I’m taking a breather this week, so here’s a slightly revised “rerun” I hope you enjoy…
(Originally posted on Digby’s Hullabaloo on June 12, 2017)
I’m taking a break from sticky floors and stale popcorn tonight to share my favorite TV show themes. It began as a “top 10” list, but I quickly gleaned that I had assigned myself a fool’s errand with that limitation. So I upped the ante to 15. Then 20 (damn my OCD!).
The Adventures of Pete and Pete – Nickelodeon’s best-kept secret, and a guilty pleasure. Gentle anarchy in the Bill Forsyth vein. I discovered, watched, and occasionally re-watch favorite episodes as an (alleged) adult. You can’t resist the hooks in Polaris’ theme.
Cheers – “Norm!” Gary Portnoy performed (and co-wrote) this upbeat show opener.
Coronet Blue – When I was 11, I became obsessed with this noir-ish, single-season precursor to the Bourne films. This theme has been stuck in my head since, oh…1967?
Due South – Paul Haggis’ unique “fish out of water” crime dramedy about a Canadian Mountie assigned to work with the Chicago P.D. was one of my favorite shows of the 90s (confession: I own all 4 seasons on DVD). It also had a great theme song, by Jay Semko.
Hawaii Five-O – The Ventures were the original surf punks (and they’re from Tacoma!).
M*A*S*H – Johnny Mandel’s lovely chart (ported from Robert Altman’s 1970 film, sans Mike Altman’s lyrics) is quite melancholic for a sitcom-but it spoke to the show’s pathos.
The Mary Tyler Moore Show – This ever-hopeful tune plays a bit wistfully now that Ms. Moore has shuffled off, but hey-as long as we have syndication, we’ll always have Mary.
Mission Impossible – Argentine jazz man Lalo Schifrin hit the jackpot with this memorable theme (he composed some great movie soundtracks too, like Cool Hand Luke). Legendary “Wrecking Crew” bassist Carol Kaye really lays it down here.
The Monkees – Here’s the cosmic conundrum that keeps me up nights: Mike Nesmith was my favorite Monkee…yet the Monkees remain Mike Nesmith’s least favorite band.
The Office (BBC original series) – For my money, nobody tops future Atomic Rooster lead singer Chris Farlowe’s soulful 1967 take on this oft-covered Mike d’Abo composition, but this nice rendition by Big George obviously struck Ricky Gervais’ fancy.
Peter Gunn – Henry Mancini was a genius, plain and simple. Wrote hooks in his sleep.
Portlandia – Somehow, stars Fred Armisen and Carrie Brownstein (along with series co-creator/director Johnathan Krisel) have mined 7 seasons of material by satirizing hipster culture. Like any sketch-comedy show, it’s hit-and-miss, but when it hits a bullseye, it’s really funny. It’s easy to fall in love with Washed Out’s atmospheric dream pop theme.
Rawhide – “Move ‘em on! Head ‘em up!” This performance explains why Mel Brooks enlisted Frankie Laine to sing the Blazing Saddles theme. I’m afraid this squeezed Bonanza off my list (I’m sure I will be verbally bull-whipped by some of you cowpokes).
Secret Agent Man – This Johnny Rivers classic opened U.S. airings of the U.K. series Danger Man (which had a pretty cool harpsichord-driven instrumental theme of its own).
The Sopranos – For 7 years, Sunday night was Family night in my house. Fuhgettaboutit.
Square Pegs – This short-lived 1982 comedy series (created by SNL writer Anne Beatts) was, in hindsight, a bellwether for the imminent John Hughes-ification of Hollywood. Initially a goofy cash-in on New Wave/Valley Girl couture, it has become a cult favorite.
The Twilight Zone – It’s the Twilight Zone “theme”, but it’s not so much conventional composition as it is avant-garde sound collage (ahead of its time, like the program itself).
Weeds – I suspect many of the show runners of this outstanding Showtime dramedy weren’t even born when Malvina Reynolds recorded this song; but its cheeky social satire is a perfect match.
The Wire – This lauded HBO series is a compelling portmanteau of an American city in sociopolitical turmoil. The Blind Boys of Alabama’s urban blues hits just the right notes.
WKRP – I’ve worked in broadcasting since Marconi, so trust me when I say that this sitcom remains the most accurate depiction of life in the biz. Tom Wells composed the breezy theme, show creator Hugh Wilson wrote the lyrics, and Steve Carlisle performs it.
Previous themes with related themes:
Man of 1000 Dances: A tribute to Hal Blaine
She had spunk: R.I.P. Mary Tyler Moore
Whacking Philosophical: The Sopranos Coda
The Beginning of Wisdom: What I learned from Mr. Spock
Stuck for something to watch on movie night? Check out the Den of Cinema archives
—Dennis Hartley