot young bookkeeper (Jennifer Connelly). You know what they say, though…you can’t have your cake and eat it too. Toss in some avarice, blackmail, and incestuous small-town corruption, and our boy finds he is in way over his head.
In the Heat of the Night – “They call me Mister Tibbs!” In this classic (which won 1967’s Best Picture Oscar) Sidney Poitier plays a cosmopolitan police detective from Philly who gets waylaid in a torpid Mississippi backwater, where he is reluctantly recruited into helping the bigoted sheriff (Rod Steiger) solve a local murder. Poitier nails his performance; you can feel Virgil Tibb’s pain as he tries to maintain his professional cool amidst a brace of surly rednecks, who throw up roadblocks at every turn.
While Steiger is outstanding here as well, I always found it ironic that he was the one who won “Best Actor in a leading role”, when Poitier was the star of the film (it seems Hollywood didn’t get the film’s message). Sterling Silliphant’s brilliant screenplay (another Oscar) works as a crime thriller and a “fish out of water” story. Director Norman Jewison was nominated but didn’t score a win. Future director Hal Ashby won for Best Editing. Quincy Jones composed the soundtrack, and Ray Charles sings the sultry theme.
Night Moves – Set in Los Angeles and the sultry Florida Keys, Arthur Penn’s 1975 sleeper stars Gene Hackman as a world-weary P.I. with a failing marriage, who becomes enmeshed in a case involving battling ex-spouses, which soon slides into incest, smuggling and murder. As always, Hackman’s character work is top-notch. Also with Jennifer Warren (in a knockout, Oscar-worthy performance), Susan Clark, Edward Binns, Harris Yulin, James Woods and Melanie Griffith (in her first credited role). Alan Sharp’s intelligent, multi-layered screenplay parallels the complexity of the P.I.’s case with ruminations on the equally byzantine mystery as to why human relationships, more often than not, almost seem engineered to fail.
The Night of the Hunter – Is it a film noir? A horror movie? A black comedy? A haunting American folk tale? The answer would be yes. The man responsible for this tough-to-categorize 1957 film was one of the greatest acting hams of the 20th century, Charles Laughton, who began and ended his directorial career with this effort. Like many films now regarded as “cult classics”, it was savaged by critics and tanked at the box office upon initial release (enough to spook Laughton from ever returning to the director’s chair).
Robert Mitchum is brilliant (and genuinely scary) as a knife-wielding religious zealot who does considerably more “preying” than “praying”. Before Mitchum’s condemned cell mate (Peter Graves) meets the hangman, he talks in his sleep about $10,000 in loot money stashed somewhere on his property. When the “preacher” gets out of the slam, he makes a beeline for the widow (Shelly Winters) and her two young’uns. A disturbing (and muggy) tale unfolds. The great Lillian Gish is on board as well. Artfully directed by Laughton and beautifully shot by DP Stanley Cortez.
The Postman Always Rings Twice – A grimy (but strapping) itinerant (John Garfield) drifts into a hot and dusty California truck stop and” last chance” gas station run by an old codger (Cecil Kellaway) and his hot young wife (Lana Turner). Sign outside reads: “Man Wanted”. Garfield wants a job. Turner wants a man. Guess what happens.
An iconic noir and blueprint for ensuing entries in the “I love you too, baby…now how do we lose the husband?” sub-genre. Tay Garnett directs with a wonderfully lurid flourish. Harry Ruskin and Niven Busch adapted their screenplay from the James M. Cain novel.
Touch of Evil – Yes, this is Orson Welles’ classic 1958 sleaze-noir with that celebrated and oft-imitated tracking shot, Charlton Heston as a Mexican police detective, and Janet Leigh in various stages of undress. Welles casts himself as Hank Quinlan, a morally bankrupt police captain who lords over a corrupt border town. Quinlan is the most singularly grotesque character Welles ever created as an actor and one of the most offbeat heavies in film noir.
This is also one of the last great roles for Marlene Dietrich (“You should lay off those candy bars.”). The creepy and disturbing scene where Leigh is terrorized in an abandoned motel by a group of thugs led by a leather-jacketed Mercedes McCambridge presages David Lynch; there are numerous flourishes throughout that are light-years ahead of anything else going on in American cinema at the time. Welles famously despised the studio’s original 96-minute theatrical cut; there have been nearly half a dozen re-edited versions released since 1975.
The Wages of Fear / Sorcerer -The primeval jungles of South America have served as a backdrop for a plethora of sweat-streaked tales (Werner Herzog’s Fitzcarraldo and Aguirre: TheWrath of God come to mind), but Henri-Georges Clouzot’s 1953 “existential noir” sits atop that list.
Four societal outcasts, who for one reason or another find themselves figuratively and literally at the “end of the road”, hire themselves out for an apparently suicidal job…transporting two truckloads of touchy nitro over several hundred miles of bumpy jungle terrain for delivery to a distant oilfield.
It does take some time for the “action” to really get going; once it does, you won’t let out your breath until the final frame. Yves Montand leads the fine international cast. Clouzot co-scripted with Jerome Geronimi, adapting from the original Georges Anaud novel.
If you’ve already seen The Wages of Fear, you might want to check out William Friedkin’s 1977 action-adventure Sorcerer, which was greeted with indifference by audiences and critics upon initial release. Maybe it was the incongruous title, which led many to assume it would be in the vein of his previous film (and huge box-office hit), The Exorcist. Then again, it was tough for any other film to garner attention in the immediate wake of Star Wars.
At any rate, it’s a well-directed, terrifically acted “update” of Henri-Georges Clouzot’s 1953 film noir (I refer to it as an “update” in deference to Friedkin, who bristles at the term “remake” in a letter from the director that was included with the 2014 Blu-ray).
Roy Scheider heads a superb international cast as a desperate American on the lam in South America, who signs up for a job transporting a truckload of nitroglycerin through rough terrain. Tangerine Dream provides the memorable soundtrack.
Greg Sargent at TNR makes an important observation about why the polls remain so close:
A new Marist poll takes the novel step of asking registered voters which is more off-putting in an occupant of the Oval Office: dishonesty or excessive age. The results are surprising, and along with other polling along these lines, it should influence how Joe Biden’s and Donald Trump’s relative qualifications for the presidency are covered from here on out.
The poll asked: Which is more concerning in a president, someone who doesn’t tell the truth, or someone who might be too old to serve? The results were lopsided: By 68 to 32 percent, respondents were more concerned about the lying than the aging. Given the relentless media focus on presidential age of late, that’s simply remarkable.
While the poll doesn’t directly compare Trump and Biden on that particular question, it also finds that 52 percent of Americans say Biden has the “character to serve as president,” whereas only 43 percent say this about Trump. Fifty-six percent say Trump lacks the character to serve, which surely reflects public perceptions of Trump’s dishonesty.
[…]
Voters grasp Trump’s world-historical levels of dishonesty. This week’s Pew poll found that only 36 percent of voters view Trump as “honest.” By contrast, 48 percent view Biden that way—not good enough, clearly, but Biden’s large advantage here is especially notable given that as president, he has been subjected to a far harsher media spotlight for the last four years.
What the new Marist poll adds to this debate is the idea that voters see excessive lying as a serious problem in a president. Yet ask yourself this: How often is Trump’s lying covered that way? Trump’s dishonesty is rarely treated as a sign of his temperamental unfitness for the presidency. Biden’s age, of course, is constantly covered as an important factor in determining his fitness for the office. Biden’s age should be covered this way, to be clear. But so should Trump’s relentless lying.
The key distinction here is between mental unfitness for the presidency (where Biden does very badly, relative to Trump), and temperamental unfitness for that majestic office. On the latter, Quinnipiac found earlier this year Biden does significantly better than Trump does, with an extraordinary 61 percent saying Trump is temperamentally unfit for the presidency.
Temperamental unfitness also matters! And honesty is central to that.
He goes on to ask how the news media could improve its coverage of this in a way that frames it as the threat it really is, admitting that it’s not easy. News analysis that discusses this with the seriousness it deserves would be a good start. And as he says, the one thing it should stop doing, right now, is treating it as “savvy or well-executed politics.”
At his marathon rallies, Mr. Trump, using a teleprompter but often going on riffs without it, speaks for upward of 90 minutes. He tells outrageous lies. He employs hateful language. He mixes up names, dates and places.
But the bombastic former president—who at 78 is three years younger than Mr. Biden and with his heavyset frame appears far more physically imposing—does it all with prodigious stamina. Polls show that voters have fewer concerns about Mr. Trump’s age than Mr. Biden’s.
Trump spews lies and hate regularly, but, hey, he does it with an effective display of performative gusto! Oh, well—it’s all just an inevitable background condition of our politics in the Trump era. But news organizations can choose to not treat Trump’s lying this way, and find a better approach. Another problem: Media fact checks are often cordoned off from other types of stories. There has to be some way to better integrate fact-checking into the daily drumbeat of news coverage.
There’s more at the link and well worth reading.
Those questions in the Marist poll caught my attention as well. I think it’s vitally important for these pollsters to start wondering why it is that despite the overwhelming concern people have over Biden’s age, he is still tied in all the polls. It seems counter intuitive. But when you look at how people feel about Orange Hitler’s character defects, it makes more sense.
Sure, everyone wishes the candidates were younger. But both of them are old and people are more concerned about Biden’s age than Trump’s for some reason. But the race remains very close and I think it has a lot to do with the fact that Donald Trump is a lying, criminal demagogue who attempted a coup which makes him completely unfit to be president again.
This is going viral all over social media and it is hilarious. I’m sorry to say, because I’m an old person sadly attached to old fashioned communication, but this is probably a better way to reach people about policy:
According to this breathless Axios report, the fall election is the “boys vs. girls” election. I could be mistaken but it sure sounds like they think the “boys” are the big winners in that contest:
Top Trump advisers tell us that when the Republican National Convention opens in Milwaukee on Monday, the contrast they want pervading social media is ultimately “weak vs. strong.” Onstage, it’ll be the testosterone party. It’s Donald Trump’schest-beating macho appeals vs. Joe Biden’s softer, reproductive-rights-dominated, all-gender inclusivity.
[…]
Share of 18- to 29-year-olds who identify as liberal, by gender
Among 1,000+ U.S. adults 18 to 29 years old surveyed annually from 1999-2023
The line chart shows the percentage of American men and women aged 18-29 who identify as liberal from 1999 to 2023. The data reveals a general upward trend over the years, with women consistently identifying as liberal at a higher rate than men. The gap grew in the 2010s and beyond, with 40% of women identifying as liberal compared to 25% of men in 2023.
In theory, most of these trends should favor Biden.
[…]
But in most polls, Trump has led in most of the six big swing states — thanks largely to the swing in men toward Trump.
John Della Volpe — Harvard Institute of Politics polling director, and director of Harvard Youth Poll — tells us: “For a new generation of young male voters whose first impression of Donald Trump was almost a decade ago (when they were middle school age), he’s an anti-hero sticking it to a system viewed as slow, ineffectual and corrupt.”
“That image has been echoed tens of millions of times through social media, podcasters, in gamer and other communities,” Della Volpe says.
There’s more. And it’s unpleasant to read. Trump’s “surge” among men after his “frail” performance by 23 points and Biden’s “ticked up” 8 points after the debate according to the Oracle of DelphiNew York Times/Siena poll.
The GOP convention is apparently looking to exploit this alleged advantage by featuring wife beaters and golf pros:
Dana White, the macho president of the Ultimate Fighting Championship (UFC), the hottest sport for testosterone-charged fans, will introduce Trump, whose rhetoric and policies shoot right into the bloodstream of his male-dominated base. White, a controversial figure in his own right, apologized last year after being filmed slapping his wife at a nightclub.
The “everyday Americans” who’ve been announced as speakers include typical convention fare (a rancher, a steamfitters union leader, three decorated war heroes) — plus John Nieporte, head golf pro at Trump International Golf Club in West Palm Beach, and Carrie Ruiz, golf general manager at Trump National Doral in Miami.
Update: Tucker Carlson will have a prime-time slot, the N.Y. Times scoops.
Ooh baby. I’m not sure how the reporter meant this next sentence but I know how it sounds:
Can you imagine a hunter, a cage-fight promoter and a convicted felon dazzling the DNC? They’d be canceled before they entered the arena.
“Canceled” Oh yuck, amirite?
He goes on to say that the Dems plan to offer a “softer celebration” of diversity and featuring abortion rights “the one topic” they think won them the off year elections. (That’s not ttue — they were won on a whole host of issues, including a strong resistance to the fascist takeove of our democracy. I guess you can call that “soft” but it really isn’t. At all. )
Anyway, who cares about that:
Trump’s first public appearance after his felony convictions (based on hush money to a porn star) was at a UFC fight in Newark, where he and White were greeted by a rip-roaring crowd of mostly young men.
The thunderous and carefully choreographed entrance culminated in a viral handshake with UFC commentator Joe Rogan — whose millions of podcast listeners skew 80% male.
Not long after, Trump appeared on the popular podcast All-In, co-hosted by four towel-snapping dudes. Tech bros are a rising group of swing voters for Trump.
Trump’s so cool. A real macho dude. His orange make-up is especially manly along with this “Flock of Seagulls” shellacked yellow hair. In fact, if you didn’t know better he might even be a drag queen which we know all these super masculine Trump lovers greatly admire.
And they almost always vote in larger numbers: In 2020, 74% of adult U.S. women said they voted, vs. 71% of men. That split has held true for 40+ years — in every presidential election beginning in 1980, according to the Center for American Women and Politics.
There’s also a big split in registration: 89 million women told census surveyors they were registered in 2020, vs. 79 million men. (Explore the data.)
I’m not sure exactly how it happened, but suddenly everyone’s talking about Project 2025. Maybe it really was Taraji P Henson talking about it on the BET awards and John Oliver laying out the stakes on his show, in which case we owe them a debt of gratitude. Whatever it was it’s now circulating in the mainstream and nothing couple be more important.
A sweeping proposal for how Donald Trump should handle a second term in office has sparked concern for its implications on the role of federal government and its calls to eliminate a number of basic human rights.
The 2025 Presidential Transition Project, more commonly known as Project 2025, released a 900-page manifesto last year titled “Mandate for Leadership: The Conservative Promise.” The policy guidebook — compiled by the conservative think tank Heritage Foundation in partnership with more than 100 other conservative organizations — lays out a far-right, Christian nationalist vision for America that would corrode the separation of church and state, replace nonpartisan government employees with Trump loyalists and bolster the president’s authority over independent agencies.
Heritage Foundation President Kevin Roberts, a rumored candidate for Trump’s chief of staff in a second term, promoted his group’s extreme positions during a July interview, saying, “We are in the process of the second American Revolution, which will remain bloodless if the left allows it to be.”
Shortly after Roberts’ controversial interview, Trump attempted to distance himself from Project 2025, saying on Truth Social that he knows “nothing” about it and has “no idea who is behind it,” before adding that he disagrees with some of its propositions.
While Project 2025 is not formally a part of Trump’s campaign platform, it has been led and supported by several influential people in his orbit. The project’s top leaders all worked in Trump’s White House and a number of the manifesto’s contributors also served in the Trump administration, including but not limited to former Housing and Urban Development Secretary Ben Carson and imprisoned former trade adviser Peter Navarro.
Equally damaging to Trump’s claim that he is unfamiliar with Project 2025 is that he worked closely with the Heritage Foundation when he was first elected president. He was provided a similar “Mandate for Leadership” back in 2016, and enacted nearly two-thirds of the group’s proposals within his first year in office.
The Heritage Foundation also reportedly played a behind-the-scenes role on Trump’s presidential transition team and had a significant hand in staffing the administration.
Olivia Troye, a former adviser to Mike Pence, called Trump’s denial of Project 2025 “ludicrous” in a CNN interview. “I think what this is telling us is that Donald Trump knows that what is written in this plan is so extreme that it is damaging to his possibility of getting elected,” she said.
People Magazine published that. And it goes on to document the atrocities in the document in detail. (You should read it!)
Nothing could be more important than reminding normal everyday Americans who may not be glued to politics twitter or CNN that Trump is a monster and his people are extremist nuts.
My Alabama colleagues like @SenTuberville are right—this is a MAJOR win.
It’s a shame he voted against the bill that made it possible.
As Alabama’s only Member of Congress to vote FOR President Biden’s Infrastructure Law, I’m proud to see these funds coming to our state! https://t.co/OSKLim4kFH
— Rep. Terri A. Sewell (@RepTerriSewell) July 12, 2024
The way these “Christian” republicans try and take credit for a bill they voted against while tearing down the President that signed it is next level hypocritical. https://t.co/t47pGYQlfv
— Auburn Barn Doc (Parody account)🐅 (@aubarndoc) July 13, 2024
Kay Ivey is trying to take credit for money that all the Republicans voted against. https://t.co/mE2jSbtiED
I could go on. This is happening all over the country. It’s astonishing just how shameless they really are. But because they have their own media they know that their voters will never hear the truth.
A Friday breakout session titled “Amplify: Getting Louder in 2024” featured ads written and tested to move audiences on key issues.
Humor is an important way to grab viewers’ attention. But it’s hard to do irony, explained panelist Anat Shenker-Osorio. The ad above generated eye rolls when first tested. Audiences thought it an exaggeration, unbelievable. Creators had to add the end cards to explain that this joke is no joke.
Republicans blocked a bill to protect access to contraception on June 5.
It’s one reason why health care advocate Laura Packard is traveling around the country with a giant, inflatable IUD.
More Amplify ads are here. They are free for you to use (except in Arizona). “All videos have been tested to ensure they not only persuade our audiences but move them to action. This “mobisuasion” approach is meant to break through the noise and mobilize voters in our base to repeat our message.”
