Saturday Night At The Movies
Manic Street Preacher
By Dennis Hartley
OK, Hullabaloo carolers, let’s get in the mood (c’mon, you know the words!)…
Deck the halls with advertising, Fa la la la la la la la la
‘Tis the time for merchandising, Fa la la la la la la la la
Profit never needs a reason, Fa la la la la la la la la
Get the money, it’s the season, Fa la la la la la la la la
-Stan Freberg, from “Green Chri$tma$”
Joy to the world!
In the form of goods.
Consume! Consume! Consume!
-Rev. Billy and his choir
This week I thought we’d take a respite from holiday shopping to check out a new documentary that sports the best marquee moniker of 2007: “What Would Jesus Buy?”
Produced by Morgan “Super Size Me
Talen honed his act in San Francisco, originally creating the Reverend Billy as a sketch character, who dresses like a flashy, big-haired TV evangelist and performs with the fearless, in-your-face conviction of a sidewalk preacher. The Reverend doesn’t preach the traditional gospel, however. His “mission” is to rail against the evils of the corporate retail giants. Talen calls attention to corporate sanctioned sweat shops, abused and underpaid store employees, and the cradle-to-grave brainwashing of American consumers by the advertising media-to anyone who will listen. His favorite targets include Disney (Rev. Billy considers Mickey Mouse “the Antichrist”), Starbucks and Wal-Mart.
Back in 2005, Talen and his troupe of musicians and “choir” members left their New York City home base to embark on a nationwide bus tour to spread the good word: “Stop shopping!” VanAlkemade and his film crew tagged along, as the Reverend and his troupe executed their blend of street theatre and social activism. The traveling church members stake out malls and retail chain stores, treating unsuspecting shoppers to impromptu sermons and Weird Al-style rewordings of well-known hymns and Christmas carols. They also rent local public halls, where they stage “church services” and “revivals”. In one particularly inspired and hilarious church service, Rev. Billy exhorts the attendees to come forward to have their credit cards exorcised; he collapses on cue for a grand finale.
As the group treks across the fruited plains, they make stops at the likes of the behemoth Mall of America (so huge that it houses a college campus!). We watch the performers repeat the same drill several times: Billy, armed with a megaphone and backed by his singing, hand-clapping choir members, plants himself squarely in center court and proceeds to call for an immediate cessation to mindless spending. Groups of shoppers, at first a little puzzled, eventually begin to gather, some clapping along and getting into the spirit of the performance, others watching but still blinking uncomprehendingly. By the time a crowd gathers, the ubiquitous teams of beer-gutted, walkie-talkie wielding mall security personnel converge to unceremoniously escort the group from the premises. The audience disperses, chuckling and shaking their heads on their way to the Orange Julius.
The final whistle stop is Anaheim, where the reverend and his flock descend on Disneyland. Just before he is (inevitably) escorted out by the Disney brown shirts (seriously-they are disturbingly fascistic in dress and demeanor), Billy delivers the best line in the film through his megaphone: “People! Main Street, U.S.A. is made in China!”
Mission accomplished? Hardly, but you do find yourself admiring Talen’s conviction and dedication to his activist principles, despite the fact that his message is apparently falling on deaf ears. When he is filmed making a purchase, it’s at an independently-owned, small town clothing store where he first checks labels to make sure his new sweater is “Made in the U.S.A.” You get a vibe that it isn’t a grandstanding gesture for the cameras, but a sincere effort on Talen’s part to practice what he preaches (literally!)
As I watched the film, I realized that Talen is the heir apparent to the tradition of guerilla theatre, as practiced by the likes of the San Francisco Mime Troupe and the Diggers back in the 1960s, with a pinch of Abbie Hoffman. One scene in particular, where Billy and his flock perform an “exorcism” on a huge Wal-Mart store, reminded me of Hoffman’s crowning moment of political theatre in 1967, when he joined forces with Allen Ginsberg and thousands of anti-war protestors in an attempt to “levitate” the Pentagon.
This film may not necessarily teach us anything new; the “Stop the presses! Christmas is crassly commercial!” revelation is at least as hoary as “Miracle on 34th Street” or “A Charlie Brown Christmas”. Also, there have already been several documentaries produced that frankly do a much better job covering the “corporate exploitation of workers” issues (“Wal-Mart: The High Cost of Low Price
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