As Donald Trump gathered his supporters, family and friends at Mar-a-Lago on US election day last month to wait for the results to trickle in, a small group of far-right Germans went largely unnoticed.
Among them was the purported semi-professional, one-time porn actor, self-confessed former cocaine user, convicted thief and hard-right candidate for the German parliament Phillipp-Anders Rau. Together with a compact delegation of young political activists and influencers, Rau posed for the cameras with the American president-elect at his invitation, chanting “Fight! Fight! Fight!” in English and German.
Members of the Alternative für Deutschland (AfD) party had already been making inroads with the Trump camp for several months before the US vote, as Europe’s populist anti-migration forces attempt to harness Maga’s momentum before Germany’s general election in February.
Alice Weidel, the AfD leader, became one of the first politicians abroad to welcome Trump’s victory, and party members say they are cultivating proximity to the incoming administration, with a few planning to attend next month’s inauguration in Washington.
Rau, an AfD candidate for the Bundestag from Saxony-Anhalt state, posted snapshots on Instagram of his brief encounter with Trump in Florida on 5 November, with voting still under way.
“It will remain an everlasting memory, being allowed as the first and until now only member of the AfD to shake the hand of @realdonaldtrump on the day of his victory,” he wrote. “We hope that Donald Trump will create the renewal for his country that we as the AfD plan for our country.”
They all chanted “Fight, Fight, Fight” in both English and German, so that was nice.
[T]he young men’s enthusiasm for Trump, 78, and giddy bewilderment at their arrival at his private club are less surprising than how they ended up at his side in the first place, with the meeting’s origins remaining murky.
Rau is a divisive figure even within the anti-migrant, anti-Islam AfD. He belongs to a state chapter that the domestic security agency has classified as confirmed rightwing extremist, while the national party has been deemed suspected rightwing extremist.
The 41-year-old has taken legal action against the Magdeburger Volksstimme newspaper, which published a series on a number of suspected scandals in Rau’s past.
He denies being a “paid porn actor” but the courts have ruled that he was. He was also convicted of fraud and theft so you can certainly see why Trump likes the guy. They have a lot in common. And according to the articcle, these aren’t the only German neo-Nazis Trump has been seen with in recent years. They seem to be very welcome in the Trump inner circle.
This particular group has ties to the New York Young Republicans, which figures:
Last April, in exchange, young New York Republicans were invited by the AfD to Berlin and Magdeburg, the capital of Saxony-Anhalt state – while Rau, Schmidt and other AfD officials later photographed themselves volunteering with Trump’s campaign in Florida. “As a thank you there was a handful of tickets for Trump’s election party,” said Bild, which quoted Schmidt as saying he and an entourage would be at the inauguration in January.
New plans are being discussed in Jefferson City [Mo.] this week, including a proposed bounty hunter program for illegal immigrants. The proposed bill would pay people to catch those they believe to be in the United States illegally.
Senate Bill 72 was pre-filed to the Missouri legislature. It is sponsored by House Representative David Gregory. Gregory wants to pay Missourians $1000 to find and detain illegal immigrants in the state.
The first part of the bill reads that someone in Missouri illegally is “prohibited from voting in any election, receiving any permit or license to drive, receive any public benefit, and becoming a legal resident of this state.”
It’s important to note that it is already illegal to vote if you are not a citizen.
It also states the Department of Public Safety should develop an information system for people to report violations.
Civil rights attorneys are alarmed of course. But honestly, they’re already going so far with this already that I can’t see why they wouldn’t propose this and if the courts are going along with everything else they’re doing it’s hard to imagine they wouldn’t see this as perfectly reasonable. After all, they’re talking about ending birthright citizenship. Why would a little law that helped precipitate the civil war be a problem?
In case you don’t remember your U.S. history: An 1842 court ruling absolved states of any duty to cooperate in the recapture of former slaves who’d freed themselves by fleeing to the North.
In response, as part of the Compromise of 1850, the Congress passed and President Millard Fillmore signed the Fugitive Slave Act, which not only required state and local governmental officials to aid owners and their agents who’d come North to capture and re-enslave the runaways, but also required the same level of cooperation from all citizens. If a slaver was in the act of recapture, bystanders were required to help out.
Not surprisingly, the North greeted the new law with fury and resistance. Vermont, Maine, Connecticut, Massachusetts, Rhode Island, Michigan and Wisconsin all enacted “personal liberty laws” — the 1850s equivalent of California’s sanctuary state law — forbidding public officials from cooperating with the slave owners or the federal forces sent to back them up, denying the use of their jails to house the captives, and requiring jury trials to decide if the owners could make off with their abductees.
The Wisconsin Supreme Court ruled that the Fugitive Slave Act violated the Constitution’s 10th Amendment, which gave states the power to enact laws not specifically preempted by federal authority. (The Southern-dominated U.S. Supreme Court overturned that ruling on the eve of the Civil War).
Opponents of the Fugitive Slave Act also took to the streets (and jury rooms, where verdicts were rendered that freed some of the captives). Crowds would form to oppose and resist, sometimes forcibly, the apprehensions of African Americans.
According to H. Robert Baker, a historian at Georgia State University, “Whole sections of Milwaukee, Chicago, New York City and Boston became no-go zones for slave catchers.” Confronted with this level of resistance, Fillmore sent in federal troops to assist and protect the slave catchers.
History doesn’t repeat itself, but in our dispute over immigrants in the country illegally and our predecessors’ dispute over fugitive slaves, it takes no leap of logic or imagination to find the rhymes. Now, as then, one part of the country (President Trump’s disproportionately rural, white nationalist base) has enlisted federal power to enforce a legal regime in a different part of the country (racially diverse, immigrant-heavy cities) that views the law as morally repulsive and destructive of the social fabric.
Just as the slave catchers argued, speciously, that freed Negroes imperiled the antebellum North, today’s anti-immigrant forces, beginning with Trump, argue that immigrants pose a threat to public safety, though crime has fallen precipitously during the past quarter-century.
The only “crime” that most undocumented immigrants have committed — and the only one that places them in federal legal jeopardy — is that of being undocumented. Likewise, the only “crime” that most escaped slaves had committed — and the only one that placed them in federal legal jeopardy — was escaping.
Meyerson suggested at the time that there should be civil disobedience to protect undocumented immigrants, even sit-ins at ICE offices. I haven’t heard word of anything like that. I suppose everyone’s waiting to see what actually happens.
Trump said this morning that all undocumented people, not just criminals, have to be deported. And he also said that their American children will have to go with them because he “doesn’t want to break up families.” He did seem to make some exception for DREAMers, saying that he’ll talk to the Democrats about that. (I’m sure that just about putting together some proposal with a heinous poison pill the Dems can’t vote for so they can blame them for refusing to help the DREAMers.)
He once again declared that there will be a moment when a “beautiful young woman is being dragged out crying” and everyone will be upset but “we have to do it.” I think he’s looking forward to it.
Pete Hegseth on women in combat positions. Please show this one to your Senators especially the Sen. Joni Ernst (R-IA) she’s a combat veteran. Thank you for your service Sen. Ernst. I mean that sincerely. 7/7 pic.twitter.com/kCoZGgr3iH
I sill leave it to others to analyze what’s happening in Syria and the ramifications for the region and the rest of the world. I’ll link to good ones I run across later. But one thing does seem clear. The Russian government is on a losing streak and for good reason. Charlie Sykes offered this concise take:
Let’s start with V. Putin’s crappy weekend, shall we? The fall of Vlad’s Syrian bitch extends a remarkable run of reverses for the Russian czar-manque.
Phillips P. OBrien notes that since his invasion of Ukraine, Putin’s actions have “caused Sweden and Finland to join NATO and it looks like Russia [is going] to lose its base in Syria because it can’t keep enough forces in the area.” And since we’re toting up the butcher’s bill, Putin has managed to seize only “a relatively small part of Ukraine,” while Russia has “suffered more than 750k casualties and seen millions of young, educated people flee the country. Oh, and they squandered billions and billions of dollars and dislocated their economy.”
This continues to be very weird. In his comments yesterday on Truth Social he didn’t mention his good pal Erdogon and his interests in Syria and neither did he seem to understand that the US has been involved there for years, including when he was president. But then he doesn’t really care about any of that either so it’s not surprising. He did seem to be directing his Truth Social post to Putin saying something about how now is the time for the Ukraine war to end but it was incoherent. The whole thing is very odd.
He appeared on Meet The Press this morning. I’m sure it’s the last thing many of you want to see. But here are a few highlights you should probably watch.
Trump’s evidence for his lie that migrant gangs are taking over parts of Colorado is that he says it all the time at his rallies pic.twitter.com/LnPMt3Tr03
I don’t know about you but I felt my energy and anger return at seeing that miscreant say that he’s going to deport American citizens and well … everything else. He’s feeling his oats and he clearly wants revenge. And he’s obviously is counting on his henchman and hencwoman Patel and Bondi to help him get it. There is simply no doubt about it.
(By the way, I still have to use twitter for these because Blue Sky videos don’t render properly on this platform. Yet.)
He’s right that Assad has been deposed and that Russia and Iran basically said “we’re out” and let it happen. Other than that, this is the usual contradictory, puerile nonsense he spews when he doesn’t know what he’s talking about. He’s over in Paris acting like the president so he’s putting out statements like they are official US policy. They are not, at least not yet. He should just keep his mouth shut but he is incapable of that.
BTW, the US has almost a thousand troops in Syria but whatever…
Internet sleuths believe they have found the jacket worn by the gunman who killed UnitedHealthcare CEO Brian Thompson … and now it is morbidly flying off the shelves.
On Reddit, a user speculated the suspect’s jacket was a Sherpa Lined Two Picket Hooded Trucker Jacket by Levi’s … sold at Macy’s for the retail price of $225.
The jacket’s popularity has since spread like wildfire on the company’s website … where more than 6,000 people were viewing the jacket at the same time — and nearly 700 were sold in the past 48 hours, according to an item popularity tool on Macy’s site.
UnitedHealthcare CEO Shooter's Possible Jacket Flying Off Shelves After Sleuth Speculation | Click to read more 👇 https://t.co/8k5KQpeZbz
A grainy image of his face drew comparisons to Hollywood heartthrobs. A jacket similar to the one he’s wearing on wanted posters is reportedly flying off the shelves. And the words written on the bullets he used to kill a man in cold blood on a sidewalk on Wednesday have become, for some people, a rallying cry.
Three days after a gunman assassinated a top health insurance executive in Midtown Manhattan and vanished, the unidentified suspect has, in some quarters, been venerated as something approaching a folk hero.
The authorities have pleaded for help from the public to find the person who killed the UnitedHealthcare executive, Brian Thompson, who was a husband and father of two children. But in a macabre turn, some people seem to be more interested in rooting for the gunman and thwarting the police’s efforts.
Look, we’re all traumatized by what the Second Coming of Trump represents. Yes, wealth inequality that was bad got worse over the Reaganomics decades. Venture capitalist and early Amazon investor Nick Hanauer is famous for his almost-banned TED talk and his caution a decade ago to “Fellow Zillionaires” that pitchforks are coming for them. His message then:
Wake up, people. It won’t last.
If we don’t do something to fix the glaring inequities in this economy, the pitchforks are going to come for us. No society can sustain this kind of rising inequality. In fact, there is no example in human history where wealth accumulated like this and the pitchforks didn’t eventually come out. You show me a highly unequal society, and I will show you a police state. Or an uprising. There are no counterexamples. None. It’s not if, it’s when.
Hanauer has been preaching that message ever since, including in his Pitchfork Economics podcasts. But until this week the pitchforks always seemed metaphorical. Vivid imagery harkening back to 1931’s pre-Code Frankenstein, but metaphorical.
The celebration of a health insurance company CEO’s murder, even if a fringe phenomenon, lifts the lid on a submerged mood in the country that Hanauer saw ten years ago. It’s not unrelated to the racial and xenophobic animus that peeked out from under the sheets with the T-party after the election of Barack Obama. Donald Trump identified that mood and exploited it to get himself elected in 2016. Then after losing reelection in 2020 he threw accelerant onto it and loosed a MAGA mob against the seat of government in Washington, D.C. I’m still traumatized by that.
I’m as big a critic of the moderncorporation as anyone. We make Douglas Adams-inspired jokes about corporate bozos being “the first against the wall when the revolution comes.” But calling forth a real revolution with guns or guillotines and targeted murder against elites is a path this country should try to avoid.
It is as chilling as pitifully ironic to see blood lust for corporate moguls bubbling up on the website of Macy’s.
Syria’s armed opposition says its fighters have captured the capital, Damascus, and that President Bashar al-Assad has fled. His whereabouts remain unknown.
The commander of Hayat Tahrir al-Sham, Abu Mohammed al-Julani, says all state institutions will remain under the supervision of al-Assad’s prime minister until they are handed over officially.
Qatar, Saudi Arabia, Jordan, Egypt, Iraq, Iran, Turkiye and Russia issued a joint statement earlier in the night, describing the crisis as a “dangerous development” and calling for a political solution.
Seems the Islamist rebels already have their solution. The autocrat is gone. What comes next is the question. ISIS? A Taliban? Al-Qaeda?
We are here, by the N-5 Highway. Cars are moving on the highway with people returning to their homes in Syria for the first time in 14 years.
The joy of the people is insurmountable. We’ve talked to the civilians here as they transport their belongings back into the country. Their joy is shared across the Syrian geography – from Idlib to Hama, Homs, Damascus, and Deraa.
This is the most significant moment in the history of the Syrian revolution.
Two senior Syrian officers told Reuters that Assad had fled Damascus, his destination unknown. The report could not be independently verified.
The senior Emirati diplomat Anwar Gargash declined to say whether Assad was fleeing to the United Arab Emirates.
“When people ask where is Bashar al-Assad going to, I say, you know, when you really look at this, this is really at the end of the day a footnote in history,” he told reporters at a conference in Bahrain.
When opposition forces threatened Assad a decade ago, other government worried that an Islamist government might replace him (Washington Post):
What if Assad fell, analysts asked, only to be replaced by groups that Washington regarded as terrorists? The scenario was given a name: the “catastrophic success.”
The same question is being asked with urgency as intelligence agencies around the world contemplate the sweeping gains over the past week by the Syrian rebel group Hayat Tahrir al-Sham, or HTS — an Arabic name that translates to the Organization for the Liberation of the Levant.
The group’s pedigree is well known, with historic links to both the Islamic State and al-Qaeda. From Jerusalem and Amman to Washington and Paris, governments are bracing for the real possibility that Damascus could come under the sway of a militant faction that the United States has officially labeled a terrorist organization.
Updates are rolling in every few minutes. It’s too early to know much more. Not that the Sunday talkies won’t spend the morning asking “experts” to speculate. So if speculation your jam, have at it. The dust won’t clear for days.
The Steve Bannon plan is to overwhelm the media with Trump’s horrible nominees. What gets to the MSM, that makes them disqualified, isn’t the same as what makes it to late night comedy shows, or to Fox News, or RW social media.
Part of what we can do with our audiences is to show how weird these people are. There are serious reasons these people are horrible, that would disqualify them to normal people like us. But we need to also point out stuff that the MAGAs have a hard time with, but we can’t reach their channels. If we tried they’d say, “I thought you were COOL WITH DEI, gays, and leather daddies!” So we put stuff out saying, “We’re cool them being gay or leather daddies, but we are not cool with their policies to destroy our national security, are you?”
Frankly I don’t know which weird, corrupt, sick, incompetent or illegal activity of Trump’s nominees will knock them out of the process. But we need to find them and share them. And if we don’t succeed in knocking them out, we need to prepare for weaknesses in the crappy choices number 2 & 3.
What we find disqualifying, like failing to protect the people of Florida from bank fraud, THEY like! Such as when Bondi fired the Florida AG staff who were prosecuting the banks offering fraudulent loans. She got donations from one of the companies behind the fraud. The corporations would LOVE and AG that gives them a pass for fraud. So, we have to show all the Trump supporters who were harmed by Bondi’s failure as Florida AG, that she is not going to protect them in the future. (Sadly, people who lost their homes to mortgage fraud, and the attorneys who resigned or were fired don’t have a big lobbying arm, but they are available to talk on camera during a nomination hearing.
Yes, I know. That’s an oddly generic (some might even say silly) title for a post by someone who has been scribbling about film here for 18 years. Obviously, I love movies. That said, I am about to make a shameful confession (and please withhold your angry cards and letters until you’ve heard me out). Are you sitting down? Here goes:
I haven’t stepped foot in a movie theater since January of 2020.
There. I’ve said it, in front of God and all 7 of my regular readers.
It turns out that it is not just my imagination (running away with me). A quick Google search of “Seattle rain records” yields such cheery results as a January 29th CNN headline IT’S SUNLESS IN SEATTLE AS CITY WEATHERS ONE OF THE GLOOMIEST STRETCHES IN RECENT HISTORY and a Feb 1stSeattle P-I story slugged with SEATTLE BREAKS RECORD WITH RAIN ON 30 DAYS IN A MONTH. Good times!
February was a bit better: 15 rainy days with 4.1 hours a day of average sunshine. But hey-I didn’t move to the Emerald City to be “happy”. No, I moved to a city that averages 300 cloudy days a year in order to justify my predilection for a sedentary indoor lifestyle.
In fact it was a marvelously gloomy, stormy Sunday afternoon in late January when I ventured out to see Japanese anime master Makato Shinkai’s newest film Weathering with You (yes, this is a tardy review gentle reader…but what do you expect at these prices?). Gregory’s Girl meets The Lathe of Heaven in Shinkai’s romantic fantasy-drama.
That excerpt is from my review of Weathering With You, published February 9, 2020. If I had only known of the more insidious tempest about to make landfall, I would have savored that “…marvelously gloomy, stormy Sunday afternoon in late January” (and every kernel of my ridiculously overpriced popcorn) even more.
Of course, I’m referring to the COVID pandemic, which would soon put the kibosh on venturing to movie theaters (much less any public brick-and-mortar space in general) for quite a spell. Keep in mind, I live in Seattle, which is where the first reported outbreak of note in the continental U.S. occurred; I think it’s fair to say that the fear and paranoia became ingrained here much earlier on than in other parts of the country (and justifiably so).
Well, that’s all fine and dandy (you’re thinking)…but hasn’t the fear and paranoia abated since everything “opened up” again in (2022? 2021? I’ve lost track of the time-space continuum)? Here’s the thing-even before the pandemic, I had been going to theaters less and less frequently due to physical issues. I won’t bore you with details, suffice it to say I had both knees replaced (the first in 2014, the second in 2016)…but it didn’t quite “take”. And admittedly, I still mask up whenever I go to any public venue (including the grocery store). Perhaps that all adds up to “functional agoraphobia” (maybe one of you psych majors can help me out here?).
And you know what? I’m also tired of dealing with traffic, parking hassles, fellow theater patrons who are oblivious to people with disabilities, and astronomical ticket prices (add the $7 box of Junior Mints, and it’s cheaper to wait several months and just buy the Blu-ray).
And get off my lawn, goddammit.
Anyhoo, I haven’t been dashing out on opening weekend to see many first-run films in recent years; at least not the major studio releases that are playing on a bazillion screens. But thanks to “virtual” film festival accreditation, I am still able to screen and review a number of “new” movies (albeit many that have yet to find wider distribution).
So that is my long-winded way of explaining why I have decided not to entitle this (obligatory) end-of-year roundup as “the best” 10 films of 2024. Rather, out of the new films I reviewed on Hullabaloo this year, here are the 10 standouts (sans sand worms or wicked witches). I’ve noted the titles now streaming …hopefully the rest are coming soon to a theater near you!
Bonjour Switzerland (original title: Bon Schuur Ticino) – Bananas meets The Mouse That Roared in this refreshingly old-school political satire directed by Peter Luisi. Beat Schlatter (who co-wrote the screenplay with the director) stars as a mild-mannered German-speaking federal agent who gets tasked with overseeing implementation of a controversial new Swiss law that mandates French as the country’s official language (in true Peter Sellers fashion, Schlatter also plays the high-profile media demagogue who pushed for the law). Problems quickly pile up for the hapless agent; he can barely speak French, his dear old mom becomes radicalized, and he finds himself falling for an Italian woman who belongs to a separatist group he’s been assigned to infiltrate. OK, I’ll say it: This is a hilarious, good-natured romp.
The Dog Thief (original title: El ladrón de perros) – The future doesn’t look so bright for orphaned, semi-literate working class teenager Martin (Franklin Aro). Cruelly ridiculed by his bourgeois schoolmates, Martin ekes out a meager living as a shoeshine boy on the streets of La Paz and is only afforded lodging by the good graces of his late mother’s friend, who works as a maid in the spacious home of an ailing widow. Martin’s most loyal shoeshine customer is well-to-do tailor Mr. Novoa (Alfredo Castro). Novoa is an empty-nester who spends his off-hours training and pampering his prized German Shepherd.
One day, Martin has a sudden brainstorm for a get-rich-quick scheme; he will kidnap Mr. Novoa’s dog and then enlist his best bud to “find” it and collect the reward. As Martin ingratiates himself into insular Mr. Novoa’s life (initially as part of the scheme), an unexpected bond develops between the two, greatly complicating Martin’s not so-masterminded caper.
Reminiscent of P. T. Anderson’s Hard Eight, writer-director Vinko Tomičić Salinas’ film makes excellent use of the La Paz locales, rendered in a decidedly neorealist style (not so surprising, given the title’s wordplay on Vittorio De Sica’s neorealist classic Bicycle Thieves). Keep an eye on this filmmaker.
Hacking Hate – Move over, Lisbeth Salandar…there’s a new hacker in town, and she’s stirring up a hornet’s nest of wingnuts. Simon Klose’s timely documentary follows award-winning Swedish journalist My Vingren as she meticulously constructs a fake online profile, posing as a male white supremacist. Her goal is to smoke out a possible key influencer and glean how he and others fit into right-wing extremist recruiting.
Vingren is like a one-woman Interpol; her investigation soon points her to U.S.-based extremist networks as well, leading her to consult with whistle-blower Anika Collier Navaroli (the former Twitter employee who was instrumental in getting Trump booted off the platform) and Imrab Ahmed (another one of Elon Musk’s least-favorite people, he was sued by the X CEO for exposing the rampant hate speech on the platform).
This isn’t a video game; considering the inherently belligerent nature of the extremist culture she is exposing, Vingren is taking considerable personal risk in this type of investigative journalism (she’s much braver than I am). Especially chilling is the shadowy figure at the center of her investigation, who is like a character taken straight out of a Frederick Forsyth novel. In light of the results of our recent presidential election (and the ancillary right-wing extremist threats to our democracy), this could be the most important documentary of 2024.
In Our Day (original title: Uriui haru) – Look in the dictionary under “quiet observation”, and you’ll find a print of auteur Hong Sang-soo’s character study of two artists (a 40-ish actress and an aging poet), each at a crossroads in their creative journey. Sang-soo’s beautifully constructed narrative chugs along at the speed of life; I understand that this may induce drowsiness with some viewers-but the devil is in the details, and those who pay close attention to them will be richly rewarded.
(Available on Google Play and Apple TV)
Linda Perry: Let it Die Here – Initially bursting onto the music scene in the early 90s by creating and belting out the most distinctive “yeah yeah yeah” hook this side of The Beatles’ “She Loves You” (“What’s Up”), Linda Perry has long since slipped the surly bonds of “4 Non-Blondes’ lead singer with the hat” to become an in-demand songwriter and producer for a number of notable artists (Adele, Christina Aguilera, Brandi Carlisle, Miley Cyrus, Celine Dion, Gwen Stefani, et.al.).
What makes this otherwise by-the-numbers music doc (directed by Don Hardy) really pop is its subject herself: charismatic, indomitable and boundlessly creative. One sequence, which observes Perry as she improvises, produces and arranges one of her own songs (essentially directing an orchestra on the fly) is one of the most riveting captures of the creative process I’ve seen on film since Godard’s Sympathy for the Devil.
The Old Oak – The bookend of a triptych of working-class dramas set in Northeast England (preceded by I, Daniel Blake in 2016 and Sorry We Missed You! in 2019), The Old Oak marks 87-year-old director Ken Loach’s 28th film.
The story (scripted by Paul Laverty) is set in an economically depressed “pit town” on the Northeast coast of England in 2016 (which was 2 years into the implementation of the UK’s Syrian Vulnerable Persons Resettlement Scheme), and centers on TJ (Dave Turner), a former labor organizer barely making ends meet as owner and proprietor of “The Old Oak” pub.
One day, a busload of Syrian refugees appears and disembarks in the center of town. Unfortunately, not all the locals appear willing to roll out the welcome wagon. When xenophobic catcalling escalates into a scuffle that results in a young Syrian woman’s camera getting damaged, TJ intervenes and defuses the situation.
What ensues is rife with Loach’s trademarks; not the least of which is giving his cast plenty of room to breathe. The ensemble (which ranges from first-time film actors to veteran players) delivers uniformly naturalistic performances. Hovering somewhere between Do the Right Thing and Ikuru, The Old Oak is raw, uncompromising, and genuinely moving (rare at the multiplex nowadays), with an uplifting message of hope and reconciliation. If this is indeed its director’s swan song-what a lovely, compassionate note to go out on. (Full review)
(Available on Google Play, Amazon Prime, Fandango at Home and Apple TV)
Rainier: A Beer Odyssey –“Raaay-neeEER-BEEERrrrr….” If you lived in Alaska or the Northwest in the 70s and 80s, you’ll “get” that-and likely start chuckling. That said, you don’t have to have lived in Alaska or the Northwest to get a chuckle out of Isaac Olsen’s documentary. Olsen recounts the origin of the small (and unconventional) Seattle ad agency led by madmen Terry Heckler and Gordon Bowker that dreamt up a series of now-iconic Rainier Beer TV ads. A many-tendrilled odyssey indeed, with some unexpected sidebars (like cross-pollination with the inception of the Starbucks empire, and the story behind Mickey Rooney’s involvement with the campaign). A fascinating, entertaining look at the process behind the creative side of marketing, bolstered by a generous helping of the original TV ads.
Restless -Writer-director Jed Hart’s audacious and blackly comic debut feature is driven by a terrific performance by Lyndsey Marshal, who plays a mild-mannered elder care nurse who likes nothing better than spending her off-hours baking, listening to light classical music, and settling in with her cat for some reading and quiet time. Imagine her chagrin when it becomes abundantly clear that her new next-door neighbor likes nothing better than hosting all-night ravers…every night of the week.
Her first few polite requests (usually made around 4am) for the young man and his friends to keep it down are initially met with bemusement, but the situation takes a more sinister turn once she threatens to call the police. The woman’s steady descent into madness and desperation turns a “neighbor from hell” story into a modern Edgar Allan Poe tale. A satisfying revenge fantasy for anyone who’s “been there”, and a solid reinforcement for the old adage, “Watch out for the quiet ones.”
Solitude (original title: Einvera) – Ah, look at all the lonely people. Ninna Pálmadóttir’s quiet drama concerns an unassuming farmer named Gunnar (Thröstur Leó Gunnarsson) who reluctantly sells his beloved horses and relocates to Reykjavik after getting pushed off his land by a hydroelectric project. He has received a generous settlement, which enables him to offer cash for a condo.
For Gunnar, moving to the city is tantamount to getting drop-kicked into the 21st Century; he is overwhelmed by the stimuli. He strikes up a sweet friendship with a bubbly 10-year-old paperboy named Ari. The boy’s parents are separated. While they try to share equal time with their son, squabbles arise over scheduling conflicts, frequently leaving Ari in the lurch. As a result, Gunnar becomes his de facto babysitter. Gunnar’s naivety eventually leads to a misunderstanding that could have serious consequences for him. A beautifully acted treatise on the singularly destructive power of “assumption”.
Under The Grey Sky (original title: Pod szarym niebem) – This “ripped from the headlines” political drama is set during the 2020 Belarusian election. In a genuinely tense and unnerving opening scene, a journalist (Aliaksandra Vaitsekhovich) opposed to the current regime is in a friend’s apartment, live streaming an aggressive police action against demonstrators on the streets below.
Soon after an ominous pass of a police camera drone, the authorities burst in and arrest her. As her Kafkaesque nightmare ensues in the oppressive government’s court system, her husband (also a journalist) suffers his own travails as he is harassed by the police and eventually arrested on trumped-up charges. Based on a true story, writer-director Mara Tamkovich’s film is a sobering reminder that Orwellian totalitarianism is not dead…hell, it’s never even been resting. And yes…it could happen here.
…and just for giggles
Holy Krampus…have I really been writing reviews here for 18 years?! I was but a child of 50 when I began in November of 2006 (I was much older then, but I’m younger than that now). Here are my “top 10” picks for each year since I began writing for Hullabaloo.
(You may want to bookmark this post as a handy reference for movie night).
