Saturday Night at the Movies
What’s on your DVR?
By Dennis Hartley
Years ago, in days of old (pre-internet or cable) when magic filled the air…around this time of year, we ancient folk used to look forward to TV Guide’s “New Fall Season” issue. Granted, one could say the very concept of TV “seasons” is now moot, with a growing wave of cable subscribers “cutting the cord” and saddling up to the digital streaming salad bar to power graze on Netflix, Hulu, Amazon Prime, HBO Now, etc., etc.
But there remain some of us who still subscribe (literally) to the Old Ways. I don’t know, perhaps it’s that tactile sensation of brandishing a remote. Or maybe it’s the warm, special feeling I get when I see my monthly Xfinity “Triple Play” bill of $200+, which not only gives me access to the interwebs and 200 channels (out of which I only watch about 15 with any regularity), but provides me with a good ol’ reliable land line, which keeps me up-to-date on all the latest phone scams (“ Hello! I’m calling from Microsoft.”).
(To which I usually reply, “Eh, what’s that, young feller? Let me go fetch my ear horn!”)
If you dig around, you can still find worthwhile teevee for your viewing pleasure. It does require effort, as you must be willing to hold your nose and sift through a load of offal (read: reality TV overkill) to unearth the odd gem. For anyone who cares, here are my current top 10 Must See TV shows (with a wee bit of off-platform cheating… mea culpa).
The Deuce (HBO) – While it sometimes feels like The Wire Lite, even a lesser effort from the great David Simon (a writer and producer for the excellent 90s series Homicide: Life on the Street and creator/head writer of the aforementioned HBO series The Wire) beats most TV fare any given day. Now in its 3 rd (and final) season, The Deuce is a network narrative that centers on the “golden age of porn” in NYC from early 70s to the mid-80s. There are several central characters; including a street walker turned porno actress turned film director (Maggie Gyellenhall), a bartender and degenerate gambler who are twin brothers (both played Patti Duke-style by James Franco) and an NYPD patrolman (Lawrence Gilliard, Jr.). PT Anderson’s Boogie Nights meets Sidney Lumet’s Serpico and John Sayles’ City of Hope at the corner of 42 nd Street and Seventh Avenue.
Frankie Drake Mysteries (CBC & Ovation) – Now in its 3 rd season, this refreshingly old-school detective drama from Canada follows the escapades of the eponymous Ms. Drake (Lauren Lee Smith), a WW I veteran who founds Toronto’s first female P.I. agency. Ably assisted by her partner Trudy (Chantel Riley), Toronto P.D. “morality officer” Mary (Rebecca Liddiard) and a city morgue pathologist named Flo (Sharron Matthews) who serves as a de facto forensic specialist for the team, Frankie tackles a new case every week with pluck and aplomb. I like the way they viably work in historical figures now and then; Ernest Hemingway was a recurring character in Season 1 (I had to look it up…but turns out he was a reporter for the Toronto Star newspaper in the 1920s!). It’s lightweight, but a lot of fun (and archly feminist). I’ve been watching in on CBC, but I see Ovation will be running episodes from the first two seasons beginning October 14.
GLOW (Netflix) – Set in the 1980s (lot of that going around lately, I guess those are the “olden times” for some of you kids), this engaging dramedy was co-created by Liz Flahive (a producer and writer for Nurse Jackie and Homeland) and Carly Mensch (a producer and writer for Nurse Jackie, Weeds, and Orange is the New Black). The series is set in the world of women’s wrestling (which enjoyed a surge of popularity during that decade). The cast led by Alison Brie and Betty Gilpin, as a pair of longtime friends and struggling actors named Ruth and Debbie, who channel their thespian skills into creating their wrestling characters “Zoya the Destroya” and “Liberty Belle” (respectively). Marc Maron co-stars as a cynical grade-Z horror film director who now writes storylines for the Gorgeous Ladies of Wrestling’s ring characters, as well as “directing” rehearsals for each match. The writing and acting is superb, with a nice balance of drama and hilarity.
Goliath (Amazon Prime) – I fought long and hard against joining The Collective (as I refer to the act of “becoming an Amazon Prime member”) but between Whole Foods cashiers chirpily inquiring “Are you a Prime member?” ad nauseum-and my pal Digby and her husband browbeating me into catching up on Seasons 1 and 2 of Goliath, they wore me down. I was immediately hooked. Billy Bob Thornton is outstanding as the central character, a brilliant but down-and-out attorney who lives in a beachfront motel in Santa Monica (the premise and vibe recalls the 70s series Harry O). I just binged Season 3, and it’s damn near the best thing I’ve seen this year, including films (yes…I just said that). Dark, deeply weird, and wildly original (think David Lynch directs Chinatown). Great casting, superb performances, and sharp writing. My favorite quote: “Sometimes you need waffles. Sometimes you need pancakes. It’s the same fuckin’ batter.”
Mayans M.C. (FX) – If you miss The Sopranos or Breaking Bad, this Sons of Anarchy spin-off (currently in Season 2) should get your motor runnin’. The brainchild of Sons of Anarchy creator Kurt Sutter and punk-rock musician/filmmaker Elgin James, the series retains the noir-ish vibe and a few characters from its forbearer but ups the ante with a more ambitious and complex network narrative. Like its predecessor it is an ensemble piece, but still features a compelling, conflicted central character; in this case “EZ” (J.D. Pardo), a “prospect” member of the Mayans motorcycle club. He is vouched for by his older brother (Clayton Cardenas), a full-fledged member. EZ is no saint, but essentially serves as the “conscience” in this violent, amoral universe. Top-notch writing and acting.
Mr. Robot (USA) – I have faithfully watched every episode of this tough-to-categorize drama series (which launched its much-anticipated 4 th and final season last week) about a disenfranchised computer hacker- and to be perfectly honest with you, I still don’t really understand what the fuck is happening half the time. Yet I can’t wait for the next episode. Go figure. Maybe I’ve just stumbled on the secret to its wild success…always keep ‘em guessing. I don’t know. I mean, what is reality, anyway? For that matter, who am I? Why am I asking you? Who are you? How do I know you even exist? [ tap, tap] Hello…friend?
MIXTAPE (AXS-TV) – The premise of this program is so simple yet brilliant that I’m surprised no one has thought of it before. Each episode features a rock star talking about the artists and songs that have had the most personal impact and creative influence on them throughout their life. As the show progresses, so does a cumulative playlist of all the songs mentioned. By the end…voila! A cool mixtape. In most cases, a surprisingly eclectic mixtape that reveals more about the artist than you’d expect. Nicely done. Standout episodes so far: Rick Springfield, Don MacLean and Don Felder. Looking forward to an upcoming installment featuring one of my personal deities-Todd Rundgren!
On Becoming a God in Central Florida (Showtime) – This social satire is set in the early 90s. Kirsten Dunst stars as a Florida woman who lives in a one-horse burg near Orlando. She has a minimum-wage job at a water park, but dreams of getting rich quick via an Amway-type pyramid scheme. At least, that appears to be the elevator pitch as Episode 1 begins. To avoid spoilers, let’s say it soon switches gears, taking more unexpected turns with each episode. Very dark and very funny (right in my wheelhouse). Quirky characters abound; a bit reminiscent of Carl Hiaasen’s universe (if you have read any of his novels).
Paul Shaffer Plus One (AXS-TV) – Hosted by the affable Canadian keyboardist, band leader and music arranger who came to fame from his work on SNL and as David Letterman’s house band leader, this breezy half-hour show features Shaffer sitting at the piano and going one-on-one with a single guest (mostly musicians). To put it politely, he has an idiosyncratic interviewing style, but asks the right questions…especially in context of what matters most: the music! The atmosphere has a peer-to-peer looseness, like a jam session (there’s always some jamming). So far, Shaffer has interviewed Joe Walsh, Graham Nash, Sammy Hagar and Billy Gibbons. Upcoming guests include Donald Fagen and Buddy Guy. AXS reruns the episodes frequently-so you’ll be able to catch up easily.
More reviews at Den of Cinema
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