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Choose To Fight

It’s not just swing voters who will decide our fate. It’s nonvoters.

Those of us who simply couldn’t believe Americans were crazy enough to elect Donald Trump in 2016 got a rude awakening. The MAGA types are loud, but not that numerous. Michael Tomasky this Presidents’ Day considers the other voters we didn’t see coming then who will again decide this year’s presidential election. He invites the Biden campaign and us to step outside our political bubble and get inside their heads:

Last week, NBC produced a poll showing that respondents were remembering the Trump years comparatively fondly. No, don’t roll your eyes and tongue-cluck these people. It’s vital that we ponder this.

Respondents were asked of Biden and Trump whether each man had done about the kind of job they expected, a better job, or a worse job. For Biden, the numbers were 14 percent better, 44 percent as expected, and 42 percent worse.

For Trump? Prepare yourself. It was 40 percent better, 31 percent as expected, and 29 percent worse.

We can rationalize that away or deal with it.

But the numbers are the numbers, Tomasky advises. Yes, the pre-pandemic economy under Trump was not bad, but it’s been better under Biden. Median household income went up, as it did under Obama, but most of the Trump increase went to the top quintile. “This is what Bidenomics is changing—a transfer of some of that wealth back to the middle. Which is why rich people hate it so much.”

Trump’s overall job numbers sucked. The stock market tanked and the deficit soared.

But voters don’t seem to blame Trump for the pandemic. No matter how poorly he handled it. No matter that he lied about its severity. No matter that a 2021 study found that Trump’s mismanagement accounted for 40 percent of pandemic deaths.

That’s the kind of stuff highly informed voters may know. But those aren’t the voters I’m talking about it. Your average swing voters, if they ever knew this stuff, have long since forgotten it and have probably settled on the view that Trump was doing pretty well and the pandemic wasn’t his fault and he did what he could. Many, in fact, may credit him for presiding over the creation of life-saving vaccines, and that’s fair enough: Operation Warp Speed kicked off under his watch.

There’s one final uncomfortable reality that we have to come to terms with, which is that for these voters, Donald Trump is not a moral monster. He’s just not. He’s embarrassing. He’s a little wild with his rhetoric at times. They wouldn’t necessarily want their sons to be like him. But they think he ran the country pretty well. It may be hard to believe but this opinion is widely shared. Go read the story describing the results of that NBC poll I linked to above.

What to do about it since the various prosecutions of Donald “91 Counts” Trump don’t seem to be eroding his popularity?

It is simultaneously true that those voters don’t like Trump. But they forget the specific things they don’t like. Here it is important to remind them. Remind them of everything. Not the things that offend liberals, like his racism and sexism. It’s fine to sprinkle some of that in there, but don’t assume these people share our values and will be as offended by all that as we are. They won’t be. Remind them instead of Trump’s idiocy. Buying Greenland. Sharpie-ing up that hurricane map. Getting the Boy Scouts—the Boy Scouts!—to boo Obama and talking to them about rich people having sex on yachts. Advising that people inject Clorox. Tossing paper towels to hurricane victims. And so on and so on.

Remind them of just how relentlessly he was in our faces, every hour of every day. It was exhausting. Your average person surely doesn’t want that. And remind them of his betrayals of normal American values. His love of Vladimir Putin. His disparaging of the military. Even more, his disparaging of service members and veterans. That John Kelly story. Kelly has confirmed all that now, on the record. MAGA people may not care that Trump thinks people who gave their lives for their country in battle are losers. But surely independent voters in the Milwaukee suburbs do—or will, if someone reminds them, and reminds them, and reminds them.

By the way: I think also that these voters can be made to care about democracy being at risk. Fascism may be an abstraction to them. But January 6 was no abstraction. They saw it. They understood what it was. They don’t approve. Democracy can and must be part of the argument to swing voters.

These voters, Tomasky concludes, “don’t remotely see Trump in the wholly negative terms that we do.” They need reminding.

I’m going to sound like a broken record before this election is over. While it’s necessary to persuade existing voters to swing left in November, it’s as important to get nonvoters to go to the polls. Such as left-leaning unaffiliateds who don’t even get asked to vote because they have poor voting records and are harder to identify with Democrats’ Death Star database. (“Don’t be too proud of this technological terror you’ve constructed,” keeps replaying in my head. ) I’m talking about voters under 45 who lean left but sit out elections. These are registrants, particularly the young ones, who don’t need persuading of anything more than to vote at all.

Are there issues about which they care strongly? Do they know they’ll need a photo ID in 2024 because THOSE GUYS don’t want them voting? Offer nonpartisan information on the where, when, and how of casting their fall ballot. Will you exercise your freedom this fall? Save democracy? Make history?

Or stop the Atlantic Meridional Overturning Circulation (AMOC) from collapsing within their lifetimes, flooding the East Coast and reducing food production here and in northern Europe? The MAGA GOP will do nothing to help. Democrats will at least try.

But convincing sometimes voters that their futures depend on what they do this fall requires campaigners in North Carolina, in Arizona, and maybe Pennsylvania to change the way they are accustomed to doing business.

A friend reminded me yesterday of the recent Cosmopolitan article about what it could take to get disillusioned Gen Z voters off their couches.

Even if all your choices suck, you still have a choice. Choosing to do nothing is a choice. This is what it means to be an adult: Adulthood, like citizenship, is not guaranteed to be fun and exciting. It hasn’t been for me. Maybe we talk about which choices on the table are most empowering for young people. A sense of control is what people most desire amidst threat and chaos. Right now their control is being stripped from them. 

Doing nothing means those who mean to deprive us of any choice win because we let them without putting up a fight. 

An analogy I use is finding yourself in a kayak in a chaotic, rushing river and being battered against the rocks. You can sit there and get beat up and risk drowning, or you can paddle. Your choice. You might even find learning to read and navigate the rapids much more fun and less bruising than doing nothing but complain you’d rather be somewhere else. Or have different choices.

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Select Your President On HSN

Why was this man ever a celebrity anything?

Born to run for dictator. Found instantly on Ebay.

Donald “91 Counts” Trump has always been high-wealth and low-rent. He has spent his entire life complaining that the world (“they”) are laughing at us (“him”). Go figure.

Ron Filipkowski reminds Americans that if you pick your president late at night while watching the Home Shopping Network (HSN), you get what you pay for.

Business Insider from 2018:

From deodorant to bottled water and, at one point, a personalized vitamin kit that was determined by urine test, Trump has put his name on almost anything shoppers would buy. He also had a menswear line from Phillips-Van Heusen that was sold at Macy’s, as well as a collection of Trump-branded home decor.

The Washington Post found in 2016 Trump-branded manufactured in 12 countries. In 2018, Quartz estimated only 15 percent of Mr. America First’s items for sale were made in the U.S.

It’s not clear where his $399 Trump “Never Surrender” high-tops are made, but those are the odds. SneakerCon in Philadelphia on Saturday loudly booed when Trump introduced them.

Vanity Fair:

“A vote for Biden is a vote to send tens of thousands of Michigan jobs to China and other places that we don’t want them to go,” the Michigan Advance quotes Trump as saying at a Saturday rally in a Waterford Township hangar. “A vote for Trump is a vote to keep those manufacturing jobs in America and add a lot of jobs,”

He’s offered Trump Steaks, Trump Airlines, Trump Vodka, Trump Water, Trump Wine, Trump Mortgage, and Trump Magazine. Not to mention his scam Trump University that closed after a string of lawsuits won by victims who received $25 million in compensation.

Trump doesn’t know much, but he knows there’s a sucker born every minute.

Hysterical put-on at TikTok.

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Trump Is No Navalny, That’s For Sure

Trump has spent the weekend blabbing about his hideous gold tennis shoes and the New York Fraud ruling. He did find time to post one thing about Navalny. Naturally it was an “analysis” from some obscure web site asserting that Donald Trump is the Navalny of the United States, with all the usual lies.

But this is the important part. He smeared Navalny:

And then he killed him.

These wingnuts are very confused. They don’t know if Trump is just like Navalny, being falsely accused of corruption and fraud or if Navalny is actually a criminal who deserved to be treated the way he was treated. Because if they’re saying Navalny was a corrupt fraudster, he’s exactly like Trump. Which is it?

I’m surprised Trump hasn’t flogged this right wing meme more than this. It’s all over social media. Maybe his feral instincts tell him that it’s probably not a good place for him to go. Instead he’s just not mentioning it. I certainly hope that the next time a real journalist sits down with him that he’s grilled on this.

Is The Fair Haired Boy In Trouble?

I doubt it

Charlie Kirk is a major influencer on the right and his Turning Point organization is the MAGA CPAC. I doubt very seriously that Trump will dump him because he’s a racist. That’s a feature not a bug.

But this story does show more of the fault lines in the GOP and that’s always good news:

For more than a year, Charlie Kirk, the conservative activist and MAGA influencer, was aimed like a heat-seeking missile toward one goal — ousting Republican National Committee Chairwoman Ronna McDaniel.

It’s a battle he won. Just this week, former President Donald Trump endorsed a new slate of leaders to head the party apparatus and signaled that McDaniel’s four terms would soon come to an end.

Few Republican groups have had as meteoric a rise as Kirk’s Turning Point USA, which launched in 2012. It sought to activate young conservatives and saw its fortunes grow as it attached itself to the Trump movement in 2016. The organization has raised roughly a quarter-billion dollars since, as The Associated Press reported last fall, with its fundraising exploding during the Covid pandemic.

But the RNC effort has Kirk increasingly under the microscope in Trump world. In recent weeks, at least three people, including McDaniel herself, have privately warned Trump about Kirk’s conduct, seven sources familiar with the discussions told NBC News.

Kirk came up during her conversation with the former president at his Mar-a-Lago resort this month in which her future at the helm of the RNC was discussed. It’s disputed who first brought up Kirk, but McDaniel blamed him for some of the RNC’s fundraising woes, saying his organization is collecting from donors who would otherwise fund a more robust party effort.

The discussion of Kirk was first reported by RealClearPolitics. NBC News spoke with more than two dozen Republicans for this report. Both the RNC and Trump campaign did not respond to requests for comment.

McDaniel also asked Trump if he was aware of comments Kirk made on his popular podcast questioning whether Martin Luther King Jr. deserved a federal holiday and remarking that diversity, equity and inclusion initiatives in the airline industry made him skeptical that Black pilots were qualified. He was not, so she relayed them to him.

Those comments sparked a second person, Darrell Scott, a pastor from Ohio who was one of Trump’s first vocal Black allies and has been an adviser to him, to express concerns directly to the former president, four people familiar told NBC News. Scott had already shared his complaints publicly, on a podcast hosted by conservative commentator Tudor Dixon, a Trump-endorsed candidate for governor of Michigan in 2022.

Scott said he could “neither confirm nor deny” that the conversation with Trump took place. But he acknowledged that he has heard from people close to Trump who share his view that Kirk’s commentary may harm the former president’s prospects with Black voters.

“I’ve got to say, racism is like the word ‘ugly.’ I can’t always describe it, but I know it when I see it,” Scott said in an interview with NBC News. “That boy’s a racist right there.”

It’s unclear how Trump has taken to the warnings. Trump allies offered conflicting accounts of whether he was bothered by any of the issues raised to him, with one ally who has warned him about Kirk saying Trump believes Kirk is a “juggernaut.”

“Trump is f—ing pissed that Charlie is out causing problems for him in the Black community,” said another person close to Trump who claimed direct knowledge of his thinking.

Donald Trump Jr., the former president’s eldest son and a close Kirk ally, said the idea that Kirk is in anything less than “great standing with both my father and the entire Trump campaign” is “nothing more than fiction coming from people jealous of the close relationship Charlie has built with our family.”

“Frankly, it’s sad that there are some people attempting to increase their own relevancy by manufacturing lies that Charlie is on the outs,” he said in a statement. “Nothing could be further from the truth.”

It’s a fascinating story of a greedy grifter vs other greedy grifters and they’re all at each others’ throats. Delicious. Read the whole thing.

About That Billion Dollar Brand

Why would anyone want to live in a place with the name of a fascist moron emblazoned on the front? Would you buy a condo in Hitler Tower?

“My client is worth hundreds and hundreds of millions,” said one of Mr. Trump’s lawyers, Alina Habba, during closing arguments at the trial, adding, “let alone the brand, which is worth billions.”

But up and down the spine of Manhattan, condominiums in high-rise buildings emblazoned with Mr. Trump’s name have underperformed, according to sales data from two real estate tracking firms, and an analysis of the data by the Columbia University economist Stijn Van Nieuwerburgh.

The line in the sand is the year 2016, when Mr. Trump was elected president.

In 2016, condominiums in Trump’s buildings in New York began to decline, underperforming compared to the Manhattan condominium market.

In a one-year window, condos in buildings that had the Trump logo went from selling at a 1 percent premium compared with similar units, to selling for 4 percent less, meaning that Trump condos became a “bargain” among the city’s luxury units, said Mr. Van Nieuwerburgh, a professor of real estate.

Even the Trump Tower on Fifth Avenue, one of the crowning achievements of the Trump brand, whose 80-foot cascade flowing down a wall of peach marble was reportedly built with slabs handpicked at a quarry in Italy by Mr. Trump’s ex-wife, saw the average price per square foot of its condominiums tumble 49 percent since 2013, according to Ondel Hylton, the senior director of content and research at CityRealty. The building’s age, growing competition from the ultra-luxurious condos on nearby Billionaires’ Row and regular protests have all dampened interest, Mr. Hylton said.

By contrast, condominiums in four buildings where the Trump logo was removed at the behest of residents — sometimes after a legal battle — have seen their value shoot back up.

“This analysis cleanly identifies that it is the Trump brand that is responsible for the value deterioration,” Mr. Van Nieuwerburgh said. “Removing the Trump name from the building removes the loss associated with the name.”

His brand is pretty much destroyed with more than half the country. Now a smart business move. But then, that’s Trump.

MAGA Youth

https://twitter.com/JoshPower80/status/1758972922532688023?s=20

Offered with no comment. This is MAGA.

More Very Fine People

Tennessee State Capitol yesterday

WZTV Nashville:

The group of more than a dozen masked individuals marched wearing red shirts and black pants, waving flags with swastikas on them. It is not clear at this time who the group is or affiliated with, though many of the shirts said “Blood Tribe.”

https://twitter.com/Justinjpearson/status/1759008185011114416?s=20

Your future, if you choose to accept it.

Your mission, if you choose to accept it, is to put a stop to it.

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The Real Kool-Aid Drinkers of Trumptown

Rough clay or day clay?

Trump could shoot them in the middle of Fifth Avenue and they’d vote for him with their dying breaths.

“My kids need you! You’re a Christian! You’re honest! Look at his family! All good kids!”

David Neiwert nails it:

Susie too:

Okay, neither of these eligible voters are salvageable. They’re too far gone. But there are others “on the fence” surely embarrassed by these displays of lunacy.

Paul Rosenberg interviewed Rachel Bitecofer about her new book, “Hit ‘Em Where It Hurts: How to Save Democracy by Beating Republicans at Their Own Game.” Bitecofer seems to be covering ground seeded in the past by George Lakoff, Drew Westen, and Anat Shenker-Osorio about appealing more to emotion than intellect. Republicans now campaign on negative partisanship, she says, while many Democrats cannot let go of their “old strategy” of campaigning on policy: “find things people like, tell them you’re going to give them that — and then appeal on your character, your biography, your qualifications for office.”

Republicans dumped that approach long ago. Democrats, she says:

… have been unable or unwilling “to accept that the American voter is, at best, rough clay,” and to work with it accordingly. 

Or as Shenker-Osorio put it, “Democrats rely on polling to take the temperature; Republicans use polling to change it.” Republicans work at moving the needle while Democrats chase it.

Bitecofer:

I don’t have to know a damn thing about a voter — I don’t know if it’s a man, it’s a woman, I don’t know if they live in the South, the North, is old or young, is college-educated or not, doesn’t matter. The only thing I need to know, to be right nine out of 10 times about who they’re going to vote for, is do they have a party preference? And that includes leaners. We see that election after election. The voters walking into the ballot box, they don’t need to know anything else about the candidate other than that party heuristic, that D or that R on the ballot. 

Sell the brand, she insists, and offers ways to do that more effectively that you can read at Salon.

Rosenberg observes about the typical non-political geek:

People don’t follow politics because they don’t care, and I show you guys in survey data: Not only do they not care, they’re kind of proud about not caring. We have to meet the clay, the rough clay, where it is. If we’re dealing with an electorate that knows nothing, then we have to make sure it at least learns one thing: The modern Republican Party is a fascist cult that’s coming to steal your health, your wealth, your freedom and your safety. 

I’m all for punching. Americans love a fighter with heart and grit. What’s missing here is, as Shenker-Osorio advises, “we must be for a thing.” We cannot only sell what’s wrong about the other guys. “Paint the beautiful tomorrow.” Say what you’re for. Help people see it. Messaging is not only about punching. It’s about changing the temperature.

Me, I was a consulting engineer. I fixed mechanical problems. Where I agree with Bitecofer is that in this time of high partisanship people vote their party. Independents don’t have one, at least on paper. Democrats have built a Death-Star database that Darth Vader would caution they not be too proud of. It’s good at turning out Democrats, but gets fuzzy where it comes to independents. Increasingly, nominal independents control the direction of elections, but Democrats aren’t as good as turning out the left-leaners. I do keep trying to get them to reevaluate their targeting tactics, but it belongs to that “old strategy” they are reluctant to change.

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Arousal, Valence, and Depth: 10 Essential Albums of 1974

“They” say that your taste in music is imprinted in your high school years. Why do you suppose this is? Is it biological? Is it hormonal? Or Is it purely nostalgia? According to a 2021 study, it may have something to do with “arousal, valence, and depth”. Say what?

Have you wondered why you love a particular song or genre of music? The answer may lie in your personality, although other factors also play a role, researchers say.

Many people tend to form their musical identity in adolescence, around the same time that they explore their social identity. Preferences may change over time, but research shows that people tend to be especially fond of music from their adolescent years and recall music from a specific age period — 10 to 30 years with a peak at 14 — more easily.

Musical taste is often identified by preferred genres, but a more accurate way of understanding preferences is by musical attributes, researchers say. One model outlines three dimensions of musical attributes: arousal, valence and depth.

“Arousal is linked to the amount of energy and intensity in the music,” says David M. Greenberg, a researcher at Bar-Ilan University and the University of Cambridge. Punk and heavy metal songs such as “White Knuckles” by Five Finger Death Punch were high on arousal, a study conducted by Greenberg and other researchers found.

“Valence is a spectrum,” from negative to positive emotions, he says. Lively rock and pop songs such as “Razzle Dazzle” by Bill Haley & His Comets were high on valence.

Depth indicates “both a level of emotional and intellectual complexity,” Greenberg says. “We found that rapper Pitbull’s music would be low on depth, [and] classical and jazz music could be high on depth.”

Also, musical attributes have interesting relationships with one another. “High depth is often correlated with lower valence, so sadness in music is also evoking a depth in it,” he says.

“They” may be right…I graduated in 1974, and the lion’s share of my CD collection/media player library is comprised of  (wait for it) albums and/or songs originally released between 1967-1982.

The music of 1974 in particular looms large in my memory; not only because that is the year I graduated, but that was also the year I landed my first steady radio gig, hosting the midnight-6am shift on KFAR-AM in Fairbanks (it’s one of the oldest stations in Alaska).

At the time, KFAR’s  format was Top 40. When I came on board in July of 1974, I was spinning then-current hits like “Rock Your Baby” by George McRae, “Annie’s Song” by John Denver, “Rock the Boat” by The Hues Corporation, “Billy, Don’t Be a Hero” by Bo Donaldson & the Heywoods, “Sundown” by Gordon Lightfoot, “On and On” by Gladys Knight & the Pips, “Rock and Roll Heaven” by The Righteous Brothers, “The Air That I Breathe” by The Hollies, and so on.

While mid-70s Top 40 fare was nothing if not eclectic, there was a demarcation between music I was being paid to play (and feign enthusiasm for), and what I preferred listening to during off-hours.

Off-hours, 1974.

That said, on occasion the twain would meet; after a few months on the job I began to sneak in a deep cut here and there from my personal LP collection. That was all hi-ho pip and dandy until the night the PD happened to be monitoring at 3am when I played “Heroin” by The Velvet Underground. I wasn’t fired, but he made it quite clear that I was never to play that cut again (several years later at another Fairbanks AM station I worked at, the music director admonished me for playing “Marakesh Express” by Crosby, Stills, & Nash; he cited “…blowing through the smoke rings of my mind”…oy.)

Arousal, valance, and depth…oh my!

Anyway, here are my top 10  LPs of 1974 (note “the next 10” below).

Autobahn – Kraftwerk

HAL 9000’s cruisin’ jams. While they already had three albums under their gürtels, Autobahn marked the debut of Kraftwerk’s now-signature “sound” (i.e. drum machines, synths, and robotic vocalizing). The album’s centerpiece is the hypnotic title cut, which eats up Side 1. Profoundly influential on a broad spectrum of artists, from Bowie (it informed his “Berlin period”) to seminal hip-hop acts.

Choice cuts: “Autobahn”, “Morgenspaziergang”, “Kometenmelodie 1”.

Court and Spark – Joni Mitchell

In 1976, a friend and I caught the L.A. Express at The Troubadour. I remember being disappointed to learn that the group’s founder, legendary sax player Tom Scott, was no longer with them (ditto ace guitarist Robben Ford). Not that the musicians who replaced them were slouches (David Luell and Peter Maunu, respectively). Still, it was a tight set (all the members were top echelon session players).

Near the end of the evening, Luell took the mic and said, “Hey-we’d like to invite a couple friends up to sit in on a number or two.” I nearly had a heart attack when Robben Ford and (wait for it) Joni Mitchell casually sauntered onto the stage. I was so in thrall that I can’t even remember what songs they did (I’m not a New Age kinda cat, but believe me when I tell you Joni Mitchell had an aura. Wow).

Singling out the “best” Joni Mitchell album is a fool’s errand, but her 1974 release Court and Spark (backed by most of the original L.A. Express personnel) is damn near a perfect “10” in my book.

Choice cuts: “Court and Spark”, “Help Me”, “Free Man in Paris”, “People’s Parties”, “Car on a Hill”, “Just Like This Train”.

Feel – George Duke

Like many other rock fans, I was introduced to jazz player/vocalist George Duke via his affiliation with Frank Zappa from the early to mid-70s.  But when I heard this album (his fourth), I realized he was no mere side player; Duke was a tremendously gifted artist in his own right. A strong set of funk, hard fusion and smooth jazz, fueled by Duke’s distinctive keys and bass synthesizer. Duke enlists some heavyweights: Brazilian musicians Flora Purim (vocals) and Airto Moreira (percussionist), and a guitarist credited as “Obdewl’l X”- aka Frank Zappa (“Love” features one of his best-ever solos).

Choice cuts: “Love”, “Feel”, “Cora Jobege”, “Yana Aminah”, “Rashid”.

Phaedra – Tangerine Dream

Like  fellow German electronic music pioneers Kraftwerk (see above), 1974 was the year that Tangerine Dream found their “voice”. The magic number for them was album #5, Phaedra. The (figurative and literal) key was sequencers; a then-emergent technology Pink Floyd had  flirted with on Dark Side of the Moon (and not really popularized until Donna Summer’s sequencer-heavy 1977  hit “I Feel Love” ). Tangerine Dream opted for a more ambient, textural approach than Kraftwerk. With its mesmerizing, cinematic soundscapes Phaedra has held up well as a “headphone album”.

Choice cuts: “Phaedra”, “Mysterious Semblance At The Strand Of Nightmares”, “Movements of a Visionary”.

Pretzel Logic – Steely Dan

I still marvel at how Donald Fagen and Walter Becker were able to find such massive commercial and critical success without compromising their willfully enigmatic and ever-droll worldview.  While the duo were famously fastidious and nit-picky from the get-go, this was (to my ears) their last album with an organic “band” feel; successive efforts, while all top-shelf product, had a more clinical vibe (as the saying goes on my favorite coffee mug: “The race for quality has no finish line, so technically it’s more like a death march.”)

Choice cuts: “Rikki Don’t Lose That Number”, “Night by Night”, “Any Major Dude Will Tell You”, “Pretzel Logic”, “With a Gun”, “Charlie Freak”.

Rock ‘n’ Roll Animal – Lou Reed

Lou Reed’s “stadium rock” album. Sporting only 5 cuts (4 Velvet Underground classics and one cut from Berlin), its a pure slab of heavy metal thunder, largely propelled by the dynamic guitar duo of Steve Hunter and Dick Wagner (the arrangement of “Sweet Jane” approaches prog). Lou sounds like he’s having…fun? Regrettably, I never caught Reed in concert, but I did see Hunter and Wagner in 1975, backing Alice Cooper on his Welcome to My Nightmare tour.

Choice cuts: “Intro/Sweet Jane”, “Heroin”, “Lady Day”.

Sheer Heart Attack – Queen

It was a bit of a tough choice here, considering that Queen released not just one, but two fine albums in 1974 (the other was Queen II). What I like about Sheer Heart Attack is how it strikes the perfect balance between the band’s hard rock foundation and its harmony-driven pop sensibilities (the latter of which would dominate in subsequent releases, and not always for the best, I’m afraid).

Choice cuts: “Brighton Rock”, “Killer Queen”, “Now I’m Here”, “Stone Cold Crazy”, “Misfire”, “She Makes Me (Stormtrooper in Stilettoes)”.

Sweet Fanny Adams – The Sweet

Dismissed by many at the time as a novelty bubblegum act (not completely unfounded, considering early U.K. hits like “Funny Funny”, “Co-co”, “Poppa Joe”, “Little Willy”, and “Wig Wam Bam”), this 1974 U.K. release (featuring some tracks that would appear later that year on the U.S. version of Desolation Boulevard) proved that lurking beneath all the glitz, glamour, and shag haircuts was a ballsy, hard-rocking quartet of superb musicians. Years later, bands like Def Leppard would cite this fine album as a major influence.

Choice cuts: “Set Me Free”, “Heartbreak Today”, “No You Don’t”, “Rebel Rouser”, “Sweet F.A.”, “Restless”, “Into the Night”.

In a post I did back in 2020 regarding that year’s Rock and Roll Hall of Fame nominees, I made my case for Todd Rundgren’s induction:

It’s shocking to me that the Hall waited until last year to nominate Todd; he had my vote (it didn’t take…they never listen to me). After all, he’s been in the biz for over 50 years, and is still going strong.  He is a true rock and roll polymath; a ridiculously gifted singer-songwriter, multi-instrumentalist, and record producer extraordinaire. He is also a music video and multimedia pioneer.

Granted, his mouth gets him into trouble on occasion (he is from Philly you know), and he does have a rep for insufferable perfectionism in the studio-but the end product is consistently top shelf (including acclaimed albums by Badfinger, The New York Dolls, Meatloaf, The Tubes, Psychedelic Furs, and XTC). Whether he’s performing pop, psych, metal, prog, R&B, power-pop, electronica or lounge, he does it with flair. A wizard and a true star.

Todd finally did get inducted in 2021; but true to form, he crankily refused to accept it in person (he is a long time critic of the Hall). This 2-LP set is one of the highlights of his substantial catalog.

Choice cuts: “I Think You Know”, “A Dream Goes on Forever”, “The Last Ride”, “Useless Begging”, “Heavy Metal Kids”, “Don’t You Ever Learn?”.

Veedon Fleece – Van Morrison

Speaking of cranky geniuses, 1974 saw the release of two of the finest albums of Van Morrison’s career: the superb live album Too Late to Stop Now, and this equally superb studio effort (another coin toss decision). While I have to hold my nose regarding his anti-vaxxer shenanigans of recent years, I still get lost in this beautiful, soulful and pastoral set of songs. The muse was strong here.

Choice cuts: “Fair Play”, “Linden Arden Stole the Highlights”, “Streets of Arklow”,  “You Don’t Pull No Punches, but You Don’t Push the River”, “Cul de Sac”.

Bonus Tracks!

Here are 10 more gems from 1974 worth a spin:

Bad Co – Bad Company
Crime of the Century – Supertramp
Fullfillingness’ First Finale – Stevie Wonder
Here Come the Warm Jets – Brian Eno
The Lamb Lies Down on Broadway-Genesis
Mysterious Traveller– Weather Report
Odds ‘n’ Sods – The Who
On the Beach– Neil Young
This is Augustus Pablo – Augustus Pablo

Previous posts with related themes:

10 Essential Albums of 1967

10 Essential Albums of 1968

10 Essential Albums of 1969

10 Essential Albums of 1970

10 Essential Albums of 1971

10 Essential Albums of 1972

10 Essential Albums of 1973

More reviews at Den of Cinema

Dennis Hartley