Revenge Of The Republican Geeks
by digby
If you read nothing else tonight read this article in this week’s New Yorker profile of Rush Limbaugh’s great pal Joel Surnow, creator of the TV show “24.” It’s sad and laughable and frightening all at once.
I think you’ll especially like this part, since we’ve spent almost the entire day discussing Iran hereabouts:
Although he is a supporter of President Bush—he told me that “America is in its glory days”—Surnow is critical of the way the war in Iraq has been conducted. An “isolationist” with “no faith in nation-building,” he thinks that “we could have been out of this thing three years ago.” After deposing Saddam Hussein, he argued, America should have “just handed it to the Baathists and . . . put in some other monster who’s going to keep these people in line but who’s not going to be aggressive to us.” In his view, America “is sort of the parent of the world, so we have to be stern but fair to people who are rebellious to us. We don’t spoil them. That’s not to say you abuse them, either. But you have to know who the adult in the room is.”
Surnow’s rightward turn was encouraged by one of his best friends, Cyrus Nowrasteh, a hard-core conservative who, in 2006, wrote and produced “The Path to 9/11,” a controversial ABC miniseries that presented President Clinton as having largely ignored the threat posed by Al Qaeda. (The show was denounced as defamatory by Democrats and by members of the 9/11 Commission; their complaints led ABC to call the program a “dramatization,” not a “documentary.”) Surnow and Nowrasteh met in 1985, when they worked together on “The Equalizer.” Nowrasteh, the son of a deposed adviser to the Shah of Iran, grew up in Madison, Wisconsin, where, like Surnow, he was alienated by the radicalism around him. He told me that he and Surnow, in addition to sharing an admiration for Reagan, found “L.A. a stultifying, stifling place because everyone thinks alike.” Nowrasteh said that he and Surnow regard “24” as a kind of wish fulfillment for America. “Every American wishes we had someone out there quietly taking care of business,” he said. “It’s a deep, dark ugly world out there. Maybe this is what Ollie North was trying to do. It would be nice to have a secret government that can get the answers and take care of business—even kill people. Jack Bauer fulfills that fantasy.”
The Baby Party strikes again. “Please have Secret Government Daddy quietly ‘take care of business’ or I’ll just die of fright!” And they admit to this embarrassing need for a big strong man to solve all their problems while Surnow refers to “foreigners” as children whom we musn’t “spoil.” Oh my god, what ridiculous people.
And, you can’t help but choke a little bit on the idea that the son of an advisor of the Shah of Iran is influencing Americans about the need for torture. Cyrus “SAVAK” Nowrasteh is quite a guy.
But, still, it’s just a TV show, right? Unfortunately, the article points out that this piece of shit is actually used by soldiers in Iraq for “ideas.” And the military isn’t all that happy about it:
This past November, U.S. Army Brigadier General Patrick Finnegan, the dean of the United States Military Academy at West Point, flew to Southern California to meet with the creative team behind “24.” Finnegan, who was accompanied by three of the most experienced military and F.B.I. interrogators in the country, arrived on the set as the crew was filming…In fact, Finnegan and the others had come to voice their concern that the show’s central political premise—that the letter of American law must be sacrificed for the country’s security—was having a toxic effect. In their view, the show promoted unethical and illegal behavior and had adversely affected the training and performance of real American soldiers. “I’d like them to stop,” Finnegan said of the show’s producers. “They should do a show where torture backfires.”
The meeting, which lasted a couple of hours, had been arranged by David Danzig, the Human Rights First official. Several top producers of “24” were present, but Surnow was conspicuously absent. Surnow explained to me, “I just can’t sit in a room that long. I’m too A.D.D.—I can’t sit still.” He told the group that the meeting conflicted with a planned conference call with Roger Ailes, the chairman of the Fox News Channel. (Another participant in the conference call attended the meeting.) Ailes wanted to discuss a project that Surnow has been planning for months: the début, on February 18th, of “The Half Hour News Hour,” a conservative satirical treatment of the week’s news; Surnow sees the show as offering a counterpoint to the liberal slant of “The Daily Show with Jon Stewart.”
[…]
At other moments, the discussion was more strained. Finnegan told the producers that “24,” by suggesting that the U.S. government perpetrates myriad forms of torture, hurts the country’s image internationally. Finnegan, who is a lawyer, has for a number of years taught a course on the laws of war to West Point seniors—cadets who would soon be commanders in the battlefields of Iraq and Afghanistan. He always tries, he said, to get his students to sort out not just what is legal but what is right. However, it had become increasingly hard to convince some cadets that America had to respect the rule of law and human rights, even when terrorists did not. One reason for the growing resistance, he suggested, was misperceptions spread by “24,” which was exceptionally popular with his students. As he told me, “The kids see it, and say, ‘If torture is wrong, what about “24”?’ ” He continued, “The disturbing thing is that although torture may cause Jack Bauer some angst, it is always the patriotic thing to do.”
[…]
The third expert at the meeting was Tony Lagouranis, a former Army interrogator in the war in Iraq. He told the show’s staff that DVDs of shows such as “24” circulate widely among soldiers stationed in Iraq. Lagouranis said to me, “People watch the shows, and then walk into the interrogation booths and do the same things they’ve just seen.” He recalled that some men he had worked with in Iraq watched a television program in which a suspect was forced to hear tortured screams from a neighboring cell; the men later tried to persuade their Iraqi translator to act the part of a torture “victim,” in a similar intimidation ploy. Lagouranis intervened: such scenarios constitute psychological torture.
I’m not all that big a believer in the idea that sending bad “messages” to the troops should dictate what people in a free society are allowed to say or what the policy of the government should be. I think that “24” has its audience and that’s probably just the price we have to pay for living in a liberal democracy.
But I’m not sure I think that the highest reaches of government (who have made a fetish out of criticizing Americans for “sending the wrong message” to the troops,) should go this far, particularly when they are constantly telling the rest of us that we should STFU:
Last March, Supreme Court Justice Clarence Thomas and his wife, Virginia, joined Surnow and Howard Gordon for a private dinner at Rush Limbaugh’s Florida home. The gathering inspired Virginia Thomas—who works at the Heritage Foundation, a conservative think tank—to organize a panel discussion on “24.” The symposium, sponsored by the foundation and held in June, was entitled “ ‘24’ and America’s Image in Fighting Terrorism: Fact, Fiction, or Does It Matter?” Homeland Security Secretary Michael Chertoff, who participated in the discussion, praised the show’s depiction of the war on terrorism as “trying to make the best choice with a series of bad options.” He went on, “Frankly, it reflects real life.” Chertoff, who is a devoted viewer of “24,” subsequently began an e-mail correspondence with Gordon, and the two have since socialized in Los Angeles. “It’s been very heady,” Gordon said of Washington’s enthusiasm for the show. Roger Director, Surnow’s friend, joked that the conservative writers at “24” have become “like a Hollywood television annex to the White House. It’s like an auxiliary wing.”
That’s the sad part. Poor little Republican geeks, so desperate to be relevant in popular culture, so desperate to be tough guys. I think that simple observation pretty much explains everything.
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