I can’t wait for the new movie about Trump and Roy Cohn. Trump has threatened to sue but nobody seems too exercised about that. One of the investors, Dan Snyder owner of the Washington Commanders (formerly the Redskins), has been gnashing his teeth about it, although he doesn’t appear to have any say in the final cut. It’s controversial to say the least.
The script is by Gabriel Sherman who writes for Vanity Fair and had hit with the movie about Roger Ailes called The Loudest Voice starring Russell Crow. This one is about Trump and Roy Cohn — Trump is the apprentice in this one. (I wrote a little bit about their relationship just the other day.)
Anyway, this sounds really interesting. It stars Jeremy Strong, who played Kendall Roy in Succession, as Cohn. Perfect. Here’s a little bit of the review in The Hollywood Reporter:
Beyond the specific portrait of the man identified by his vanity plates as DJT (Sebastian Stan) and the barracuda who took him under his wing, Roy Cohn (Jeremy Strong), the movie takes a broader view of the corruption of the American soul.
It stretches from the crooked end of the Nixon years, a boon for sourness and cynicism, through the Reagan presidency and the ascendancy of corporate greed. That time span consecrated the supremacy of the “winner” and the contemptuous mockery of the “loser,” one of the most obnoxious commonplace denigrations in American life. The chief tenet Trump learns from Cohn takes the distinction one step further, asserting that the world is divided into killers and losers.
Sherman’s script zooms in on Trump when he’s a lieutenant in the employ of his real estate baron father, Fred Trump (Martin Donovan, scary), collecting rent from tenants who obviously loathe the landlord and his policies. The family business is under attack in a civil rights suit alleging violations of the Fair Housing Act, stemming from Trump Sr.’s discriminatory policies against Black prospective tenants. “How can I be racist when I have a Black driver?” bellows Fred.
Donald is eager to get out from under the old man’s shadow. The opening sequence shows him striding through the heart of Manhattan, a less graceful version of Tony Manero in Saturday Night Fever, at a time of rising crime and fiscal disaster, when the town’s reputation had gone from “Fun City” to “Fear City.” His eyes are fixed on the crumbling Commodore Hotel by Grand Central Station, the site of his first luxury development.
Cohn:
The lawyer who proudly sent the Rosenbergs to the electric chair and was a key force in the McCarthy witch hunts is a great role for Strong. He makes the character suitably icy, a fast talker with a withering stare and an almost inhuman intensity. The actor has fun with the hypocrisy of an unapologetic dirty trickster who claims unwavering fidelity to “truth, justice and the American way.” Sherman makes sure we see how the entire Trump playbook was forged out of their alliance.
It’s somewhat predictable that when Cohn early on explains his three cardinal rules, Trump will later claim credit for them as his own credo: 1. Attack. Attack. Attack. 2. Admit nothing. Deny everything. 3. Claim victory and never admit defeat.
While there are faint glimmers of a moral conscience in some of Stan’s early scenes, such concerns are quickly swept aside once Donald starts seeing the results Cohn gets with bullying chicanery. His gaze hardens, along with his lacquered hair, as he begins to construct a persona based on Cohn’s teachings.
It goes into the marriage with Ivana, (which Cohn was against.) There is apparently a rape scene, which was on the record and Trump is reportedly livid about it. Sorry dude — she testified to it in your divorce.
It might be considered a cheap shot to show Trump undergoing liposuction and a hair transplant in queasy detail at a grave moment for someone close to him. But that kind of disconnect from anyone else’s suffering is a key part of the portrait. What Abassi’s film reveals most of all is the extent to which the toxicity that’s now an inescapable part of our contemporary reality was shaped by the unholy alliance between two men half a century ago.
This sounds fascinating. I can’t wait.